Thursday, July 31, 2008
Amazing footage of the Pistols playing the Netherlands in late '77. I actually saw this at the time, 12 months after first seeing 'em on TV in January of the same year, in between there were only a handfull of 45's and some newspaper cuttings. Alice 'n me drove thru' Maasbree a couple o' years ago, but couldn't find the "Mafcentrum". Lookin' around it was hard to imagine how the Pistols ended up there. Remote, quiet, you name it. Check it out here: 1, 2 and 3. (by the way, no band came out of Maasbree ever...)
Earlier today I got a Lefsetz letter providing a link to a site that some wag had posted an "utterly hysterical" ad on Columbia Records website. After my pants had dried, I sent a short note to Mr L. His repetitive to the point of psychosis opinions on the music biz are getting tiresome. He needs a new angle. People I turned on to his newsletter are, I believe, unsubscribing.
This is a shame because there is a kernel of "right" in some of the tirading but you have to look awful hard these days. Then there's his taste in music which generally turns a lot of people off. This is purely subjective - I know - and some of them are real humdingers with a capital HUM but that's his pigeon.
Anyway, let's cut to the cheese - not the chase - but the dairy product according to some twat I heard use the term the other day. Bearing in mind that the average "review" is somewhat obsolete, I think that my musings on stuff going forward will entail some thoughts and a link to where you can check stuff out wherever possible. There may well be exceptions to the rule but to keep this interesting for all of us, it seems like a way forward.
Midlife Crisis – "Cranked Up Really High" EP (Bootleg Booze)
This 4 song 7” features punk cover tunes that run the gamut from the well known Slaughter and the Dogs song to the completely unknown (to me) “Raggare” by PF Commando. Urkke T has teamed up with three of Stockholm’s finest to raid the tomb of ’77. I don’t really recall The Outsiders, a pre-The Sound band that Adrian Borland was in. He wrote this and until raking about on t’ernet I had no idea that he was dead. Anyway, I think he’ll be pleased with this interpretation wherever he is. I don’t recall Menace’s “I Need Nothing” being this fuel injected, they struck me as clunky at the time. The sleeve states “ Midlife Crisis” have no e-mail or website and can not be contacted at all. Tough shit.” However, fret not. The good burghers of Bootleg Booze will hook you up with a copy of this proof of existence.
Big Bird – Three Song EP (Dolores Recordings)
Some of these guys are in The Caesars and the opener, “Tell Me” reminds me a little of The Hellacopters. That is, if they decided to be Teenage Fanclub all of a sudden. Why does the chorus remind me of “Eve of Destruction”? “Rabbit Punch” is blessed of a similar vein but the real gold is on the flip. “Vapour RIP” is like Spiritualized vs The Righteous Brothers via The Pastels tackling “Crimson and Clover”. Lo(w) on fidelity, big in sonic protein. Hopefully, this is the direction that future BB studio droppings will take.
See you folks in August then...
I know that isn't Fred MacMurray but as you most likely know, he's the soon to be re-released classic "The Apartment" with Mr Lemmon here. David Lynch watches it every New Years Day, he told us so at this very venue. If you haven't seen it before then I envy yo'ass.
Click on the image for further details on the season.
Wednesday, July 30, 2008
Have I done much of anything except drag my bahookie into work today. Er, no.
I've been catching up with The Wire (Season 4) and have one episode to go. So excuse the inability to function won't you.
Everybody is on holidays still anyway and doesn't most of Europe close for August anyway?
I'll be right back. Eventually.
Tuesday, July 29, 2008
The only thing that's really driving my non-capitulation is that I'm skint and don't want to spend any more on this racket than I absolutely have to. It would be so easy to just roll-over and renew. Then I wouldn't have to bother. However, I feel like I owe it to myself to at least try. I've struck out with these comparison sites they advertise on the telly. You'd have to be a Philadelphia lawyer to figure all that shit out. My attention span is perilously short at the best of times but these things are designed to trick people like me into a rash decision. The implied simplicity of using 'em is lost on me.
I'd rather pay more and deal with a human if that's possible so I'm about to go on the phone and attempt it that way. If it turns out like the time a guy in Bangalore was trying to tell me how to get from Edinburgh to Stonehaven then there could well be a gasket blown. I've been to Apoplexy a bunch of times, it's cool to feel like a local someplace...
Monday, July 28, 2008
Here is UGLY THINGS #27. 216 pages / perfect bound / full-color glossy cover. Co-headlining our big cover story this time are The Who and The Small Faces as Andy Neill reports on their controversial 68 tour of Australia and New Zealand, complete with an array of WOW-inducing unpublished photos. Also, for the first time anywhere, the story of Garden Grove garage rock teens The Spats ("She Done Moved," "Gator Tails & Monkey Ribs"), Brooklyn, NY psych rockers The Koala, and 70s NYC punks The Victims. Also on tap, Jon Savages revealing interview with Beatles publicist Derek Taylor about Brian Epstein, a conversation with Animals guitarist Hilton Valentine, drop-dead delicious Sixties beat girl/style icon Gillian Hills, R&B songwriting genius Alonzo B Willis, Mike Hudson of the Pagans, and Johan Kugelbergs countdown of the best junkshop Glam Rock discs. And theres more. Sixties garage rock a-go-go with The Heard ("Stop It Baby"), The Persuaders, The Lost Souls, plus more Garage Rock history from Californias Inland Empire. Also: Exotic beat music from Chile and Venezuela, Jack Downing & the Other Side, and Ade Blackburn of Clinic picks his all-time Psychedelic Top 10. All this and more-including, of course, our extensive review section, covering all the latest reissues and music-related books and DVDs.
Sunday, July 27, 2008
Anyway, that sparked a chain reaction that has resulted in a hook up with the book of the album the cut came from. “I Have Fun Everywhere I Go” (Faber and Faber) is the memoir of that documents Mr Edison's adventures in smut, wrestling, rock’n’roll and just about everything inbetween.
To call it inspirational would be to damn it with faint praise 'cause I haven’t been this glued to a tome in recent living memory.
If you take Hunter S., Meltzer and Tosches and froth ‘em up in a blender (or Turmix ha ha) then you’re beginning to get a beat on the tempo of this prose. As the printed word as entertainment goes, this is the shizz. Good old, ragging on everything, writing the way it’s seemingly never done anymore. There are a ton of great lines in here. Old school NBT-readers will find much solace in these pages. It’s forged of the stuff that brought us all together in the first place. Jeez, there's even a section where the man ends up as a prize in an A-Bones dance-off!
The companion “album” with “songs” culled from the material in the book is neck deep in the filth and the fury of the printed page. The oratory is propelled by a soundtrack of equal squalor conjured up by Edison, Jon Spencer, Mike Chandler, Mykol Fornasero and Joey Valentine. It’s not for the faint of heart but it’ll put a big, fucking grin on your kisser. Check it out for yourself here, nothing I could write about it could come close to the experience. It’s not work friendly, nor is it likely to endear you to anyone of a nervous disposition. What further fucking reco do you require?
I’m not finished it yet but with the pound/euro currency agin the dollar situation, you should treat yourself. Quit bellyachin’ that they never make them like this or that anymore because they do. It’s true, such kicks are rarer than hen’s teeth so when a supply presents itself then it’s wise to stock up.
Tried to put stuff on ebay too and it won’t let me because of some fuck up with a “zip code”. Of course we don’t have those and it was never a problem in the past. So hopefully they’ll sort it out because I want to get on with this life laundry idea. Time to lose a few kilos in the stuff department.
As exercises in procrastination go, I think that I’ve surpassed myself today. Soon it’ll be time to go back to the coal face and that’ll piss the hell out of me even further. The weekend started off so full of promise and yesterday’s schlep around Glasgow with Anette and Margaretta will be another fleeting memory punctuating this perfunctory existence. So back to "I Have Fun Everywhere I Go", damn it’s good!
Saturday, July 26, 2008
Whilst in Glasgow the other day, I was told - in the biggest Zavvi (formerly Virgin) store that they no longer stocked 7" singles. last time I was in Edinburgh there were plenty so maybe it's just a store by store thing but I urge you not to encourage ANY record shop that doesn't stock 45's.
They're getting relegated to the furthest corners of a lot of the places that do stock them too. Can anybody tell me if the Sharleen Spiteri single is available on vinyl? I guess not but if that is indeed the case then why not? It's got Kaiser George Miller on it and the "A-side" bears more than a passing resemblance to the Shangri-las so what the chuff is Universal thinking about? I wouldn't buy the album but I'd certainly have picked up a few copies of a 45 to share with fellow enthusiasts for that sort of thing.
Anyway, I've been in Glasgow again today and am just about to fix up some food so I might go into those exploits later. Probably not though, the gallavanting has fair puggled me.
Friday, July 25, 2008
(Club Rehab. 25 Ave B, btwn 2 & 3rd)
Thursday, July 24, 2008
My Best Fiend (15)
Sunday, 27th July at 7.30 at GFT
In the 1950s, when Werner Herzog was 13, he was sharing an apartment with Klaus Kinski. In an unabated, 48 hour fit of rage Kinski destroyed every piece of furniture in sight. From this chaos, a beautiful albeit volatile partnership was born. In this personal documentary, Herzog traces the often violent up and downs of their relationship, revisiting the Munich apartment where they first met and the various locations of their films.
This screening is introduced by Davy Henderson of the Sexual Objects, who previously played in influential post-punk groups, The Fire Engines and The Nectarine No.9.
No don't answer that, I know...
Mr Spence wishes it to be known that his new combo, The Brutes are in Auld Reekie tomorrow night. Info on the other two bands can be found on the B's myspace.
Wednesday, July 23, 2008
Special thanks to musical guests - Dave Faulkner, Kevin Kinney, Linda Pitmon, JP "Thunderbolt" Patterson and Marek Pakulski.
Photo by Anne Streng
RIP Bo Diddley -------------- Respect the Rock!
Tuesday, July 22, 2008
How much more information do you need anyway? You're probably stappit to the gunnels, I know I am. Attempts continue to be made to post daily but what I'm essentially trying to say is that there are perhaps situations where that won't happen. Damned bollocks, logistics and plain old lethargy are a lethal mix.
Plus I just got episodes 7, 8 and 9 of the 4th season of The Wire. Tomorrow I'll probably have the first two slices of Generation Kill also. So I have to find an extra five hours somewhere to break even. And that garden ain't gonna tidy itself irrespective of how much I wish...
Monday, July 21, 2008
Related/co-incidentally, here's a link that literally just arrived courtesy of Brother Patrick. It's a cut from the forthcoming Chris Wilson album.
And, while we're on the subject of revisitation, I found this clip from The Nagz first ever show at Debaser in November '07.
Sunday, July 20, 2008
We found said sanctuary in The Elephant House. A nice, civilised place away from the stowed pubs that were full of folks limbering up to scream several alternative national anthems til hoarse. I know that's the way we pronounce another animal name up here but I'm referring to the vocal condition. Despite the huge flock and the train coming back being sardine-like, it was all good-natured and there were no real signs of noisy, drunken bastardism at all. There were a couple or three rubber individuals but they stayed schtuum. All I really wanted to do was get back and listen to Eric and Amy's album. Didn't even go for a haggis samosa. It was a full shift but it was great to see those two and they're headed for Inverness to do it all again today. Massive props to The Proclaimers for making it possible.
Saturday, July 19, 2008
Thanks to Ms Mona, I finally got my paws on this and you need to do likewise. It’s a fine slab of Swedish powerpop that combines elements of The Shivvers with some sleek Slade overtones. The concept itself is fairly attractive but when you hear ‘em pull it off, then that’s a major result. I believe their next release will include a cover of “Frantic Romantic”. Great kids with exquisite taste, plus the bonus of Jens "Ubi" Lagergren on guitar. Start queuing now but not before you hit up the people at RO for a copy of this.
Glasvegas “Geraldine” (Columbia)
This starts like the opening of a Simpsons episode and soon hits a timeless pop stride. The drum sound is exquisite and it’s a great song. As mentioned before, being sung in James Allens’s brogue adds a whole ‘nother dimension. As the Spector torch goes, this is pretty much spine-chilling the way that “Cheree” is. How in the name of Rev/Vega did that happen? And that fucking drum sound, The Cramps should bounce Drumdini and get this girl in.
Jeremy Gluck “I Am Time” (Perpatrator)
Very remiss of me not to have blogged about this 7” on the Auckland, NZ label before. I’ve been reading Jeremy’s book “Victim of Dreams” and although beautifully written it sort of scared me. He’s been to some dark places and manages to unlock scenarios that maybe some or all of us have faced at some time. “I Am Time” is utterly unlike The Barracudas, it’s more darkly ambient. A downbeat, intoxicating sonic fugue. Hopefully this is just the tip of the iceberg and there’ll be a full length JSG in the works.
Fogerty through Dion to Springsteen is a pretty decent route map. If you’re familiar with The Del-Lords, and the good lord knows you oughtta be, then I’d say this is closer to maybe “Lovers Who Wander” than his previous set. This album is better than the recent studio works of any of the three guys I just mentioned. Scott can evoke The Drifters one minute and Creedence the next. Not as an exercise like these people who compose from a hip music collection to garner points. This stuff is in this guy’s blood, he lives and breathes it. When the chips are down, this shit is impossible to fake. “Heartbeat of Time” is a masterpiece of twang, pure and simple.
Released on the Brooklyn-based imprint, 00:02:59 – “Saving Grace” clocks in at just a minute under an hour. It’ll seem like half that. The inherent swing of the rockabilly-laced “Here Come My Love”, the post-Groovies swagger of “Between A Memory And A Dream” and the outright classic pop/soul nous that is “Shadows Of Love” are just 3 reasons to join this party. There are another 10 that shimmer just as bright.
For my tuppence worth, this guy should have been riding the high plains of success several hundred moons ago. For some fucked up reason best known to fate or whatever, it hasn’t happen. Scott Kempner makes the kind of music that most of us thrive on, the stuff that keeps us ticking over.
The Del-Lords back catalogue is about to be reactivated too. More about that in due course.
Friday, July 18, 2008
Weary. I think that's pretty much where I'm at right now. That and a tad directionless plus I have to look for car insurance. Quite the threesome but hey, it could be a lot worse. It could be Monday again... or you could get home and the power goes off.
However, it's back on now and here's some stuff for the immediate to long term future that you may care to consider...
Rollocking punk rock label A Fistful of Records has a website...
The Lost Crusaders and Mary Weiss are at the South Street seaport in NY tonight for FREE.
Säkert! are appearing here tonight at a very cool FREE festival with a bill that kicks all and any Live Nation attempts outta the park. Go Skelleftea!
The Mirrors are playing in Cleveland tomorrow night (Saturday) but not for FREE.
Boonaraaaas!!!! alert - November 21st @ DWC, November 22nd @ The Corn Rocket Club. Dates in your diaries like now. And check out the posture of this other guitar player...
That's about it for me tonight. Looking forward to hooking up with my homies, Amy and Eric tomorrow on the esplanade of Edinburgh Castle. In the meantime, let there be chores!
Thursday, July 17, 2008
Wednesday, July 16, 2008
Also MOBY will be undertaking a DJ set at Avalanche Records in Glasgow this coming Tuesday (24th July). It kicks off at 4pm. Later on, at 6pm, he'll do an acoustic set at Mono. If you haven't had enough by then, it's possible to "vote" for the venue that will host a club show later at his website. Storm the site and make sure it takes place off the beaten track. Marks and Spencer maybe?
Tuesday, July 15, 2008
Monday, July 14, 2008
Don't have any time to tap out anything more substantial tonight. Got other stuff to deal with and I appear to be having intermittent e-mail/connection problems. So if you're trying to get a hold of me, for whatever reason, that could be the bugbear.
The thing they call normal service will resume at some juncture. Presumably.
Sunday, July 13, 2008
And simultaneously, what turns up but the latest Mondo A Go Go project that just happens to be a collection of tunes from the Spanish master's films. Quite a coincidence. So anyway, this is a limited edition of 100 copies so you better get off that hiney and get to scoring one before they vanish. The Radium Dial imprint is where you'll find it. Sean and co have captured the essence of what makes these soundtracks tick. "De Sade 70" is cracking. This isn't just a garage romp, the band captures a very filmic mood and therefore adds to the fare rather than simply recreating it. Put togeher for love and the sheer hell of it. What better reason could there possibly be? "Lucky the Inscrutible" provides some insight into what might have happened if Edwyn Collins had joined The Rezillos instead of Orange Juice. Blimey.
Saturday, July 12, 2008
Managing to stomach two songs by The Verve last night, I switched off about a minute into the third. It was truly awful and anyone from another planet tuning into this pish could well be put off music for life. Why is it that the majority of the bills on UK festivals are so shit? Spain, Sweden and Denmark provide examples that it doesn't have to be this way. Indeed there are smaller enclaves here that strike a decent balance but this Balado thing - I don't know what would be worse - the chemical lavvies or the excrecable acts. Opposite sides of the same coin in this here book chums. Of course, there is good music out there and I'm listening to a wheen of it right now.
Info, subjective insight and links coming your way in the fullness of time. Just don't hold your breath(s). Monk is on today too. Result.
TAV FALCO’S PANTHER BURNS – 2008 and more
Tav Falco told me that the very first article on Panther Burns’ appeared in the Next Big Thing. So this same mag, er blog, is proud to be the first to celebrate the Panthers Burns 30th years (formed in Feb 1979) and to announce a new album called "CONJURATIONS: Séance for Deranged Lovers". The demos are awesome, they just need a record label now!
Panther Burns were in Paris for two shows recently and I attended the second of those at La Féline, a cool bar in the north of the city. The audience was composed of real fans, maybe 50 maximum! A(nother) shameful turnout for a legend like Tav! Or course as usual, there were no writers from official magazines.
PB V.2008 are an amazing ensemble with a beautiful girl (Giovanna Pizzaro) on drums, wearing a bikini. Other members are Grégoire Cat on guitar and Laurent Lo on bass. Tav played on his small Hoffner violin-shaped guitar..
Considering the shows that I’ve already heard, the set list was far from regular: some blues song (the show began by “Mississipi River Blues”); during “Drop Your Mask”, Tav put his guitar in a corner, combed his hair and then began to dance tango with friend Via Kali (another beautiful girl); some songs by request too and a lot of rockabilly like “Funnel Of Love”, “Fire Of Love”, “She’s The One That’s Got It” (she got what ? .... well, you know ...) and “Train Kept A Rolling”, dedicated to Chris Wilson.
I asked Chris if he was gonna sing a song wih Tav. He answered “maybe”. It didn’t happen, but anyway Mr Wilson, seeing my microphone, shouted in it like he was Screamin’ Jay Hawkins.
And at the close, Chris took Grégoire’s guitar to play a few blues notes.
My only regret is that they didn’t play “Tina The Go Go Queen”, but Tav told me that they’ll play it for me next time! Can’t wait. Also, I hope I’d have the chance to hear the original unissued version (acetate) by Sir Mack Rice, one day ...
Tav accepted the request to answer to my questions, more focussed on the present/future than on the past.
Tav: It is preferable to focus on the present and the ever-looming future.
Patrick: What record label will have the honour to release a new Panther Burns album? To celebrate 30 years? Frenzi; Last Call ... I mean we need a new album (here’s hoping).
Tav: For the past 9-years, the Panther Burns and I have been busting like crazy to get our "CONJURATIONS: Séance for Deranged Lovers" album demo produced and released by a proper label. I am convinced that this proposed album of all original songs, composed by Tav Falco, will be the chef d'oeuvre or masterpiece of the PANTHER BURNS because every label that we’ve approached in the US, Canada, Australia and here in Europe has turned it down flat and passed. This is a positive indication that PANTHER BURNS have created a unique album of music that today’s companies do not understand the essence of and don’t know how to handle. Labels proclaim that they want something different but when they are confronted with something different, they don't know what to do with it. Record company people of today are the most conservative, dull-minded people that I know. They're completely unwilling to take a risk of any kind, yet 90% of the groups they choose to release will never be remembered.
Gerard Cosloy at Matador thought he had his Panther Burns with the Blues Explosion; Geffen Records thought they had their Panther Burns with Southern Culture on the Skids; Rough Trade thought they had something of Panther Burns with Morrissey; god knows who thought they had something of Panther Burns with the White Stripes... but it's never going to happen. There is no band like the PANTHER BURNS. I don't care how successful they are or how much money they make. Panther Burns are not in it this for money or for massive record sales. We intend to make music for the people who should be hearing our music. These people know who they are and they know exactly who they’re listening to when they play Panther Burns music. Most record companies are a joke and provide endless amusement for me.
FRENZI Records is the titular band label of the PANTHER BURNS that works with those proper and rare record labels who have at times committed themselves to producing and releasing our music. However, I never use the resources and money of Panther Burns to produce and release our music because I feel that is an act of vanity. If the marketplace/world is not interested in the present decade to demand a production of our music then there will simply be no new music released by us. On these matters and the issue of artistic control, I am uncompromising. Otherwise, I can’t look in the mirror and call myself an artist.
Patrick: May I suggest to you a list of songs that I think would fit perfectly for Panther Burns? You can answer “no”, “why not”, “no way”, “good idea “ (ahahah) but also you can tell us more about the artists or songs mentioned. I’d really like to have your point of view on those songs that I really love. Here’s the list :
Rufus Thomas “Memphis Train” - Too classic.
Jerry Dallman “The Bug” - This one I've already done in performance quite a bit during the early 80s.
Esquerita “Undivided Love” – This one got for sure has an “undivided” Tango beat! Fantastique melody and ethos. The background vocals are very church-like, and the violins extremely tasteful. This is the kind of minimal, yet lavish production that record labels today might not be interested in producing.
Nathaniel Mayer “My Last Dance With You” – This song has exquisite drums and rhythm guitar.
The Poets “Dead” / The Versatones “Bila” : Have to listen to them.
The Musical Linn Twins “Rockin’ Out The Blues” -.Sounds too rockin’ (P :for sure it rocks, Tav; I’ve always wondered what those guys had in mind when they went to the studio to record this. Anyway : I don’t know how they did it, why they did it, but I’m glad they did it !).
Lavern Baker “Jim Dandy” - Brilliant. I like it a lot as a kid and used to whistle it to myself, but no one could ever do it better than Ms. Baker.
Gene La Marr & his Blue Flames “You Don’t Love Me Anymore” - I have not heard anything as loose as this Gene Lamarr song in a long, long time! Really wild and thrown away.
Ben E King “In The Middle Of The Night” - This Ben E. King piece reminds me of my idol - the incomparable and unapproachable vocalist, PJ Proby. There is no better singer.
Mel Dorsey “Little Lil” / The Chimes “Zindy Lou” / The Isley Brothers, a lot possible, well, let’s say “Twistin’ With Linda” - Don't like to do songs named after girls anymore.
Ike & Tina Turner “I Idolize You” - Think I know that one. Brilliant. I saw Ike & Tina with the Ike-ettes in 1964 in Arkansas when they were really hot. Incredible.
The Del-Mars “Snacky Poo”- Sounds sick enough.
Richie Deran “Love and A Hot Rod” - Don't like to do songs about cars anymore.
Eddie Floyd “Big Bird” (Lx Chilton covered that one) - Know that song well. Roland Robinson, a bass player with Eddie Floyd, also played with me on a few gigs & on the "Life Sentence" album. I modelled my original, "Gentleman in Black" after "Big Bird".
Arthur Alexander “Get A Shot Of Rhythm & Blues” - Too jivey.
The Jaynettes “Sally Go ‘Round The Roses” - This song I adore, and used to sing it quite a bit with PB in the late 80s.
The Champs “Train To Nowhere” - Could be perfect.
The Dazzlers “Gee Whiz” - Embarrassing.
The Collins Kids “Whistle Bait”- Too puerile.
Obviously I have done my share of covers. Four or five of them are pretty good. Like Jerry Lee Lewis, I consider myself an 'interpreter' of songs. On the other hand, I have done a number of my own originals. Presently, the Italian pop/rock singer, LILITH, has released a moody version of one of my new album demo tunes entitled, "Secret Rendezvous". Actually I premiered this song with PANTHER BURNS for the first time on stage on the Fête de la Musique, April 20th at Le Fanfaron in Paris.
P: Have you recorded songs that still remain unissued ?
Tav: "Tina, the Go Go Queen", among others.
P: What other songs would you like to cover ? And do you have new material ready ?
Tav: As I have explained, I have a new album demo of original material ready to record. Actually it’s the first demo we’ve ever made in our entire career. I will give you or anyone 10 % minimum off the top for a record deal with a proper label to produce and release the next PANTHER BURNS album. As for covers, I am not so interested in doing new covers other than one I have been drawn to lately which is the uptempo version by my friend, the late Charlie Feathers of Jim Reeves, "He'll Have to Go". I also sang this at La Féline in Paris on the 21st of April.
P: Your music has a lot of influences, from Memphis where you’re from, to Vienna, where you live now. Don’t you miss Memphis and where’s the best place you’ve ever lived ?
Tav: After living 17-years in Memphis, and in Arkansas before that, I think I can tolerate a change. Memphis will always be a part of me. For that reason I do not miss it. The best quality of life and the most creative environment has without doubt been Vienna. It’s not a R’n’R town. I don't hang out on the rock scene anywhere. Rather, I associate with writers, poets, dancers and artists. The morbid, old world appeals to me now far more than the new world. This part of the Europe is perfect to get lost in. Like Memphis, Vienna is another river town on the border between east and west. I can relate to the split personality of such places.
P: Panther Burns current line up is very classy and sexy. Can you introduce the members?
Tav : Avec plaisir. This is an astonishing formation of the PANTHER BURNS that I have been playing with exclusively for the past 7 years when I relocated to Paris after a stint in Buenos Aires and New York. On drums is Giovanna Pizzorno from Rome, Italy. I have played with her off and on since the ‘80s, during the time when the band was playing in New York. She wanted to learn to play the drums, so we took her back to Memphis and she learned from the best there. On electric guitar, we have the Parisian - Grégoire CAT. There is no better guitar player anywhere. He started his career in Vince Taylor’s band and over the past 7 years he has mastered the complete PANTHER BURNS repertoire. On electric bass we have Laurent LO, the youngest member of the band representing the new generation of Panther Men and Panther Women.
P: You once said that your fave show ever was in Belgrade in 2002. Did something special happen during this show ?
Tav : It was enthralling to play in a communist theatre built in 1953 before an audience of 700 over-excited Serbians who were listeners and followers of the famous underground R’n’R resistance B92 radio. Now my favorite show in terms of artistic merit is the show we did at Fondation Cartier in Paris. The band played with such brilliance, as never before.
P: Your last album ”Panther Phobia” (2000) featured another of my heroes: Jack Oblivian. Do you plan to work with him again?
Tav: In May of this year, I was back in Memphis for a few days doing some book research, and by chance Jack Oblivian walked up to me in a parking lot. Not sure that Jack and I will have the opportunity to play together again. Jack has not yet discovered himself as an artist and all that he can do. The future holds great promise for him.
P: Among other artists you know or work with are (some others of my faves) Lx Chilton, the Cramps and Chris Wilson. Can you tell us anecdotes about them ?
Tav: Often times when I got in trouble on stage, LX would hide behind his amp. The Cramps showed no mercy in the recording studio and treated recording concepts with total disregard as if the studio were a live stage. Chris Wilson, I have come to know recently as a friend and can recount an exclamation of his, "I'm so hungry I could eat a baby's butt through a park bench".
P: You like music, photo and film. If you had to choose just one, which would it be?
Tav : There is no separation between these.
P: From all the films/clips you contributed or shoot, what’s your favorite?
Tav: "Born Too Late" filmed at Club Fézsék in Budapest in 35mm motion picture.
P: “Love’s Last Warning” clip featured Jean-Michel Basquiat (RIP) who was a friend of Andy Warhol. Can you tell us about your relationship with Basquiat ? Did you meet Andy W.?
Tav: Actually, the cameo role in "Love's Last Warning" is played by underground film pioneer, Kenneth Anger (Scorpio Rising, etc.). In the movie, Downtown 81, which was finally released a few years ago in New York and in Cannes, I appear in a cameo role with Jean-Michel Basquiat. Around me he acted as if he had sucked the cock of arrogance. I visited Andy Warhol at his Factory on Union Square and he was far more charming.
P: Tav Falco is a living legend and also a well-kept secret ! What’s your opinion of success ?
Tav: I have no quarrel with success.
P: Is there a question you've never been asked that you'd like to answer ?
Tav: Not really, I’ve already talked to much.
P: It was a real pleasure to talk to you, thanks. My regards to the Panther Burns.
Tav: P.B.F.L. / Panther Burns Forever Lasting
Panther Burns myspace
Thanks to Jacques for the photo from la Féline
Friday, July 11, 2008
Back to the festival though, we seldom have the climate for this kind of thing. And most of the tickets go on sale before the attendees have a scoob who’s playing. The dockets for 2009 go on sale this coming Tuesday, two days after the last note is struck. Of course, I'll watch it on TV if I can stay awake. Used to tape it and fast forward but I can't even be shucched doing that now. Life's too short and 95% of the entertainers are, in my opinion, something that begins with sh.
Not exactly sure what is on the agenda for me this weekend, another quiet, somewhat uneventful one hopefully. As far away from the mud and buck-ied up subspecies as is feasible methinks.
Thursday, July 10, 2008
Wednesday, July 09, 2008
THE PHOBICS are playing a FREE GIG this Saturday 12th July at the Joiners Arms, 35 Denmark Hill Camberwell, which is just around the corner from Camberwell Green.
We expect to be on around 11 could be before, but come along and bother a sausage or whatever else is on the BBQ from about 6pm onwards. I dunno if there's a veggie option, my advice to veggies is go for the alcohol, that is completely meat free unless you lick it off your friends or have any strange water sport habits.
There are many buses to take you there, 35, 45, 68, 171, 36, 436 & 185 to name a few - nearest train station is probably Denmark Hill and a 5 minute walk down the hill. also a good selection of night buses can get you back to almost anywhere in London.
We will be aided and abetted by Terminal Decline, The New Dogmatix and Apologies I Have None, between us we'll cover several schools of punk rock mayhem but it's all rock n fuggin roll to me.
So there you have it - all we need now is your kind indulgence......and it is FREE to get in.
ps We will probably be dedicating Pills to the memory of Mr Arthur Harold "Killer" Kane, at the last gig we tipped the hat to Mr Bo himself. Thats the thing with time, kids, Lots of our friends and musical mentors are dead... So, in the words of the immortal Heartbreakers', catch us while we're still alive!
Tuesday, July 08, 2008
The intrepid couple will be setting out on a worldwide crusade to bring their oeuvre to your locale so when they do, please make an effort to see this - quite frankly unique unit in action. Two certified legends with more great songs between them than just about anybody.
You should buy a copy when they breeze through your 'hood but if you can't wait then pre-order it here. It's out September 15th.
I've taken to looking at the site visit stats and its fun to see the spread of visitors. It would be good to get the numbers up of course but I get a genuine sense of achievement when somebody visits us because they googled "hello saferide" or "fleshtones" for instance.
The links that folks make on their own blogs and websites are also appreciated. It makes the effort worthwhile. Conventional reviews and bullshit in the established press are still rooted in the thinking that these provide a service. What? By cutting and pasting the information the “product” supplied to you?? Unless these connect you directly with the artist or a conduit to hearing and seeing something for yourself then they're ultimately pointless. The band or act should benefit from this means of potential contact. Be it to gather intelligence or just to sell their wares to prospective buyers, without the middleman. Ditto with buying from the independent record store, you need to support the person furthest from the conglomerate.
I'm at that stage where I'm about to bounce a whole load of stuff into the paper recycle bin. Attempts to unload copies of Mojo and whatever to good homes have come to nowt, not a whiff of interest. I imagine that's because a lot of folks are down with the need to rid themselves of clutter too and I understand that.
A couple of bits and bobs might make it on to ebay. I'm not sure that anybody gives much of a shit about that either anymore as the desire to shed some tonnage reaches fever pitch. Anyway, as a certified hoarder of some 30 years at least, I really need to do something about this. The easiest thing would be to get hit by a bus and let someone else deal with it.
There’ll be some actual information coming soon, I think I just needed to vent. Do you care that Knuckleback signed a deal with this Live Nation abomination? Thought not, me neither.
Monday, July 07, 2008
Murray just hepped me to the fact that the DKT/MC5 show is being rescheduled for Glasgow and indeed all of Europe seems to be likewise. So if you were going, better sit tight for info on the new dates. I'll post them when they become available. The "guests" are guys from Alice In Chains and also The Sisters of Mercy. (!?)
I added READY STEADY RADIO to the sidebar yonder, it's a US based station devoted to UK music past, present and future so stop by and check it out. You might even hear "I'm Your Girl" by Technically Men. A stonker in any currency.
Sunday, July 06, 2008
I'm constantly pickin' up my jaw everytime I'm watchin' this... Did I mention the droolin'?
I'd say a Euro tour should be next on the agenda... Then again, I'd fly just about anywhere to catch this team in action....
Saturday, July 05, 2008
Given the wealth of material that they can choose from, a Gurus set is never going to be long enough. Tonight there was a curfew that you get in these venues where the gig is a precursor to the disco. Although I’m pretty sure there couldn’t have been anything on a Tuesday night? You can see from that what was played and it was great to be in the company of so many people who knew the songs. I was curious to hear Dave introducd “Death Defying” as “the closest he’d come to writing a country song”. Just the other day, I was thinking that Amy Allison could do a corking version of that very number.
When all is said and done they have a whole caboodle that should have swept the world. Tonight they let us have it with some of ‘em at full tilt volume. They closed the night with a Persian Rugs song (I think it was “Be A Woman”?) and the perennial “Like Wow Wipeout”.
Edinburgh was a strange choice. Maybe next time they’ll shimmy back to the West Coast and I’m sure most of those who were present would make their way there too.
It was great to meet those guys too after all these years. I think I was the first person to review “Stoneage Romeos” here in the UK, a couple of lifetimes ago. The fact that three-fifth’s of the band from the “Mars Needs Guitars” is still available to throw a party of this magnitude (cum loudness) is testament to the world’s rock audiences being largely deaf and/or stupid.
With some Bow Bar pies for pre-show sustenance, The Gurus brought some considerable hoodoo down on this otherwise sleepy Tuesday night in Auld Reekie. They’ve still got it and you need some. I hope the flood gates will open and more Australian combos will make it this far north.
Friday, July 04, 2008
It's a funny old world... but it's also Friday. So here's a song to celebrate the US holiday and the alleged punk rock year zero from a guy that should need no introduction... along with the best band in the world. It included the late, great Chris Gaffney. Can you guess who it is yet? - without clicking the clip.
THE GO-GO -
Saturday 5th July
Upstairs at Studio 24, Calton Road, Edinburgh.
From Dublin, psychedelic-garage 5-piece, THE URGES play live - band on stage at midnight. Admission £5/4.
60's garage, pop, mod, beat, soul, ska, psychedelia, girl groups, French pop, and punk.
DJs Tall Paul Robinson & Special Guest 'Chris from FAST'.
Thursday, July 03, 2008
It's nearly Friday and I plan to go exactly noplace and to catch up on stuff. Friday night in Stockholm? If you're there then I Are Droid are at the Slussen Debaser. If you're at Roskilde then don't let me find out that you watched Wirelessnapper instead of Säkert!
That would be three bowlfuls of wrong right there.
The priority at the minute is to catch up with Season 4 of The Wire so that's just what I'm about to do. I'll leave you with this, not great quality but three weeks ago tonight I was at that very show and this song is so new that i believe it's as yet untitled.
THURSDAY JULY 3rd
SWEDISH INVASION AT MANITOBA'S
8 DJ's from Sweden take on señor Handsome Manitoba's punk-rock dive on Ave B. Joel & Krille from Denimzine Magazine, Stockholm along with DJ's from Gothenburg clubs like Wipe Out and Showdown. Along with myself we will be bringing the house down with punk-rock-garage from Sweden as well as U.S. Christopher and Sara pours the drinks.
99 Ave B. 10pm-4am. http://www.denimzine.com/
FRIDAY JULY 4th - BBQ BASH AT ASTERISK
What better way to spend fourth of July then with full on BBQ and the best of the best from NYC garage-rock scen. Bands play on the boss DIY scene in this highly cool house. BBQ and drinks on the roof. The Jadewalkers are very happy to play this along with good friends like The Back C.C's, Abducteens, The Rats, The Choke, The Beat Rats and The Totallys. Vikingskull will be DJing as well. 9pm fireworks!!! After this we'll trug our way down to Don Pedro's for the Hullbaloo. DJ's Shimmy and Charles Gaskins.
On stage Nobunny and The Okmoniks.
Asterisk - 280 Johnson Ave. 2-9pm.
Don Pedro's - 90 Manhattan Ave. 9pm-4am.
Both in Brooklyn (who wants to spend this day on Manhattan. really?)
Photo courtesy of Eva Vahlberg
PRIMITIVE LIVING 2008 by Lenny Helsing
OK, so I missed the opening kick off party again on Wednesday night with The Peptones… and all of Thursday too I’m afraid this time, I didn’t arrive until Friday afternoon…So Thursday night’s picks like UK whipper-snapper garage-loudniks Thee Vicars, and Argentina’s Los Peyotes, I regrettably didn’t catch. Everyone who saw them said they were pretty great too! So for me, Primitive began on Friday afternoon when we picked up the Ronnie Splinter, Leendert ‘Buzz’ Busch and Appie Rammers – the Outsiders, and headed over to the venue.
We then rehearsed for an hour or two and it was amazing. The only singers present were Primitive Dave, Jorge from Dr Explosion and myself. A little later, Marky from Phantom Keys turned up. As you can imagine, getting to sing through a load of Outsiders songs was pure magic for me and for Jorge too. Plus the beer was now beginning to flow and I was supposed to get up and do a number with Dutch group the 1 2 5 in the Café but things started late – they weren’t there when we arrived at first at 4pm, so I thought I’d come back later…and then I absolutely couldn’t pull myself away from singing song after song with Ronnie, Buzz and Appie. It was all too much. So again, I really do apologise to the 1 2 5 for my no-show.
First on in the hall at 9-ish were Hipbone Slim and the Knee Tremblers who, despite being without our loveable bass-playing rogue John Gibbs (now an ex-member of the band) put on what was in essence a great rockin’ swampy / blues’a’billy show, with Diddlin’ Bruce ‘Tasker’ Brand on truly fine form bashing along on the drumkit / maracas as is per usual. The first up of the evening’s bu-bu-Burlesque dancers was the great Agent Lynch. She came on in slow motion, a high-healed go-go spacewoman no less, with primitive Union Jack in tow, and those filling the hall were spellbound.
My favourite UK group were on next, The Higher State. By this time I had also been cajoled into being some sorta MC for the night – well, after a fashion. So, like some kinda South Coast Pop Art Experimental Group, Marty, Mick, Mole and Mark took to the stage and thrilled all with their high-coined beat music. They have classic after classic building up in their repertoire, with big chiming Rickenbacker chords blazing over superb vocal harmonies. Also heard in this much clearer mix than I’ve heard before, were some of Marty’s climbing Elevatoresque breaks and so great to actually hear some of Mick’s cool tom-tom fills and Mark’s doozy bass lines. The fizzing, fuzzing latest 45 ‘And In Time’, and ‘If We Don’t Realize’ was aired with panache, plus some ‘From ‘Round Here’ faves and some great new tracks from their coming-out-soon LP ‘Darker By The Day’.
One of the longest-running or at least certainly one of the earliest of the UK garage-styled teen punk groups, The Cannibals, were here too. It was a different line-up from what I witnessed a couple of yrs back in Belgium and I think, all round, singer/leader Mike Spenser now has a better group around him. Pretty spaced-out sounding garage rock with drips of Electric Prunes-noise here and drops of Standells-isms there is what they specialise in. Lots and lots of repeat echo, over-the-top fuzz fx and cadavernous reverb is what they seem to especially like to put into their midnight-trash soup feast. Most of the crowd seemed to like what they were fed too.
Trixie Malicious of the Burlesque dancers was up on the podium next shaking and shimmying to the delight of the crowd. Then I was called over to introduce transatlantic beat bashers par excellence Graham Day & The Gaolers. These ex-Prisoners and Solarflares guitar / vocal legend doncha know, aided and abetted by two noise merchants, on drums and bass respectively from Georgia and LA-based combo The Woggles. More on The Woggles later. Them Gaolers were pretty much on fire from the off, having lots of energy to share out. Not sure of song titles since I’d never heard anything by them up until now, but I can tell you they really did liven up the night with their screamingly electric beat rock songs. Graham really knows how to write and sing out on these hook-filled garage mod-rock anthems.
And then of course there was the DJs spinning their mad records in the hall and in the café while the equally-mad folks got onto the floor and slipped, sloshed, stomped and biff-bang-pow-wow’ed their way through hits by lost rock’n’rollers inc. The Music Machine, The Seeds, The 13th Floor Elevators, Great Scots, literally loads of great Dutch 60s records like From’s ‘Be Mine Again’, and also of course some honest-to-goodness Big Bad Bo Diddley sounds!!!!!!!!!!
Saturday for many of us started before we even knew it had done, having not long gone to bed. Still bopping the night / morn away to the late-bar DJs including my good friend Eva Haller from Barcelona who, like a lot of them (not me though) were still there partying like crazy till the bitter end…I got out when the going was good and could still see kinda straight as I knew the following day I had to be not too done in, there was much to get through. I met up with Jeff Conolly as he got to the hotel fairly early. He’d just got into town having waited a couple of hours at Schipol with no-one showing up to ferry him onto Rotterdam… however Youri, the Primitive driver, did show up and brought Jeff to the Zeemanshuis, where we talked and drank coffee for a couple o hours until the Lyre-man’s room was ready for him to crash after an exhausting flight from Boston… me, well I was up and about. Having missed breakfast, I was ready for something and headed for the Waterfront area with various Screaming Apple / Soundflat folk. Frode and his missus (of defunct Norwegians, The Indikation) came too and my old pal Mal Kergan, ex-Thane, now of Spanish garage psychsters The Phantom Keys wandered by. Hellllllooooooooooooooooo!!!!!!!!!!!
So eventually after we found most of Primitive still locked up, we headed back the way we came along the water front to The Strand, where Baldy’s Knee Tremblers, or rather Knee-Jerk Reactions were soon gonna be bustin’ up the surfboards (had there been any on display) with their raucous rockin’ din and my Wildebeestin’comrade Russ Wilkins (also of Lord Rochester’s Diddley-itis infamy) was to be MC for the early afternoon’s hilarious bout of wooden shoes racing, yes Clogs by any other name. So we sat nursing white beer and were seen, well Russ and I anyway, addling maracas to the group’s more Diddleyesque numbers, as did a couple of the Burlesque Go-Go girls.
Ah yes the ‘clog race’ … well in my bout the clogs went flyin offa my feet 2m from the finishing line, and I went sprawling almost head first into the sand…and good buddy Lutz, of Screaming Apple / Soundflat came to my rescue and though he himself coulda won, he stopped, helped me up and dragged me over the finishing line. Whatta star that man is, give him a Bunker Hill 45. Dandy Dave, Lord Rochester’s Tim Matthews, Phantom Keys’ Mal and Lord Bacon, among others, also took part. I hope Tomas’s feet are not still giving him gip.
Then after all the excitement of The Strand happenings, we made our way to the venue for the start of the evening’s entertainment. I’m guessing they did play, but if so, then I / we missed J.C. Thomaz & The Missing Slippers, and the set that Armand, the Dutch 60s protest singer and hash/grass afficianado, played.
But we would catch up with him again later, as part of the Outsiders guest vocalists. First up that I saw at the café then, after a good few wild 45s being spun by PJ Dirtywater, were Finland’s The Micragirls. They were something special to behold, that’s for sure. They had a singing drummer, and a guitarist / singer who was into going quite nuts at times, and another Micragirl was on the bass, with added deep-drone Hohner mini-keyboard something-or-other at hand, which was very boomy and subsoniccy at times, and quite grating, but in a good way added to the Micragirls’ punk-style spirit. They were received rapturously in the now chokka-blokka café atmosphere, performing a great version of ‘Funnel Of Love’, a real spook-chilled instro of their own that I can’t recall the title of, and their theme of sorts, ‘Micraboy’ among other things.
Into the main hall again, first band up was The Phantom Keys from Galicia, Spain. Did I tell you these guys now feature on bass and backing vocals none other than Mal Kergan, ex- of The Thanes. I must say he fits in real well to this fantastic garage punk (with a little acid on the side) group. Their first single ‘In The Summertime’ sounded real fab, and the six guys put on a helluva show, with lead guitarist Roi pulling out all the stops, a perfect foil for vocalist Marky’s hair-shaking antics. Great to know that they can really do justice to the likes of ‘Velvet Illusions’ and Cuby+Blizzards’ beat-punk winner ‘Stumble and Fall’ on stage too. Can’t recall if it was Linda A- Go-Go dancing next or maybe it was Denise Dubieux, or even Miss Christine L’Amour, it all got decidedly blurry around this time…Anyway the next group on were London-based King Salami & the Cumberland 3. Their crude rockin’ rhythms and hill-billy blues racket went over great with everybody I spoke to. I thought Eric was great on the old drum-bashing front, even though I’d actually forgotten that they were gonna even be on the bill, ha ha…
And then, before you know it, it is the turn of the Outsiders to take the stage. Well…Dandy Dave introduced them as is on their first spectacular LP, live side…and then after a minute or so they launch into ‘Space Demo’ an old unissued thing that gets them warmed up nicely. First of the guest singers is Michel Terstegen, of Da Capo records, ex- of The Otherside, who came on with a giant blow-up of original Outsiders singer Wally Tax, and sang ‘Don’t You Cry’ and ‘I Love Her Still, I Always Will’. The group were amazingly fired-up with Appie on bass and Buzz on drums pounding away while Ronnie Splinter conducted some pretty lightning-fast cool guitar runs here and there, and some perfect, slower chord shapings for ‘I Love Her Still…’. The crowd were eating it up. Next to sing was Robert Muter, ex- of The Kliek and Kek ’66, now of The Timeflies. He vocalised perfectly on ‘Teach Me To Forget You’, and another of the group’s achingly happy/sad songs ‘You Remind Me’. Robert was nervous about singing such songs, but man, he was great, one of my favourite singers of the night.
Spanish Jorge from Dr Explosion and Circo Perrotti recording studios was third up, and wow, he was brilliant, willing the crowd to go mental along with him on garage punk killer classic ‘That’s Your Problem’, he also did ‘Keep On Trying’ with great spirit and style. And the group kept things just right, never floating off on a tangent or deviating too much from what we wanted to hear them do. Superb!!!! Dave from Dutch group The Madd took on ‘Do You Feel Alright’ and ‘Filthy Rich’ and did a great job with both, although Ronnie, Appie and Buzz played their hearts out more on ‘Do You Feel Alright’, sounding totally spot on, proving that they may be getting on a bit now, but they can still play better than guys half their age. Oh Yeah! Dandy Dave, the Primitive main man was up next giving a great account of the 1st LP thriller ‘Won’t You Listen’, again Buzz’s heavy drum beats were right on the money, and the others did well keeping the pace up too. Next was the turn of Armand, who looks like some Renaissance bard with his long flowing red hair and loose, flamboyant attire.
Armand was the ‘mellowest’ of all the singers, choosing to do the wonderful folk-beat-garage ballad ‘Lying All The Time’, and one of my all-time fave Outsiders songs – probably cos it was the first one I ever did with my old group The Green Telescope – ‘Thinking About Today’. What can I say that would sound right about the next one up…it was me, of course…all I can tell you is that it was a pure dream come true and a real honour for me to be up there participating with these deities of garage-punk-beat-psych. I was allowed to do a couple of their more Bo Diddley-ish bashers ‘Felt Like I Wanted To Cry’, and ‘You Mistreat Me’, but also ‘I Would Love You’ that The Thanes recorded for an old Misty Lane comp. LP back in the mid ‘90s, and that chilling CQ LP fave, ‘Daddy Died On Saturday’. Man, I could hardly contain myself.
And last, but by no means least, was Jeff ‘Monoman’ Conolly, of The Lyres and DMZ infamy. He chose ’67 ballad B side ‘What’s Wrong With You’, ’66 killer B side ‘Sun’s Going Down’ and that other – ain’t they all – Outsiders killa dilla ’66 garage smash ‘Touch’. He and the group did not disappoint, giving out with both energy and suave suss. And as if this wasn’t enough, they were called back on, and I couldn’t help taking a lead vocal, along with Jeff, and supported by most of the others on whatever percussive instruments were lying about, we set about ‘Lying All The Time’ as a finale. I think most people were happy…I know the Outsiders and friends / family were.
The night was not over yet folks, as USAs long-running garage rock’n’roll / soul firebrands The Woggles took the stage over and kinda blew everyone away, such was their post-midnight highly-energized set. They also invited various people onstage to help out in their crazy, sweat-drenched show, and although I missed him, Jorge turned in another wild performance by all accounts. They did invite Jeff C. back on but I don’t think the Lyre-man showed? By this time I was just hopping from one place to another trying to catch up with people and couldn’t stand still to watch much more… of course there was more dancing and drinking and dancing drinking and everybody was getting high high high, until the big hand in the sky pointed the way to a hotel, where sleep beckoned. Zzz
Sunday’s Primitive capers were kicking off in the late afternoon at the Tiki bar, but on the way there I caught the ‘60s Dutch Beat, and UK Beat picture exhibition at Vips! Wow, so many great pix of Outsiders, Het, The Motions, Q65, etc…and the ‘Stones, and The Who too…
After sipping a few beers at the Tiki, the phantasmagorically brilliant Lord Rochester’s Diddley-it is took to the floor. Their Bo Diddley sounds have to be experienced to be believed. Let’s see, we have His Lairdship on vocals and Mumblin’ guitar, Lady Muck on bass duties, and the great Mr Tim Matthews on drum bits and bobs. Great performances of tunes like ‘I’m Ridin’ The Train’, ‘Little Jermyn’, alongside the adopted future classic ‘Monkey Monkey’. Yours truly also participated during ‘Psychotic Reaction’ and ‘Cadillac’. Burlesque was by Agent Lynch and Trixie. A great time was had by all…Cheers and here’s to the next one!
Wednesday, July 02, 2008
Limited Edition EP Series - 4th Aug
Live Box Set - 4th Aug
Uncompromising solo artist and legendary front man of the band Suicide, Alan Vega celebrates his 70th birthday this year. To mark this occasion, blastfirstpetite is conducting a yearlong series of monthly limited edition releases.
Each release includes:
• an established recording artist paying tribute to Alan by covering one of his songs,
• a previously unreleased Suicide/Vega rarity from the archives, and
• proving that Vega's work even now continues to inspire, a cover version by a young up and coming band.
Major artistes will include Bruce Springsteen, Primal Scream, Peaches, Grinderman, Spiritualised, The Horrors, Klaxons, Sunn 0)) + Pansonic, Julian Cope, Lydia Lunch,Vincent Gallo and Liars . Upcoming bands include Beat The Devil/Shilpa Ray, No Bra, HTRK, X-Vectors, Nik Void (ex-Kaito), Effi Briest, S.C.U.M., and Stephen Burroughs (ex-Head Of David).
The sleeve images are all by contemporary visual artists who have been inspired by Vega, including Edward Mapplethorpe, Alex Rose, Cary Kwok, and Colter Jacobsen.
The series kicks off on 23rd July with two editions of 4000 each (catalog number PTYT 017), in both 10" vinyl & a limited download. Featured on the A-side is Bruce Springsteen’s cover of "Dream Baby Dream" (a live recording from The Boss's 2005 "Devils & Dust" solo tour). The sleeve is by Edward Mapplethorpe.
Any of series can be pre-ordered via links at blastfirstpetite.com and alanvega.com. Physical distribution is by Cargo (UK), Forced Exposure (USA), and digital distribution by State5.
Suicide Box Set Live 1977 – 1978
Out Aug 4th
Blastfirstpetite have released a six CD 3000 limited edition box set featuring thirteen live Suicide sets from the early New York performances and their legendary first European tour supporting The Clash & Elvis Costello. Entitled Live 1977-1978, the recordings are culled from the archives of Howard Thompson, the man who originally signed Suicide to Bronze/EMI outside of the USA.
Howard Thompson's archive, of which this box set largely comprises, consists of recordings made by himself and others who shared tapes so as to keep up with Suicide’s latest live adventures, and was originally intended purely for personal use. Captured on small handheld non-professional cassette machines of the era, tapes run out mid-performance and all the clunks, clicks, chatter and blather of amateur recording are captured fully intact, an audio-verité of Suicide performing in the flesh in clubs and halls of the time.
The gigs are presented in the order in which they happened, all the better to hear how the Suicide live experience evolved, to glean which audiences failed to grasp the implicit freedoms of Punk and which small bands of hardy souls rallied to Suicide’s brave new vision.
This set of recordings is not for the faint hearted. Nor is it the ideal starting place for uninitiated listeners seeking an easy introduction to Alan Vega & Marty Rev's dark and decidedly queasy proto-futuristic, low-tech sci-fi music, first unleashed on a mostly uncaring world under the banner Suicide many years ago.