Saturday, July 13, 2019

Thursday, July 04, 2019

Friday, June 28, 2019

Thursday, June 06, 2019

MORE INSTRUMENTAL STYLINGS


Tuesday, June 04, 2019

OUR FAVOURITE MARTIAN...



My poster is in a frame on the wall and the
glass is reflecting so I pinched this one
from the web.


Where to begin with Roky? 

The first time I heard The 13th Floor Elevators “You’re Gonna Miss Me" on Nuggets was the introduction and I’m fairly sure my reaction was much akin to your, the first time you heard that voice, that otherworldly purr. This would have been 1972 when the import of the Elektra comp appeared at the record store I worked in.

I became an instant fan but those records weren’t easy to access. It would really be the advent of his 70s resurgence that would make them available. When he played shows and got in tow with The Aliens was when it really hit warp speed.

As incredible as those early recordings were, he really hit his stride when the songs that would make up the CBS album in 1980 were taking form. When that record came out, it caused a ripple that should have been a tsunami. Whatever his mental state, he was crafting beautiful ballads worthy of Buddy Holly and epic, ripping rock n’ roll songs. He was a devil angel from an alternate universe or plane or wherever the heck such rarefied creatures dwell.

As time went on, more and more material became available. Often the same songs with different arrangements and takes but we hoovered it all up There was a documentary that I know some people rate but that I found very disrespectful. You get one chance to do something like that and this was not celebrating the subject to my mind. It merely gave precedence to the man being a weirdo. But not in a good way.

Thankfully, somehow it became possible for the demons to be reigned in and Roky was able to perform across the world. Those first few outings were particularly transcendent. I regret to this day not seeing them play with The Nomads but those that did make it were treated to something akin to what a religious experience might be like.

The only time I saw him was at the Royal Festival Hall in 2007 where I got something in my eye several times. I met him too thanks to Bill Allerton lending me his pass. My friends Bigor and Viva were there from Ljubljana and I managed to get them a ticket autographed during that brief encounter.

It was great that he got to roll in the thunder these past years to catch a glimpse of how important he was. That he was able to function at all to the degree that he did was nothing short of something that could rightly be called a miracle. Particularly following how he was depicted in the film. The recent clip of him performing “Night Of The Vampire” with an orchestra and choir was a hell of a testament to that song and I bet I wasn’t the only one that hoped we might hear more of his songbook tackled in the same manner. Does anyone know if anything else was recorded?

It’s another sad reminder that our heroes are disappearing and they really are not being replaced by individuals with anything like the chops. His music will live on far beyond all of us provided that there’s still a planet to hear it on. 

ZAGREB INSTRUMENTAL STYLINGS

Monday, June 03, 2019

Saturday, June 01, 2019

Friday, May 31, 2019

FUNTASTIC DRACULA CARNIVAL 14th EDITION


Here's the scoop...


FUNTASTIC 14
October 31st
November 1st and 2nd

TICKETS ON SALE - THURSDAY JUNE 13th AT 21.00 (SPANISH TIME) via these links. That's 8pm UK time.

KROSS KIDS




Thursday, May 30, 2019

Sunday, May 26, 2019

WE INTERRUPT THIS PROGRAMME...


Since the start of April, I've posted something here every day. It's time to take a break from that for one reason and another. It's still a surprise that folks still come by here so for that reason alone, I'll try to get back to it within a couple of weeks. Maybe sooner.

Gracias for continuing to visit. I'll leave you for now with this.

Tuesday, May 21, 2019

JOEY'S EL SOTANO BASH!


                       

   
   

       
       
       
       
            Joey Ramone Birthday Party




Sunday, May 19, 2019

HAPPY BIRTHDAY JOEY!


I've no idea what the story is but I approve of the subject matter. It doesn't seem to be available anywhere but via this link...

https://www.facebook.com/joeyramone/videos/2140672122721126/?eid=ARDZ2goozFTDKoubQtx9nJ9gzLiCuMu4Ll6eSqMUvwOoIXockaDXw1i2oyOY-Ef00n9h8ZMbwLmKf7i_

Friday, May 17, 2019

Tuesday, May 14, 2019

Friday, May 10, 2019

PSYCHEDERIC SOUNDS!




The latest Wreckless Eric sonic mini-series is called "TRANSIENCE" and he’s currently traversing the length and breadth of this sceptic isle in support of its being let into the world.  Picking up the psychedelic beat shapes of "Construction Time & Demolition", “Transience” continues Eric’s soundtracking of imagined kitchen sink dramas that take place across continents.

I’m no audiophile but I feel like he’s continually breaking new ground in the exploration of fusing several generations to arrive at something way more fresh than we’ve been used to by artists that are still making new music. The inclusion of Kevin Coyne’s “Strange Locomotion” is timely, it could well be a description of the content therein.

I hope he can keep up these instalments. It’s like the sonic equivalent of Better Call Saul. These eight songs run concurrently and need to be consumed in this sequence for maximum effect. As the guitar in this season’s finale hits the discordant peak you just wonder what’s next. There’s not resting on your laurels and there’s creating ground-breaking musical art but seldom are the two melded so seamlessly. Hear it, see it, feel it and be relieved that the quality control department out in Catskill has been working tirelessly to bring you the toppermost in entertainment.

Sunday, May 05, 2019

CHERRY PICKLES ANYONE?


Via Colin Duff via Allan Cunningham...




Saturday, May 04, 2019

Thursday, May 02, 2019

NEW RAPTORS GEAR!




Wednesday, May 01, 2019

BLOGGING SERVICE ANNOUNCEMENT



I’ve no idea if you noticed but something was posted on here every day during April. Partly to prove that I could discipline myself to do so and also to mark the 42nd anniversary of NBT. There were no lengthy rants or reviews or any of that, the days for doing that are more or less over but maybe there’ll be some opinion here and there as time rolls on. 

I haven’t decided or indeed given it any more thought beyond typing it just now. The traffic here is way down but I’m surprised there still is any at all to be honest. So thanks for persisting with stopping by. I’m not interested in hashtagging and trying to drum up hits any which way. Fuck that. If anything, I’m trying to extricate myself from all of this. Maybe not completely but the further the better. Here we are om May 1st 2019. Who'da thunk it?

Wednesday, April 24, 2019

Sunday, April 21, 2019

Friday, April 19, 2019

I FINALLY MADE IT... AND APPEAR IN A MORON-O-PHONICS song!


Thursday, April 18, 2019

Monday, April 15, 2019

Sunday, April 14, 2019

Saturday, April 13, 2019

RIP - GARY STEWART (Rhino Records)


If you don't know the name then here's why you should.

Thursday, April 11, 2019

Wednesday, April 10, 2019

PLAYING THE LEXINGTON, LONDON THIS WEEK!


Twin Temples practice "Satanic DooWop" as brought to my attention by Mr Colin Duff. 

NSFW if that is still a thing where you reside.

Tuesday, March 12, 2019

Thursday, March 07, 2019

Tuesday, March 05, 2019

Thursday, February 28, 2019

Thursday, February 21, 2019

Monday, February 18, 2019

SWEET BY NAME, SWEET BY INCLINATION!



“Oh By The Way it’s Natalie Sweet” is the solo album from the former Shanghai on Surfin’Ki. It’s killer Josie Cotton type perennial pop. This stuff never goes out of season and I’d be surprised if it didn’t actually paint a proper smile across your face. ‘Good Love’ has a wee nod to Lulu’s shout. Did you know that she based her version on Alex Harvey’s rendition? 

The band is Travis Ramin, Curt Jorgenson and the one, the only Morten (Moss Rock City) Henriksen. I don’t think you need any further info to send you scurrying to the Ki-shop for a piece of this action. 

Channelling Stockard Channing in ‘Pizza Man’, she creates something that gives Lenny and the Squigtones a run for their money. The skirl of “I Don’t Want to Need You (Tonight)’ is the perfect mesh of glam and post Brudders-pop while ‘Eye Candy’ is primo Toni Basil. ‘Don’t Worry Baby’ closes the show with a Glitter band approximating the Bobby Fuller Four and it’s all over. 

Proving conclusively that she has the stuff, Natalie is sweet by name and sweet by inclination.




Sunday, January 27, 2019

Saturday, January 19, 2019

Friday, January 04, 2019