Finally getting around to putting mitt to keyboard with regard to some recent(ish) releases so here goes...


"Breakin’ It Down" by The Midnight Evils from Minneapolis is on Estrus. They had sonic blacksmith, Tim Kerr nail the horseshoes to their frantic, hopped up fracas. Timeless high octane shit-kicking and punching, simple framework, solid deliverin’ rockin’ which will delight fans of The Lazy Cowgirls, Nine Pound Hammer and any of that which fits between those two (bar)stools. “Party, Party, Party” is nothing but a blatant steal of “Someone’s Gonna Get Their Head Kicked In (Tonight)”. Bravo.


DMBQ’s "The Essential Sounds From The Far East" comes on like Hendrix with jumper cables connected to his entire Experience. There’s a relentless rawk haul going on here that would probably scare the bejeezus out of your conventional metal fan. This Dynamite Masters Blues Quartet deliver a heavy, heavy monster sound. Even at a medium volume, this sucker feels loud. “Mo-Ya, Mo-Ya” sounds like Sabbath only way more visceral. There was an earthquake in Tokyo today, did anybody think to check if these guys were playing last night?


The Meows “At the Top of the Bottom” on No Tomorrow is a soul-kissed rockin’ sensation outta Barcelona and comprising 5 guys that are well versed in what it takes to cut some rug. The most obvious reference could be The Real Kids but there’s an additional dimension to their shindiggin’. If this combo is half as good live as this album suggests then there a lot of bands in a whole heap of trouble. There’s a nice Fleshtonian edge to it too, that super rock swathe that’s not easy to pull off. They’re packing an understated muscle, considering there are 11 original songs here plus covers of Ike Turner’s “This Man’s Crazy” and Sly Stone’s “Don’t Burn Baby” (complete with a raj wee “Pretty Vacant” moment on the close. The Meows are dishing up some incendiary dance music here. It’s a long way down from the dizzy heights this baby’ll take you to.


"Sonic Seducers" by The Intercontinental Playboys is a farfisa-charged palette of Garage flavours with a mix/match ratio that could only be mustered in Australia. There are all kinds of familiar nooks and crannies in their instinctive flair for reinventing that age old recipe. It’s a fun ride. The almost vaudeville aspect of their performance suggests a level of showmanship which could really set these songs off. With the right lighting and the requisite throb, the kids could have their heads turned by something as crafted as this. Their strength is the ability to ham it up without resorting to outright pastiche.


Dollsquad are also from Australia and combine a 70’s powerpop wallop with a penchant for the sixties. Their "Retro Dolls From Hipsville" is somewhat reminiscent of our hallowed Boonaraaas without treading on those ladies Chuck Taylors’. These 4 songs offer respite to anyone with a shine toward the girl group genre in general. Dollsquad swing in a most agreeable fashion and this niftily art-directed CD-EP sets the stage for a full length release, hopefully later in 2005. They should do a short 10” vinyl run of this in the meantime to stoke the fire. Enquire about the Dollsquad action figures while yer at it.


The Diplomats Of Solid Sound are “Ambassadors of Instrumental Soul”.Their “Destination…Get Down” on Estrus is a cool breeze. This Iowa City dwelling, Hammond fuelled delight provide an understated groove that will blow over you like some fine air conditioning. With elements of Booker T and Jimmy McGriff, the Diplomats drag those barbeque jams into fresh territory, blurring the join between when this music was new and making it now. “Loaf and Jug” is not a shopping list, or a London pub but a brand new dance that’s breaking out everywhere these guys play.

Those folks at LONESOME HIGHWAY in Edinburgh have an extensive schedule mapped out until the close of '05 including Ms Laura Cantrell in September and those Hacienda Brothers in October. If you're in and around these parts then get the heck on down. Y'think they organise these shindigs for the heck of it?

Uh oh, I guess THE STEPBROTHERS shows in Spain are over, this coming week they're in Southern Ireland though, check local press for details...

July 28th - Galway - venue: Roisin Dubh

July 29th - Cork - venue: tbc

July 30th - Dublin - venue: Crawdaddy

Three centuries ago, I used to work in a record shop down the town centre here in Grangemouth. This was in times before these out of town megaplex hellholes were invented. Better times for sure. This morning, I spent more time down there than I have in forever because the BMX Bandits, as mentioned earlier, surrealistically appeared in the square like some kinda holographic installation. It made me think about those olden days, before some of the people in this version of the band were even born. What I was thinking was, who could ever have predicted this!? But anyway, it happened and I have witnesses. I even "captured" the songs as mp3's if anybody out there with broadband would like them e-mailed to their in-box. I think one is just over 3mb and the other 1.5mb.

As part of the broadcast, the band did two songs in the first segment and another in the second. Hearing "That Summer Feeling" lapping from the stage at 10.10am on a Saturday morning is something one could get used to, even without Dan Penn to sing his verse like he did on the 45. Incidentally, Sanctuary have just issued SERIOUS DRUGS, a "best of" collection that includes their stellar rendition of that sublime J. Richman chestnut and a host of other songs from their Creation period. Anyway, their latest recruit Rachel MacKenzie adds an extra dimesion to their winsome pop. She'll appear on the soon to come (hopefully) new Duglas T solo outing.



The band is in great form and ripe for discovery by a whole new generation so let's keep our fingers crossed for that. It was all over by 1pm and it may have seemed like a dream or hallucination there are even photos to prove that this really did go down. I wonder if Duglas is in line for a cake voucher with regard to the plugs he gave Greggs on air? Must be worth a couple of "steak bakes" at least.

Dunno if you've come across this James Blunt guy that's storming the UK charts. Good for you if you haven't. He's like a creepy cross-pollenation of Chris De Burgh and David Gray and almost makes Dido seem like Tina Turner. Well, to these ears, for this particularly insidious strain of terrorism, the closing theme from The Incredible Hulk TV show has been copped to sculpt what must be the most horrendous, sickly #1 single in a long time.

Hearing the opening coming from the other room, I thinks to myself - is the TV on? but no, this guy starts to squeal and I'm filled with horror. And so early in the day too. A shock like this could drive someone less balanced into doing something drastic. The whole fabricated "industry" which seems to surround him gives me the heebs and it almost makes a guy want to hear a Keane song. Steady, I qualify that with an "almost" now...

Anyway, there's a bizarre situation going down in Grungemooth town centre this am and I'm aff (a variation on off) to investigate. There could even be some pictures later today. Take that as a threat brought upon by the aforementioned trauma if you're so inclined.

RIP - Long John Baldry

also Michael "Mick" Smith.

Like the great bard says... "Everybody's dying, what's going on?".

Mama Kangaroos is the latest project to come out on Mike Villers Genus imprint out of Philadelphia. A hefty labour of love with perhaps a touch of obsession, you may recall the Jim Carroll tribute ("Put Your Tongue to the Rail: The Philly Comp for Catholic Children") that the label previously put together. This one is subtitled “Philly Women sing Captain Beefheart”, MK offers a gamut of female interpretations from the songbook of Uncle Don with solid results. They might not all hit your particular spot but then you wouldn’t expect them to.

The opening cut, “Where There’s Woman” by Sweetie starts off fine but went all trip hoppy on me but the clatter is over soon enough. “The Past Sure Is Tense” by Winterbrief drags things back on track and even just two songs in, it’s obvious that a broad church such as this wasn’t gonna be instant. Repeated plays uncover new aspects as does the mood you’re in while you’re trying to digest it. Some attention is required, it doesn’t really play out as wallpaper.

I can’t claim to be an expert in Beefheart but I do recognise that these readings perhaps inhabit a more conventional universe than the original versions. It’d be interesting to hear if this Captfest inspires anyone who hasn’t already heard these songs to go back to the source. There is a reverence and a bounce to the sequence that might make no sense at all on “shuffle” but I think this is programmed like an album running order. Curated even. My consistent favourites go something like this. “My Head Is My Only House Unless It Rains” is given a Countrypolitan flavour by Nancy Falkow. I should mention right now that’d I’d heard of exactly nobody on this comp except for Amber DeLaurentis who plays on what for me is the standout, Janet Bressler’s “I’m Glad”. A transcendant slice of Philly Soul. Pure and simple. “When I See Mommy” by Tintinabulus sounds like a crash course in MX-80iness while Thorazine’s “Frying Pan” is a shouty, rooti’, tootin’ rabble flummoxer.

So then, to sum up, Mama isn’t your average tribute-ary. Given due care and attention there are dividends to be found in these 20 tracks. Some may confound, some may drive you “aff your heid” but I doubt if you’ll be bored. The proof of the pudding and all that…

Out there in Slovenia, the action shows no signs of abating. Tim Kerr has been out there working his magic on various projects which includes the next CRAZED FARMERS instalment. However, that's down the road apiece, for now check out THUNDERBABIES. A three piece with a swell line in '77 Lower East Side swing to their raunch. Brane Thunderbaby reckons that his combo provides "real raw and fresh r'n'r music" and he's not wrong. Sending a solid, simple cattleprod-like jag up the arse of what tries to pass itself off as the real deal on this end. These T'babies beat their material until it's a thick paste that's pretty bruising but in a good way. "Don't Try To Shut Me Down" sounds like a Nomads title strapped onto a garage AC/DC lollup. Yep, these three kids kick up quite the racket.



HIC ET NUNC are a tad more sophisticated bordering on contemporary. Their (fifth!?) album, "Burn Fat Old Sun" is produced by Bambi's collaborator and Walkabout, Chris Eckman. Theirs is a soulful maelstrom that burns (no pun or owt else intended) with a sinewy brightness constructed from many shards of popular music history. It's a Died Pretty-ish intensity that burns to bond the tracks. This stuff could really travel. A record like this could start the bush telegraph buzzing with "Llubljana is the new Seattle" type bollocks. The title track channels Joy Division through Radio Birdman to arrive at a destination that our airwaves could use right about now. "Innstant Self Knowledge" (it has two 'n's' on the jacket) is positively Roy Wood-like. BFOS is a really excellent album that deserves a wide audience.

Frank Macdonald just contacted me with the bad news that the great John Herald died.

Update at 6.54am 21/7 : It was confirmed by John's agent, Sarah. No more details at present but when any news comes in I'll let you know. I had the pleasure of meeting John and seeing him play during his many trips to Scotland. He made a record with The Radio Sweethearts called "Roll on John" which was released on Spit and Polish. One of the original folk troubadors, his work with The Greenbriar Boys is exemplary and he deserved much more than the cards life dealt him.

ROTTERDAM RUMBLE... The Coyotemen and a shedload of other garage grapplers this coming September at The Waterfront in, where else, Rotterdam.

The "TOP 12 HOTTEST FEMALE GUITARISTS EVER"!

Well I'll be (insert expression of choice here)... ("fucked with the ragman's coronet" was always my favourite but what can I tell ya? Scotland is a wonderful country. Where else would you expect to hear that the word "fail" is to be replaced, when dealing with kids' exams with "deferred success". Just lately I've been excelling in "deffered success" or, er... failure.

I'm working to clear that long promised backlog but am also trapped in the mire of reality and all the crap that trails into the hall. You all know how that is, right?

So anyway, there's e-mail to answer and discs to spin. There's Film Festival tickets to sort out too, See, the distractions are creeping in already...

A message from Ms Cantrell...

"Hey folks,

I am very disappointed about the sudden cancellation of Lucinda Williams' U.K. tour on which I was to be her support act. I am so sorry we won't be seeing you in London, Manchester, Glasgow, and Newcastle.

However, I did want to let you know that I will be appearing on my own dates in Birmingham and York as scheduled, and may even be adding a last minute show in Glasgow next week (please watch my website for updates). Also, for those of you with tickets to the Cambridge Folk Festival, I've been added to the lineup for Saturday, July 30.

In addition, I will be appearing on the "Loose Ends" programme with Ned Sherrin on BBC Radio 4 this Saturday, as well as upcoming sessions on the " Andy Kershaw Show" for Radio 3, "OneMusic" with Rob da Bank for Radio 1, and "The Gideon Coe Show" for 6Music.

I'll be back in the U.K. in September for more shows that will be announced shortly, so again check the website as confirmed tour dates are added. There are also some new photos and free downloads, as well as a very special NYC subway map that plays all of the songs on my new album, "Humming By The Flowered Vine."

Thanks again for your support and understanding,

Laura Cantrell
Jackson heights, NY

July 24 - The Glee Club, The Arcadian Centre, Hurst Street, Birmingham, England. Tel: 0870 2415093

July 25 - The National Centre for Early Music, St. Margaret's Church, Walmgate, York, England. Tel: 01904 658338

July 30 - Cambridge Folk Festival, Cherry Hinton Hall Grounds Cambridge, England"

RIP - James Doohan, boldly gone, aged 85.

Just noted this at our eXTReMe Tracking site; beautiful girls, beautiful Asian girl, and me. I would love to tell you I was such fine company, but alas...

Handy dandy eBay feedback generator.

Reigning Sound news : a new CD Live At Maxwell's will be out soon on Telstar, with Spoonful managing the Lp. Fourteen tracks, originals and covers, and liners notes by Miriam Linna. Also (as previously announced) a 10" and CD, Home for Orphans (the scrapped second album) on Sympathy.

Acetate records is set to release a demo album by NINE POUND HAMMER; "Mulebite Deluxe", recorded in 1990 (with three new tracks, two originals and a cover for good measure), while Get Hip will be issuin' a 45 of NPH's version of "Train Kept A Rollin', Part 1 and 2".

Locals will be happy to learn that Utrecht now has it's own Elvis shop.

That's their forte....