Wednesday, December 31, 2003
Made it back and not a moment too soon. Those Deacon Blue folks are grand people but I'll have to say "No Thankyer" to their brand of pop. Huge audiences, Amy went down well but I was somewhat traumatised by having to endure a whole set in Glasgow last night. Anyway, it was all for a good cause and once I stop twitching I'll get to trying to compile a wee list of belters that might have got away. Our friends in the USA who have HBO are to be blessed with an all-new season of Curb Your Enthusiasm starting January 4th and The Sopranos on March 7th (info via the same link as Curb). About bloody time too... I'll be having a drip feed of Larry David action today methinks to stabilise me after my seasickness caused by that choppy trip on the ol' ship called dignity, dagnabbit!
Monday, December 29, 2003
Bazooka Joe Turns 50. And while we're at it, why not dig these BJ archives and his latest "how to win $50.000" scheme.
Sunday, December 28, 2003
From X-Ray Specs to Sea Monkeys, Super Marketing is a site dedicated to the most memorable and audacious ads from American comic books.
While preparing for yet another night of serious food consumption on Thursday, we joined some friends on a visit to the Centraal Museum, located only a few blocks from HQ, and again we were amazed at all this beauty on display so close to home and wondered why we don't check on it more often. The place holds the largest collection of Rietveld designs in the world, probably the only collection of work by Dick Bruna (the creator of Miffy !) and a wealth of other stuff. Heck, what I'm trying to say is; next time you head over here to Utrecht for the record fair, take some time out and dig some local culture, you'll be surprised.
Saturday, December 27, 2003
Friday, December 26, 2003
As some of might or might not know, but should know because The Trash Can has been going for a few years now, I have been presenting this show on various radio, internet, and what not stations all over the world. From WCR to Total Rock and now at the legendary and world famous Radio Caroline, the original Radio Caroline pirate station broadcasting from a boat several miles offshore in international waters, started in 1964. While there only 1 month, I've come up with a plan that only yesterday was told that if I can get as much support in the form of emails during the show and callins, as each show is taped and the show will be sent to the "powers that be". So put your voice on record, and send in emails to the studio. All will be saved to pass on and this iswhat might be able to convince them at Radio Caroline to go ahead with the following plan....
It's been discussed to upgrade the present show, which seems to be stuck in the very safe mud it originally was set to bypass way back then. Something urgently was needed and my Trash Can was like a breath of fresh air to some, while a pain in the ass to others, who keep asking me to play Cliff Richard and the such. Hence the need to start another Radio Caroline, possibly called Pirate Caroline. The Ross Revenge,which you can see pictures of once you log on to the Radio Caroline web site, is a massive 100 ton frieghter that was used when the station was truely pirate and out in the safe waters. It is the biggest and most beautiful of all the pirate ships around. It is Radio Carolines own and could be yours- ours, if we get enough support!
My idea is to bring the ship to London, towed slowly for effect, and also because one of its engines is down, moor it permanently along the Thames near public transport, use the radio room which is still intact and can transmit over the whole of the SE of England on AM as well as on the net and SKY at the moment. I have enough equipment to kit out a proper 24 track analogue studio on board to record live sessions with some of your favourite bands, release some of these sessions on the new label assoiated with the whole plan, "Pirate Records", and turn the massive decks below into a truley fab venue. I've been told that it can hold several hundred people and even these gigs could be recorded and sent out live on air.
This is the chance to finally bring what I believe, and I hope all of you do as well, the bestest, most coolest scene that we've all been part of for so long. We've been waiting for something as big as this to finally catapult it into a massive movement so that more and more people get to know some of the finest bands and musicians who might otherwise keep struggling in the many clubs now dedicated to this music. The scene is real. You are all part of it and you all know the kinds of groups we are talking about....The Parkinsons, The Maggotts, The Dirty, The Mighty Stars, the many Swedish and Scandinavian groups-too many to mention, The Buff Medways, Billy Childish, Thee Excitors, the Unchayned, the Solar Flares, 53rd and 3rd, Hot Wires, Beatings, The Cannibals and so many more groups you've come to see and love hearing. The Trash Can plays all this stuff, demos that might never get heard elsewere, Stooges, Dolls, Cramps, Pebbles and Nuggets stuff, obscure garage and classic garage, the Sonics, 13th Floor Elevators, Chocolate Watchband, Electric Prunes..and on and on....
This could be a turning point from turning something big and growing into one of the biggest movements since the original punk days..really..it could happen but I must show the support for Radio Caroline letting me carry on with this ambitious venture. The format of the station will also include other really cool and exciting programs from other stations and great music throughout the day and night from Rock, to Metal, to Reggea to chat shows of really cool topics (underground Graffiti, and stuff not usually heard in public for obvious reasons)..all kinds of stuff you'd love to just turn on your radio 24/7 and just groove to...
It can all happen very quickly as the 40th Anniversary for Radio Caroline is only a few months away and things must be in place by then. Also, a few hours later, Sunday, December 28th, the boat will be open to the public so you can come and see it as well! Me and Paul will be there if we survive the show a few hours before. The number to call for that is 07890270049 and Vaughn is the man who will take names. By the way, the boat is easy to get to as it is almost directly under the old bridge in Rochester, Kent off the Strood Pier. People should be there before 11am.
The Trash Can, on Radio Caroline is easy to listen to but log on early because you might have to load a different streamer to listen to on the net. The one the station uses is Live365 and to register might take a few minutes. The instructions on how to get onto SKY are on the web site and the telephone number to callin we will repeat often (I know its 016824400 but I'm only 90% sure!!). Email the studio is right there as well...
Don't forget...it's Midnight Sat 27th December till Sunday morning 3am UK time. Please stay up and tune in....it's really important this time! I've worked fucking hard to get this music this far..as well as Paul from The Dirty Water Club and loads of you...
"Dreams can come true..for cool people like me and you..
just think of what you'd love to do...put one foot in front of another....
and just follow it through!"
Cheers,
Mike Spenser
www.radiocaroline.co.uk
piratetrashcan@hotmail.com
The Legendary Too Drunk – Hobson’s Choice
At last the long promised mini-album from Too Drunk that by my conservative reckoning has been a cool sixteen years in the making. Think chunky rambunctious garage pop with Johnny Thunders guitar lines and cheesy organ fills. “Hobson’s Choice” comprises of eight memorable originals that will have you smiling from ear to ear and swinging from the light fittings in no time. In my opinion “Here Come The Good Times” and “The Shape I’m In” are two of the best songs to come out of the UK garage rock scene over the last few years. Rest assured that Too Drunk are a psychedelic garage band guaranteed to whisk you away on a “Magic Carpet Ride” and no mistake.
Uptight – Collars & Cuffs E.P.
The latest three track offering from this Yorkshire-based Mod band with strong garage rock leanings. Uptight has been recording infectious garage-pop-soul for the best part of three years and still remain without a record label. A bit of minor tragedy in my book. This time round on CD-R they pilfer from the Creation while adding a bit of the Supremes for “If It’s All The Same To You”. The other two tracks, “Technicolour TV Head” and “Collars & Cuffs” ain’t bad either. On disc or on stage, Uptight clearly enjoy what they are about. Somebody sign this band before the next hyped wannabies from Detroit hit town.
The Flakes – Stayin’ Single
A CD-R of their first two 45 rpms with a couple of extra bonus cuts. When the Flakes played the Dirty Water Club recently they visually reminded me of yet another 1960s fixated garage band, forunately they proceeded to deliver a set in an altogether more ‘70s punk manner. Perhaps it had something to do with the presence of ex-Mummie, Russell Quan, on drums, or even the fact that they were selling DMZ t-shirts on the merchandise stand. Blimey O’Conolly, if you dig the magic that DMZ applied to various nuggets then you will enjoy the Flakes big time. Step this way for loud, sloppy, and fun renditions of “Bip Bap Boom”, “Good Good Luvin’” and “Long Gone”. The disc is available at shows or from the band’s website.
1. Dirtbombs - Dangerous Magical Noise. (In The Red)
2. Leg Hounds - The Leg Hounds Date Your Daughters (Screaming Apple)
3. Fleshtones - Do You Swing? (Yep Rock)
4. Holly Go-Lightly - Truly She Is None Other (Damaged Goods)
5. Kidnappers - Ransom Notes & Telephone Calls (Alien Snatch)
6. Master Plan - Colossus Of Destiny (Demolition Derby)
7. Star Spangles - Bazooka (Capitol)
8. Little Killers - Little Killers (Crypt)
9. Turbonegro - Scandinavian Leather (Burning Heart)
10.White Stripes - Elephant (XL)
Re-issues:
1. v/a - Miami Sound (Soul Jazz)
2. v/a - Funk Soul Sisters (BGP)
3. v/a - 600% Dynamite (Soul Jazz)
4. v/a - A Soldier's Sad story (Kent)
5. Jackie Mittoo - Last Train To Skaville (Soul Jazz)
6. v/a - Looking Good (BGP)
7. Joe Gibbs - Roots, Culture, DJs and the Birth of Dancehall (Soul Jazz)
8. v/a - The Complete Meteor Rockabilly & Hillbilly Recordings (Ace)
9. v/a - The Dial Records Southern Soul Story (Kent)
10.v/a - Nice Up The Dance (Soul Jazz)
Thursday, December 25, 2003
Tuesday, December 23, 2003
Hi, I wonder if you can help me. I'm Dave, Steve Lewins' brother. Steve was with the Count Bishops in 76-77ish and I saw your mention of them in July on your site but i've lost touch with him totally. In fact if the truth be known, i haven't seen him since 97 when we had a bit of a falling out like brothers do. But loads of water's passed under the bridge since and i'd love to find him again. I gather he's living in or around Amsterdam and playing guitar on the streets. Is there anyone/way you know (contacts/news or whatever) that i could talk to whlo might know any news of him? I called mike spenser from the bishops and he now djs for radio caroline and he's kindly going to try to put the feelers out on air for me.Then i saw your site after some trawling and thought i'd ask you too. I'd be really grateful if you could shed any light.
all the best, dave lewins, manchester uk
If anybody has any info then send it here and we'll pass it on.
Monday, December 22, 2003
While takin' a short break from puttin' the final touches on the reshapin' of HQ, I figured it 'd be a good time to give you some kinda update on what's up around here and hip you to some recent news. OK, discs first: Norton's latest releases have been a mainstay on the ol' hi-fi lately. The Roky Erickson set 'Don't Knock The Rock' is great collection of rehearsal recordings (from '78 with the definitive Aliens line-up), that sees our man messin' about w/ a bunch o' 50s covers to great effect, plus a number o' Roky originals that are new to me like the great 'Things That Go Bump In The Night'. Excellent liner-notes by long time Roky fan and former Angry Samoan Gregg Turner are the icin' on the proverbial whatsis. Also be on the look-out for the Norton distributed 'A Starlight Date With Richard Marsh', a solid set that rounds up Sky Saxon's earliest (pre-Seeds) sides from the time was modelin' himself as a teen idol. The voice is already easily recognizable, and tho' some of you hard-liners might think some of the ballads are "too soft", there's no mistakin' the upliftin' power of tune like 'Do The Swim'. Still on heavy rotation are Norton's re-issues of the first four Gene Vincent LPs and according to their latest mailorder catalogue there's two more on the way. Speakin' of which; Other discs promised for the new year by our fave Brooklyn label are; Real Kids's early demos 10", three part 'Forth Worth Teen Scene' series (remember those two Big Beat releases from way back when?), Nervous Norvus demos LP (!), Arch Hall JR full-length, Johnny Burnette demos, Dictators live set (!!!), Ron Haydock's up-till-now-CD-only '99 Chicks' will finally make it to vinyl using the label's new "Reverse Technology", a Cha Cha label comp (home of Haydock ao), 2nd vols of both 'Wolf Call' and 'Aliens, Psychos And Wild Things', and finally a Triumphs (of 'Surfside Date' fame) EP. Dunno if all you web crawlers still do some authentic old school reading (books that is), but if so may I recommend Brett Milano's 'Vinyl Junkies' (St Martin's Press), a hilarious look at the more extreme forms of the disease know as "record collecting". Most of the better known wax-hounds get their say, includin' Thurston Moore, Miriam Linna, Robert Crumb, the Peters Buck, Wolf and Holsapple and everybody's favorite lunatic/madman Jeff "Monoman" Conolly. Anybody who has ever looked in bewilderment at those tiny CD racks they're sellin' all over the place (you know, the ones that hold about 10 or 20 discs), and figured you'd need at least several hundred of those to store your collection, will recognize something in here. Earlier today I picked up John Collis' new Ike Turner bio 'King Of Rhythm' (Do Not Press), When I handed the book to the girl behind the counter she said "are you aware this man is a wife beater?", "of course" I replied, "I'm looking forward to read the full details in here", after which the rest of the transaction was made in complete silence. Hardly made any inroads into the main text yet, but scannin' the massive discography I was amazed on how many great discs Ike was involved. Christ, he's even there on Otis Rush's Cobra recording of 'Double Trouble', one of my all-time fave blues tunes, and I had never noticed before !. Back to vinyl: To promote the recent Nomads tribute disc, the Wild Kingdom label has released a very limited split 45 of the Nomads and Hellacopters both tacklin' the former's 'Pack Of Lies', grab while it's out there, 'cause it's limited as heck. And with the festive season upon us why not skip the latest offerin' from the Darkness and head for the 5.6.7.8's 'Rock and Roll Santa' 45 on Norton or the Buff Medway's 'Merry Christmas Fritz' on Damaged Goods. OK, that's it for now, I'll be sure to post my "best of 2003" list in the next couple o' days as requested by a number of you (and hopefully Lindsay 'n Steve 'll do likewise). A merry Christmas to you all, and take it easy on the turkey....
Sunday, December 21, 2003
You folks like records, right? Here's a Glasgow-based emporium that you might like to have a trawl through...Black Vinyl Records! Better than having to go among the Christmas Shoppers...
Wha' Happened?! It seems like European audiences are gonna get a crack at seeing A Mighty Wind in movie theatres after all. Those of you with multi-regional dvd capability might like to order the dvd from the US because there's a ton of extra stuff on it and as entertainment goes it's pretty bloody hard to beat. Why does it take so long for good stuff to be released? Because cinemas are choked with guff for the scumhordes of course.
Friday, December 19, 2003
Country singer Stewart, known for "Actin' Single" hit, dies (from The Associated Press)
FORT PIERCE, Fla. -- Country music singer Gary Stewart, who gained some popularity in the 1970swith his true-to-form honky tonk style, died in Fort Pierce. He was 58. Stewart died of an apparent self-inflicted gunshot wound, according to police. His wife of 43 years died last month and he was last seen by relatives on Sunday. His body was found in his home Tuesday. Police do not expect foul play. A native of Letcher County, Kentucky, Stewart has been called a compelling songwriter and was a performer of guitar-driven Texas honky tonk. His last album was released this year, entitled "Live at Billy Bob's Texas." Some of his honky tonk hits include: "Drinkin' Thing," "Out of Hand" and "She's Actin' Single (I'm Drinkin' Doubles)," which hit No. 1 on the Billboard chart in 1975. Stewart described himself in one song title as a "flat natural-born good-timin' man."
A public service announcement from Allen Henry -
"Fan of Steve Treatment (77-78 DIY punk, recorded first single with the Swell Maps)? If so, he's got a fantastic free xmas single available as an mp3 on our website
It's kind of glam rock / over the top! (better than The Darkness' xmas effort) there's also a spectorish/bolanesque xmas message by mr treatment. have a look and download it.... Our site's based in ayrshire and has a load of old nyah fearties info and our band the NoMen doing versions of old DIY punk stuff... have a guid new year."
"Aussie rock 'n' rule kings You Am I are due to play a one-off gig at London's Shepherd's Bush Empire on January 25th, where they'll be supported by fellow Transcopic Records artiste Billy 'overrated' Childish, plus former Blur twonk Graham Coxon, who actually owns the label. If any NBT readers have never seen YMI before, then get ready for a sweetly sussed riff machine that reflects a great lurve for The Replacements, Kinks, Big Star, Bobby Bland, Mummies, Faces and a whole host of faves ... Having enjoyed FOUR (count 'em) No. 1 albums downunder, and taken The Dirtbombs on tour (no less), mebbe it's finally time the rest o'the world woke up to the fact that it's preedy much been missing out on one of the finest combos of the past decade. Check HERE!. This pic of Tim and ver lads shows 'em hangin' wiv yer actual 'Stones when they supported 'em last year (mmm, Sir Mick looks a dick, don't he?). Luv & 45s, Joss (Sonic Reducer)."
Tuesday, December 16, 2003
Sunday, December 14, 2003
Saturday, December 13, 2003
FOR IMMEDIATE RELEASE - DATELINE: BROOKLYN NY
NORTON RECORDS PRESENTS… A GIANT HOLIDAY SHOW AND DANCE!
Saturday Dec 27 9 PM
Southpaw, 125 Fifth Avenue, Park Slope Brooklyn New York (718) 230 0236 Club info at http://www.spsounds.com Tickets $20 online at http://www.ticketweb.com or at Wowsville Records, 125 2nd Avenue, NY NY
Brooklyn-based Norton Records celebrates our founder Billy Miller’s 50th birthday with the ultimate all-Norton Rhythm & Blues/Soul Spectacular hosted by RUDY RAY MOORE and featuring Norton artists Andre Williams, King Coleman,
Nathaniel Mayer, Gino Washington, The Mighty Hannibal, Lonnie Youngblood, The Great Gaylord and the Soul Shakers! Doors open at 8 and the non-stop show starts at 9 PM sharp! Don't be late, you won't want to miss a moment!
Join us on this very special night with our top soul artists! After the stage show, top NYC DJ Mr Fine Wine will spin the wildest and most favorite singles with local record spinners and wax hounds through til 4 AM so please, comfortable shoes and a change of underwear, as always, are recommended! Mingle with the stars and let's get them to teach us how to Fishin Pole, Greasy Chicken, Mashed Potatoes, the Frog and mo'!Tickets are available at Wowsville records, 125 2nd Avenue in NYC and at www.ticketweb.com. See you all there!
The Southpaw is a beautiful new club with great sound, dance floor, clean restrooms, massive bar and dark corners with cushy seating for any attendees avoiding other attendees! (Southpaw, 125 5th Ave. at Sterling Place, Brooklyn NY) telephone (718) 230-0236. www.spsounds.com Get tickets now!
CHECK THE NORTON WEBSITE FOR THE BEST REASON TO END THE YEAR IN THE WINTERLAND HINTERLAND-- BROOKLYN, USA!!
ANDRE WILLIAMS Andre Williams’ career took off with Bacon Fat, Goin’ Down To Tijuana, The Greasy Chicken and the lascivious Jail Bait . Mr. Williams enjoyed success as a member of the Five Dollars as well as a solo artist on Detroit’s reknown Fortune Records label. Known as “Mr. Rhythm”, he was also instrumental early on at Motown, working with the acts including the Contours and Mary Wells. He also worked as an independent producer, scoring with the Five Du-Tones’ Shake A Tail Feather in 1963. Mr. Williams found further success as an artist in 1968 with Cadillac Jack. In recent years, he has released over a dozen albums and toured the world several times. In 1999 alone, he performed over 200 live shows, and toured Europe on four separate occasions that year. This year, Mr. Williams headlined in Las Vegas and has just returned from a southern states junket. His latest Norton album HOLLAND SHUFFLE, was recorded live in the Netherlands and features a superbly executed cross section of career hits and new recordings. Mr. Williams currently resides in Chicago, where he continues to write and record.
KING COLEMAN This Miami disc jockey scored his first hit in 1959 with (Do The) Mashed Potatoes backed by James Brown and his group. He spent much of the sixties on the road as a singer/master of ceremonies, and hosted countless shows at New York’s Apollo Theatre. He recorded dance classics like Alley Rat, Bull Dog and Show Me What You Got for a host of labels. The King would reunite with James Brown for the classic Boo Boo Song in 1967, before entering the ministry. Today King Coleman is Miami’s number one gospel disc jockey and is enthusiastic about his new Norton collection IT’S DANCE TIME, which collects the best from this true legend.
NATHANIEL MAYER Detroit artist Nathaniel Mayer needs no introduction. His 1962 hit Village Of Love on Fortune Records remains a superlative standard in the hearts of soul and R&B fans worldwide. After a long period out of the limelight, Mr. Mayer has returned to the stage, stunning audiences with fiery renditions of his Fortune label killers such as I Want Love And Affection (Not The House Of Correction) and I Had A Dream. He brings is atomic stage show to New York on the heels of public acclaim for his latest Norton single I Don’t Want No Bald Headed Woman Telling Me What To Do. Mr. Mayer resides in Detroit, where he can be reached for interviews and bookings.
GINO WASHINGTON This dynamic Detroit soul legend had scored two monstrous Motor City hits in Out Of This World and Gino Is A Coward by the time he was eighteen. As a teenager, he even headlined over the Rolling Stones on their first Detroit appearance! Gino recorded dozens of singles, all collected on two Norton collections entitled OUT OF THIS WORLD and LOVE BANDIT. Aside from his own vocal recordings, Mr. Washington branched out into production, piloting countless Motor City singles, notably Nathaniel Mayer’s I Don’t Want No Bald Headed Woman Telling Me What To Do. Both Gino Washington and Nathaniel Mayer will be backed by The Shanks, led by former Detroit Cobra Jeff Meier. Both artists performed together before a worldwide audience this spring during the New Orleans jazz festival a the Ponderosa Stomp. Mr.Washington also resides in Detroit where he is currently working on a televised music program.
THE MIGHTY HANNIBAL This Atlanta, Georgia soul giant is a self proclaimed “former pimp, heroin addict and elephant thief” but promises that those days are all behind him! His distinctive delivery, superb vocal abilities and poignant songwriting style are shown in a wide array of styles from the hip dance floor favorites Jerkin’ The Dog and Get In The Groove to the “message music” of his powerful 1967 anti-Vietnam hit Hymn No 5 and the 1972 drug confessional The Truth Shall Make You Free ,which have established him firmly as a musical contender.
The Norton collection HANNIBALISM! has reunited the singer with an eager audience. He resides in New York City and continues to write, perform, and conduct business from his offices in Harlem.
LONNIE YOUNGBLOOD The heralded tenor sax player known as the Prince of Harlem began his career as bandleader for the great Faye Adams. In the sixties, Mr. Youngblood’s New York club band included Jimi Hendrix. Together they recorded the stompin’ Go Go Shoes on Fairmount, still a strong soul DJ favorite today. Mr Youngblood’s band, featuring guitarist Bill Sims (formerly of the legendary Four Mints), will be providing backing for several stars on the holiday show. Mr. Youngblood is a featured guest artist on the Norton album BAIT AND SWITCH by Andre Williams. He is a revered fixture on the New York music scene and enjoys a worldwide reputation.
THE SOUL SHAKERS New York’s frenzied vocal group sensations deliver high geared Five Du-Tones style dance floor killers. The very in-demand Soul Shakers depart for bookings in the Islands immediately following the Holiday Show and promise to continue wowing audiences in New York and abroad in the near future.
THE GREAT GAYLORD The Sultan Of Squat, idolized worldwide in many circles, returns to the concert stage after many years as a top disc jockey thanks to the phenomenal resurgence in popularity of his lone hit on the Norton label Squat With Me Baby, which has been lauded as one of his finest recordings. Double G, as he is affectionately known by his fan base, hails from the tri-State area where he is kept busy answering mail and making personal appearances at many top affairs.
RUDY RAY MOORE Very special guest MC for the evening will be none other than Rudy Ray Moore, King of the Party Records and star of such feature films as Dolemite, Petey Wheatstraw and Human Tornado. This creative man claims, “I was through with it before the others knew what to do with it!” Indeed, his many ventures in the field of media have all enjoyed universal success, including his recent return to the stage as a vocalist, due to the release of HULLY GULLY FEVER on Norton Records, a massive collection of his early recordings as a rhythm & blues artist. Today, Mr. Moore calls Las Vegas home base. He is kept very active with personal appearances, interviews and consultations. He recently performed at the esteemed Utrecht Blues Festival in the Holland where he was
lauded for his many contributions to the field of entertainment.
MR. FINE WINE Michigan import Mr. Fine Wine is one of the New York area’s top radio disc jockeys at WFMU, where he hosts the Downtown Soulville show dedicated exclusively to soul music. He also spins soul records in person and is in demand and available at clubs and venues both locally and elsewhere.
http://www.nortonrecords.com For more information contact our Press Office
nortonrec@aol.com tel (718) 789 4438
Wednesday, December 10, 2003
"December kicks off with the thoroughly sad news that the Reigning Sound have called it a day, with only a few lucky Scandinavians having had the chance to see them grace the stage. Here's what Greg Cartwright had to say: "The Reigning Sound will end Dec. 31st for all practical purposes. A little over 3 months ago we lost our keyboard player which forced us to scrap the new record we had just recorded with him and record a more guitar driven record. This worked in our favor as I think the new record could be our best yet. On top of this, My wife, my kids and myself are moving to North Carolina next Feb. Trying to keep a band together long-distance is hard. I know I've tried it several times. Me and the guys still get along and perhaps we may do a show here and there in the following year." (news c/o Sonic Dirt).
Rockstars as kids (yep, that's our pal Joey), shows that there might still be hope for all you geeky kids. GO!.
Tuesday, December 09, 2003
"In December 2002, a shipping container arrived in Sydney, Australia. Its contents largely unknown, it was unloaded into a warehouse in East Botany. For the next 6 months a story unfolded, a history of the recorded music of Rochester, NY, from the immediate post-war era, until the untimely death in 1977 of studio owner and jazz big band leader Vincent Giancursio, aka Vince Jan, aged 58. The studio later suffered fire and flood damage.
The contents of the container, as they were unpacked, revealed hidden musical treasure representing every genre and diversity of the era. Big band jazz and lounge music, popular songs, country and western, rockabilly and incredible gospel groups dominate the 1950's. Following this came early beat and pop groups, early garage r&r, northern soul and funk, culminating in a slew of brilliant undiscovered garage punk masterpieces, the reason for the existence of this site. After 1967, psychedelic and progressive styles took hold, and the energy was lost. However, the story must, and will, be told...". GO!.
Monday, December 08, 2003
Christmas Party in the Lunn-dunn Pt 1. A far more worthwhile cause than the celebration of those troglodytes that brought Trafalgar Square to a halt today... over to them Sonic Reducer fellas...
We'll see ya, and raise! Christmas, inna Texas Hold 'Em stylee! The Boogaloo on London's uncelebrated Archway Road is THE rock 'n' roll pub. The Stooges AND James Carr on the juke, a roaring fire (stray Strokes fans?), mebbe David Soul or Wreckless Eric doing a few numbers over by the mural of The King ... WE LOVE IT! So when Boogaloo master Gerry O'Boyle asked yer ever-lovin' 'Reducer boys to bring some sounds up the hill, to play our top shebeen's festive shindig, we said, "Fuck, yeah!" Oh, and it's also BigKegShandy's birthday (the old scrote) ... So we'll do for ya at The Metro on the 18th, then we'll give ya a day off. Be good to your people on the 19th. And be ready to GET DOWN on the 20th! For FREE!
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Sock It To Me, Santa! - The Boogaloo Christmas Party
Music from the Sonic Reducer Tag Team - December 20th 7pm-late
The Boogaloo, 312 Archway Road, Highgate, Highgate Tube.
*All the shit that's fit to spin!* Funk, soul, ska, rock 'n' roll, R&B, reggae, country, soundtracks, garage, punk, psych, power pop, and just plain good musics.
Hipsters, flipsters! The time has come to say "turn that motherfucker UP!"
Sonic Reducer is inordinately proud to announce our first late nite shindig at a new venue, the Metro, on December 18th. The match of the year will see the 'Reducer tag team of BigKegShandy and TeenSlain locked in pitch-controlled battle with The Bunker's Paul ' Blow Up' Tunkin. Using only the most deadliest 45rpm ammunition - namely the choicest punk, funk, garage, R&B, ska, soundtracks, soul, electronica and beat sounds - the multi-frequency square-off will mean non-stop dancefloor action.
Referees for this cerebellum 'n' instep-mashing bout will be the finest band in all Londinum, those missing-in-action Beatings. Call them tardy, by all means. Think of them as people with far too much free time one their grubby little hands. Wonder at the amount of Angry Samoans and Saxon vinyl at their collective disposal. But at just 60 Earth minutes past the witching hour, The Beatings will take to the stage, armed with favourites old & new. Fresh from the loving arms of Mr. Kevin Shields, and the stage of The Forum, they will undoubtedly be "Young, Fast & Scientific."
Ho, fucking, ho, children!
Christmas classics a la Sonic Reducer:
White Christmas - Otis Redding
Back Door Santa - Clarence Carter
Santa Claus - The Sonics
Holiday Cheer - The Martinis
Christmas In Viet Nam - Jon & Johnny
Jesus Christ - Big Star
Hey America It's Christmas - James Brown
I Want An Alien For Christmas - Fountains Of Wayne
Message To Santa - The Cheetahs
Gee Whiz, It's Christmas - Carla Thomas
Stay tuned for the second part of the Sonic Reducer Xmess Thang!
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Sonic Reducer vs The Bunker with special guests The Beatings The Metro Oxford St December 18th 11pm-3am Beatings onstage at 1am Tickets are £6 via ticketweb.co.uk
Limited guest list, email for inclusion.
Sunday, December 07, 2003
The Scoundrelles debut Organic Molecules In Action! is ready to roll into your exixtence now and what a fab racket it is too. Imagine "Flies" period Chilton marinated in Scientists with a little Neil Innes on the side and you ain't even close. Not released officially until February 4th 2004, you can score your copy now by clicking here.
Scored a copy of the latest Magic Dirt album from Agent Lizzy Pepper out there in Oz at The Dirtbag News Organisation. Tough Love continues the high-end work of this fine combo and further ponders the question of exactly why this group hasn't conquered the world. As the world readies itself for a Pixies reunion, the Dirt have all their chops and a whole wad more. Short sharp jolts of real rockin' - they got 'em. Spaced out psychedelics with feedback sorbet to spare? Plenty o' that in supply too. They combine many, many elements to make a heckuva noise. But it's not Nu-metal, just good natured all-weather rawk that should really be pointing them at the stratosphere. These kids have it all and why Adalita isn't a role model for a new generation surely bears investigation by authorities on such behaviour. Their website doesn't seem to be operating at the minute but when it is, like them Staples said... I'll take you there.
(photo from www.abc.net.au/triplej/jfiles/)
Friday, December 05, 2003
Wednesday, December 03, 2003
Monday, December 01, 2003
Sunday, November 30, 2003
It's been a rough and tumble old week. The Spit and Polish Tour is underway and Amy's Allison and Rigby along with Neil Cleary and Mark Spencer have been bogged down with all kindsa crap. We've been trying to ease the pain but lessons have been learned folks. I'll expand on all that in due course after we get back from the London show tomorrow (Monday). Special agent David Scott is now accompanying the posse and Cap'n Jon Graboff of Special Forces have been drafted in. How do you educate people who will pay money to see shysters like Ryan Adams that they're just plain wrong? I'm not sure but I sure as hell ain't about to give up trying. Remember that old New Math chestnut "Die Trying"? Well if that's what it takes...
Friday, November 28, 2003
"It's the Spring of 1957 and Bobby goes to pick up his date. He's a pretty hip guy with his own car. When he goes to the front door, the
girl's father answers and invites him in."Carrie's not ready yet, so why don't you have a seat?", he says. Carries father asks Bobby what they're planning to do. Bobby replies politely that they will probably just go to the soda shop or a movie. Carries father responds, "Why don't you two go out and screw? I hear all the kids are doing it." Naturally this comes as quite a surprise to Bobby so he asks Carries dad
to repeat it. "Yeah" says Carrie's father, "Carrie really likes to screw; she'll screw all night if we let her!" Well, Bobby doesn't quite know what to think, but his plan for the evening is beginning to look pretty good. A few minutes later, Carrie comes downstairs in her little poodle skirt and announces that she is ready to go. Almost breathless with anticipation, Bobby escorts his date out the front door. About 20 minutes later, Carrie rushes back into the house, slams the door behind her, and screams: "Dammit Daddy! ITS CALLED THE TWIST!"
Tuesday, November 25, 2003
'In this issue of the I-94 Bar e-zine, we carry an interview with Mike Watt, formerly of the Minutemen and now of the Stooges. Mike opens up his tour scrapbook and shares what it's like to become a Stooge.
Deniz Tek of Radio Birdman previews his band's forthcoming two Australian shows and reveals a studio album and live DVD are not the only things in the pipeline. The band also has its sights firmly set on a U.S. tour.
Live, we run the rule over Killing Joke in Sydney, the Celibate Rifles, the Re-mains, the Volts, Penny Ikinger, Pubert Brown Fridge Occurrence and Ian Rilen.
On disc, we review discs by Iggy Pop, Pubert Brown Fridge Occurrence, Starky, Adam West, Cowboys from Outer Space, the Royal Dave Graney Show,
Bouchard, Dunway & Smith, Alice Cooper, Sunday Drunks, Michael Yonkers, Les Ecureils Qui Puent, Los Muertos Confederados and Rhino's box set "No Thanks - - the '70s Punk Rebellion".
We also have a giveaway - win a Pubert Brown Fridge Occurrence album".
http://www.i94bar.com.
Sunday, November 23, 2003
8 inch lathe cut records anyone? Snazzy lookin' things which sound different everytime you play them. Manufactured in New Zealand for a UK label, Heliotone. Investigate.
Saturday, November 22, 2003
Get Ready to Support a Good Cause! The weekend of November 21 - 24 will see a trio of Ronnie Dawson Tribute / Benefits in the New York area. These events will honor the late great rockabilly singer and Wonderful Human Being ... RONNIE DAWSON, who passed away last month of cancer. (All proceeds will be donated to Ronnie's Family)
Friday Nov. 21st - Ronnie Dawson Tribute/Benefit Record Hop @ Motor City Bar located at 127 Ludlow Street (off Houston Street) in New York City. Tel: (212) 358-1595. From 10 pm - 4 am. Six sensational DJ's playing sets of rockin'¹ music until the wee hours. No cover! -- Special Guest DJ Rob "Chop Shop" (Dallas, TX), Rex (WFMU), Rockin Daddy O (WFHU) Jumpin' Joe Doto, Nick at Night, and Wolfman Josh. Raffles and Cool Prizes! Come on down and "Buy Ronnie a Drink!"
Sat. Nov. 22nd - Ronnie Dawson Tribute/Benefit Show @ Union Pool located at 484 Union Avenue in Brooklyn, NY. Phone: (71 609-0484. From 5pm til 12 am. Admission is $10. Eight bands including several who played with Ronnie, BBQ, Raffles with Cool Prizes! Featuring: The A-Bones, The Frantic Flattops, King Memphis, The Painkillers (w/Mike Hendrix/Belmont Playboys) Rhythm Bound - The Memphis Morticians - The Wanda Jackson 5 - Turbo AC's Plus a Record Hop with DJs Rob "Chop Shop", Jumpin Joe Doto, Rex (WFMU), Rockin Daddy O (WFHU), Jukebox Jodi, and Dirty Dan.
Monday Nov. 24th - Special Ronnie Dawson Themed "MAD DADDY MONDAY" @ Motor City Bar located at 127 Ludlow Street (off Houston Street) in New York City. Tel: (212) 358-1595. From 10 pm to 4 am. No cover! Benefit raffle and prizes! Record Hop with DJ's Rob "Chop Shop", Matt Fiveash, Wolfman Josh, and Nick at Night
At all three nights raffles will be held to raise additional funds. Donations have been received to date from Hepcat Records, Rockabilly Barbers and Wowsville with more to be announced. Members of the Press, for additional information, contact: Larry Shell @ 973-374-8495 or lawrenceshell@comcast.net".
Friday, November 21, 2003
Thursday, November 20, 2003
The Barracudas – The Troubadour, London, 19 November
True to form for the ‘Cudas, the PA broke down during the sound check and a replacement one was urgently needed a mere hour before show time. As if that was not enough, once underway the quick-fix PA began to throw out ear-splitting vocals from Mr Gluck (sans guitar, bass and drums) and which added a rather bizarre element to the evening. “Hey, it's just like the 'Cudas at the Hope 'n' Anchor all over again,” one wit was heard to say. What the hell, Robin Wills and Jeremy Gluck were in a buoyant mood and nothing was gonna stop their train, not even a dodgy sound system. Such exuberance was contagious and made for one of the most enjoyable 'Cudas gigs I have ever seen. Add to the mix a young rhythm section that had a natural flair for the 'Cudas songbook and who offered a solid platform for Robin and Jeremy to deliver their unique brand of trash. As per usual the band opened with "Grammar of Misery" but then performed an about turn and concentrated on tracks from their formative years. A state of affairs that was fine with everyone present. In other words, lots of surf and garage tunes with hardly hint of the Chris Wilson era songbook. It must be well over twenty years since “Summer Fun” and “Rendez-Vous” were last played! Heck, at the end of the set they even threw in a manic "Surfer Joe" and which Jeremy introduced as the greatest song of all time. Possibly true. With the crowd demanding more, the boys encored with "Slow Death" and then disappeared into the West London night and onto Spain for their long awaited tag-team showdown the Dictators. This was a terrific gig and one that reminded this particular punter that songs such as "Violent Times," "Somebody," and "I Can't Pretend" are musical diamonds that invite the listener to discover some damn memorable hooks even if they are hidden beneath the grime of a shagged out PA. One suspect’s that Handsome Dick Manitoba may not be the only man “with the power of the hour”.
And now, why not read Robin's comments on the show?
More exotic Dutch "art"; Claudia Hek paints on toilet seats, record players, lamps, toasters, t-shirts and more. GO!. (Link c/o of Alexander Polaroid)
Wednesday, November 19, 2003
Tuesday, November 18, 2003
Local video artiste 'n all round nice gal Janneke Kupfer has launched a site where you can watch a bunch of her stuff includin' videos for Dutch garage bands The D-Rangers and Los Looches. GO!.
Monday, November 17, 2003
Sunday, November 16, 2003
OK, on to more important things; more new records 'n books !.
First off: Ramones' tourmanager Monte Melnick's new book on his time with the band is a must read, no two ways about it. 'On The Road With The Ramones' is a bizarre rollercoasterride thru' what must be one of the most twisted stories in r'n'r. Even for know-it-alls like myself, this throws up plenty o' new details to keep you glued to its pages from the git-go. Couple that with a plethora of previously unseen pics 'n memorabilia and you've got the ultimate Ramones bible in your hands.
It almost feels like it was a previous lifetime when I first picked up those French 70's re-prints of the original Gene Vincent footlongs in a local supermarket and got my first taste of Gene's "sweet Virginia whisper". Not sure if Norton's issues of these discs will reach your local 7-11, but by all means try to nail these platters ASAP if you're still un-acquainted to 'em, 'cause they contain information you desperately need !. 50's rockabilly hardly comes better than this.
Gearhead has a solid collection of loose ends 'n stray tunes by the New Bomb Turks available. 'Switchblade Tongues, Butterknife Brains' offers truckloads of unreleased goodies includin' no less then two Devil Dogs' covers. A DVD is in the works.
Rhino's No Thanks! 70's punk rock box-set is easily the equal of their Nuggets and/or the Loud, Fast and Out Of Control sets. A solid collection put together w/ the original focus in mind. Meanin' that you also get to hear tunes by the likes of Mink DeVille and Eddie & The Hot Rods, stuff that'll have your average Good Charlotte fan screamin' in dismay.
As for me, I could happily spend the rest of my life without ever wantin' to hear stuff like the Stranglers again, and even with some of my all-time favorite bands I'm often too familiar w/ the tunes included to still really enjoy 'em. But as a launchin pad for those lookin' for a guide into this stuff, this is really hard to fault on any level. Tho' the purist in me is somewhat infuriated 'bout the inclusion of several laterday "remixes"....
OK, there you have it. I'd better go catch some sleep before those construction workers start knockin' on our door again at 6:30 in the morning...
"just got back from san jose for simon and garfunkel. sold out arena. show was ruined by idiots behind us who talked from beginning to end despite our asking them repeatedly to shut up. even when they weren't talking i couldn't get into it because i kept waiting for them to start up again. i wanted to beat their heads in. anyways...the show started with a video collage...shots of young paul & artie and all kinds of americana (including reagan!) with an instrumental version of "america" (from bookends) playing. this ended with a map showing san jose. then they came on - at about 8:30PM. simon in red long sleeve t-shirt, baggy cords and brown suede shoes and no hat. art wore jeans and t-shirt under an open shirt. and his big hair. he looked the same as ever. right off the bat they scored points for dressing as simon and garfunkel. they opened with "old friends". acoustic. beautiful.
at least what i could hear of it over the chatter going on all around. at the mcartney shows nobody - i mean nobody - said a word the whole night. this crowd was stupid from the get go. okay, then they continued on with the bookends theme ("time it was...") and then the band was there -- 7 piece, including jim keltner on drums! they had 2 guitarists - one had a white falcon and the other had a new fender electric 12 going into a blackface fender amp -- a super reverb i think. there was also a guy on fender bass, sitting on his amp. and a percussionist and a keyboard guy. they kicked ass on "hazy shade of winter". then came "i am a rock". then simon took off his acoustic 12 string (i think he played mostly maritns all night but i'm not sure). and next came "america" which was really great. garfunkel was incredible. simon seemed to enjoy himself on "at the zoo" next. then "baby driver". then garfunkel talked about their busking days in london and their friend kathy and so they did "kathy's song" which art says is simon's "most beautiful love song ever". and it really is. i forgot to mention they stopped the show for a minute to say happy birthday to garfunkel (62 i think). okay, then garf talked about how they've been friends since they were 11 yrs old. "and we started arguing when we turned 12", said simon. and they did "hey schoolgirl", their tom and jerry song from the '50's. i'd never heard it before. very everly bros. and... then..... who comes out????? THE EVERLY BROTHERS!! S & G introduce them and then clear off. they were kinda unrecognizable. don looked different and phil's gotten rather portly. but there they were -- all in black - with their black j-200's. and from the second the strummed those things -- WOW!! i mean - unmistakable!! they did "wake up little suzie". and the guitarist now had a dano baritone!! it sounded sooo great. it's obviously the sound you hear on so many country records. next they did "all i have to do is dream" and "let it be me". it was just so stunning and exciting -- i couldn't really take it in. you just wanted to hit pause and get your bearings! then simon and garfunkel came back-- (oh yeah, that's right, it's a simon and garfunkel show) and they ALL sang "bye bye love" which was phenomenal because it really sounded like doubled tracked everlys. that was something. then phil and don were off. people went nuts.
now it quieted down nicely with "scarborough fair". then "homeward bound" - a jazzy version of it, with a vince guaraldi kind of piano solo. a half-acoustic version of "sound of silence" was next (starting out acoustic and then the band kicked in). after that the lights went down and they showed clips from the graduate on the video screens and you knew what was coming, they all stood for "mrs. robinson". simon really got into playing the main riff and also that little bend he does in the middle. this one was the show stopper.
simon introduced the next one by saying that some of his '70's stuff would've made great simon and garfunkel songs. and they did "slip sliding away". nice swingin' version of it. much better than simon's. just shows you how much better those songs would've been with garfunkel.
"el condor pasa" followed and the rhythm guitarist looked like he had a tiny little 12 string on this. i thought it was a mandolin but it looked like a 12 string ukelele! sounded great. also i think this is they one they had theremin on. wow. that was a blast. i don't think i've ever actually heard a theremin on stage before. "keep the customer satisfied" was next. i hadn't heard that one since i bought the album (on 8-track!). simon then told how he wrote "only living boy in new york" when art had left for mexico to act in "catch 22". and he did a nice version of that. then garfunkel was back and he said he wished he stayed with paul long enough to be on the next one "american tune" (?) -- that stupid song from rhymin' simon that sounds like a hymn. i used to call it the benediction song. i never liked that one - altho garfunkel's choir boy voice did match it perfectly.. then they did a sprited version of "in my little town" - another one that's never been one of my favorites. but people loved it. as of course they did the next one... they traded verses on "bridge over troubled water", joining up on the "sail on silvergirl" verse. garfunkel was not as awesome on this as he's been in the past. i think maybe they lost a little tonight because they added another show the night before. i hate when they do that. you know your show is going to suffer when that happens. but it was alright. then they went off. and for the encore: "cecilia" and "the boxer". they smiled as they backed off the microphones in the "lie la lie" parts as the crowd was singing it. they went off again. came back and did a superb rendition of one of my all time faves: "the leaves that are green" at the end of which simon sang, "that's all there is". but it wasn't...there was one more: "the 59th street bridge song". and that got everyone up and... well... feeling groovy! nice show. -- dc
"Beatsville" visits the way-out world of the beatnik, circa 1959. It's a world of coffeehouses and bohemian pads, alive with poetry and jazz, populated with goatee sporting daddy-os and raven haired leotard wearing beatnik chicks, and all backed with a bongo beat guaranteed to send you into orbit. Beatsville is the first pop culture history of the beatnik. You'll be hipped to it all with an extensive visual tour of the era with record covers, books, comics, ceramics and more. Skirting around the more serious and philosophical tenants of the Beat Generation. Beatsville explores the above-ground pop culture manifestations of the beatnik... Maynard G. Krebs and Sheldon Epps, A Bucket of Blood and The Rebel Set, Like Crazy, Man and My Life and Loves in Greenwich Village, The Cool Scene and Grimm's Hip Fairy Tales. The visual tour continues with abstract splashes of paint and surreal cra-zee perspectives as we delve into the kooky and far-out world of vintage beatnik art... and then coming out in contemporary times with beatnik inspired art by today's coolest artists including JD King, Shag, Coop, Mark Ryden, The Pizz, Jeff Raglus, Sunny Buick, Tim Biskup, Charles Schneider, Bosko, Lynne Naylor, Munktiki, Dave Burke, Frank Kozik, Bob Moss, Alan Forbes, Miles Thompson, Larry Wessel, Anthony Macknay, Gemma Jones, Mitch O'Connell, Cass Carnaby, Seonna Hong, Todd Schorr, XnO and Van. Beatsville is your ticket from squaresville to the world of the cool, the way-out and the offbeat. Click here GO! to view the works. Bookstore distribution is by Last Gasp, crash their website here GO Like again! Available in stores late December, this is "The first pop culture history of the beatnik". Edited by Martin McIntosh, essay by Domenic Priore. ISBN 0-9751078-0-1 Outré Gallery Press. 144 pages, full color US $26.95.
Saturday, November 15, 2003
5.6.7.8'S - ROCK & ROLL SANTA/HARLEM SHUFFLE
Fresh from their exciting onscreen appearance in Quentin Tarantino's 'Kill Bill', Japan's garage geisha serve up a roaring holiday platter. B-side is a over of the Bob & Earl R&B dance classic. Spiffy picture sleeve!
LYRES/NEW CONOLLY FIVE - SPLIT 7"
8th Of 15 split Rolling Stones cover singles recorded by today's coolest hit makers and packaged in their own company sleeve. LYRES play 'Now I've Got A Witness' and Monoman's alter-ego, NEW CONOLLY FIVE, play 'Stoned'.
SWINGIN' NECKBREAKERS/SHANKS - SPLIT 7"
7th Of 15 split Rolling Stones cover singles recorded by today's coolest hit makers and packaged in their own company sleeve. SN play 'It's Not Easy'. SHANKS play 'Doncha Bother Me'.
ROKY ERICKSON & THE ALIENS - DON'T KNOCK THE ROK! (2LP)
2LP. 23 Previously UNISSUED 1978 studio performances showcase ROKY & THE ALIENS romping through late fifties, early sixties teen chartbusters and
some cool originals! Tracks include 'You Drive Me Crazy', 'What To Do', 'Things That Go Bump In The Night', 'Love Is Strange', 'Bumble Bee Zombie',
'You're The One', 'etc.
SKY SAXON - PRESENTS A STARLIGHT DATE WITH...
....Richard Marsh'. A must-have for SEEDS fans. First time collection of SKY SAXON recordings from 1959-64, from his rare debut 'What Chance Have
I?' as DICK MARSH to 'Do The Swim' with the ELECTRA-FIRES plus the HOODWINKS and the SOUL ROCKERS. Includes newly discovered 1959 debut 45! Excellent sleeve notes and great full-colour jacket.
VARIOUS - BIG ITCH, VOL. 7
Celebrated all-vinyl series returns with yet another astonishing collection of rockin' wildass bizarros with a heavy concentration of unknown dance themes and nods to food, cycles and disfiguring complexion eruptions! Featuring ARGONS (Do The Dog), TOM BROWN (Bird Dance Beat), TITO MAMBO & THE MEN OF CHANTZ (Jungle Farm), CENTURY FIVE (La Moomba Kasa Boo Boo Cha Cha Cha), etc.
Wednesday, November 12, 2003
Monday, November 10, 2003
Sunday, November 09, 2003
My old mucker, Brother Randall sent me this info which I know all you cultured vultures will dig... over to you sir, "First off is this cool book on Carnival Strippers, which I first saw at Mike Buck's house back in the 80s and have searched for a copy ever since, now it's been reprinted (got mine for a measly $30 from Amazon). Check out the slide show thingy here! (tho' you need to register). Also, for the benefit of Art Lovers everywhere, I put up a web page of Donna's and my 1960s adult movie poster collection here!.
Saturday, November 08, 2003
Friday, November 07, 2003
Pure teenpunkpop thunder vs. lumpy angular "fusion" (Impure Plop). Discuss...
Last night (no wednesday) I saw The Star Spangles open for Jane's Addiction to little more than a ripple of indifferent applause. Indifference was never a trait associated with Glasgow but that's how lame "rawk" audiences have gotten. People go to gigs now to have conversations but that's a bugbear for another time. The show, at the city's prestigious new Carling Academy should have blown minds but the flotsam that makes up the JA demographic couldn't care less. As a venue it's looking good but functionally there isn't a whiff of atmos. The restoration of original features and the sightlines are good so why doesn't this augment the experience?
The Spangles came out and charged into their set with a gusto that you seldom see in this day and age. They played songs from Bazooka! and another four new ones that are just fuggin' top notch. One of these, Gangland, is beyond anthemdom and the others don't slouch either. There's a great harmonic breadth to the guitar sound on all Spangle tuneage. I'm sure I heard a little Jingle Bells frisson during Tell Lies and Tear it To Pieces Girl shreds. I am vexed that "the kids" don't recognise these pop gold in these here thrills. They need a campaign that'll introduce them to a younger, untarnished crowd. Does such a circuit exist? Answers on a postcard or whatever.
Actually we're having problems changing the contact info on the ol' blog here. Hopefully that'll all be worked out soon but let's not stray from the original subject. The Star Spangles are on a mission and their detractors only make them stronger. Like I said, they're not your average crew despite what lazy, ill infomed sections of the press might whine. Sign up now!
Wednesday, November 05, 2003
Tuesday, November 04, 2003
Just wanted to let you know that the Master Plan's 'Colossus Of Destiny' is due for vinyl release on November 10th on the Demolition Derby label. The Master Plan are: Andy Shernoff (Dictators), Keith Streng & Bill Milhizer (Fleshtones) and Paul Johnson (Waxing Poetics). If you would like to order a copy, you should be able to find the details at: www.demderby.com
Monday, November 03, 2003
"Not to worry though, the show goes on with Graham Day, formerly of The Prisoners, Thee Mighty Caesars and currently the singer/guitartist of The Solar Flares temporarily joining the band! The Buff Medways first gig with the new look line up will be on November 14th at the Dirty water Club. Also playing that night are the legendary Armitage Shanks, who are back and better than ever with a new album "Urinal Heap" on Damaged Goods". For more info: Thee Billy Childish.com
(from joeyramone.com) "It is now finally official!
The City Of New York is dedicating the corner of Bowery and Second Street as Joey Ramone Place on November 30th, 2003 at 1:00pm. Contrary to other reports elsewhere that this was a done deal long ago, New York is finally giving it up for Joey Ramone! Come out and witness this historic event if you can!"
Sunday, November 02, 2003
While typin' this I'm surround by what could be best described as a Christo-type work of art, everything around me is covered in plastic. As of tomorrow we will, albeit temporarily, no longer have a roof over our heads, not to mention the fact that it looks like I won't be able to take a shower here for at least three weeks !. Yep the re/de-construction of HQ is in full effect.
But as promised I'll still try to give you some updates on what I'm diggin' culture wise.
So here goes; Bacchus Archives have just reissued the stellar first 45 by LA powerpop legends The Quick. Main tune on this 45 is 'Pretty Please', a song most of you will know as by either the Dickies or Redd Kross, but to quote Dobie Gray; "the original is still the greatest". The latest batch from Ace Records includes a solid soul comp with all tunes related to the war in Vietnam. ''A Soldier's Sad Story' is easily one of the best soul comps since those Dave Godin compiled 'Deep Soul Treasures' series. From Soul Jazz comes 600 % Dynamite, a real "grower" featuring a bunch of fantastic (and even to me) obscuro Jamaican hits, that are sure to highlight your next shindig. Hey, I gotta agree with Lindsay's POV on the Nomads tribute disc. The fact that there are a number o' tunes on this that the guys did in tribute themselves, should be evidence enough that they are masters at creating their own body of work no matter the source.
'N yeah, this might seem like shorthand, I know... Too bad, but I'm headin' for my last shower in what might be weeks right now, so please forgive me for bein' so brief here....
Monday, October 27, 2003
Enough of that tho', let's talk "culture". First off, I finally got to read Robert Gordon's amazing Muddy Waters biography 'Can't Be Satisfied' during our stay in Greece. A fantastic read that doesn't go all scholarly like most books on blues, but tells Muddy's story in plain detail. Fascinating, captivating and inspiring, how's that for superlatives?. Another great read was the new issue of Ugly Things magazine. Mike Stax has really outdone himself with the Misunderstood story, and with all the other info available in it's 200 or so pages, this one will take a while to fully digest. For no apparent reason I also dropped Charles White's Little Richard biography in my traveling bag after it had been gathering dust on HQ's bookshelf for a decade or so. I had forgotten what fantastic book this is, easily as wild as the reverend Penniman's wildest discs. The story of his encounter with Buddy Holly is worth the price of admission by itself !. That's it as far as reading is concerned, as for my current listening habits; I'm stuck to a steady diet of old blues 'n soul discs, everything from pre-war country blues to Bobby Womack's early 70s LPs. It never stops to amaze me how much great music is still out there to be discovered, we're talkin' over a century of record music here !, yet people are actually gone over such horsedung like the Darkness and King Of Leon these days, bands that no one will give a shit about in 12 months time. Truth is; fifty years down the line you can put on a Muddy Waters or Little Richard disc from their heyday and sparks 'll still be flying, while these current "contenders", baskin' in their 15 minutes, can't even hold a candle to either of 'em. Excuse me while I do the Boogaloo and refuse to be duped into yet another marketing ploy....
Sunday, October 26, 2003
Friday, October 24, 2003
OK, back from Greece and downing the final parts of a bottle o' "imported" Greek wine.....
I'll spare you the details (at least for the moment) and just urge you all to get a hold of the new Zodiac Killers full length 'Society's Offenders'. As fine a p-rock blast as you're gonna get in this day 'n age.....
Sunday, October 19, 2003
Also how hard does the new Mojo suck? Not the cd or Sylvie Simmons thing on Johnny Cash but their latest Hall of Fame "list" might finally be the thing that pulls the plug on me buying it ever again and nothing to do with the fact that I'm actually forbidden by religion to buy issues with Oasis, The Beatles, Paul Weller or The aforementioned Str*kes on the cover. I hope those thunderstorms ain't raining on Jeroen's parade too hard now...