
All in French for those of you who can parlez da lingo. I wonder when there'll be a show in Paris? Meanwhile, I imagine there'll be a number of folks travelling to London this weekend to see the band. Viva le pilgrimage!!

Early to bed, early to rise? All shows at the Rodeo Bar are now earlier -- including Susquehanna Industrial Tool & Die Co.'s second-Wednesday-of-every-month residency!
A special album from Scotland for Japan will be released via bandcamp on April 11th.
We’re nudging April here and several situations haven’t been resolved. The one saving grace this weekend was the screening of “Ladies and Gentlemen, The Fabulous Stains”. Selected and intro’d by Ms Tara Quinn who also had these rather nifty commemorative badges made for attendees.

Leaving the fracas aside and the Blink fan commentary to the effect that the band sucks, “First World Manifesto” came out a week or so ago. In terms of packing a punch (oops), this is a tight wad of songs that don’t take themselves too seriously.
I have never felt older (give or take) than I did during the sets by the two opening bands in London on Wednesday evening. Regurgitating several decades of what has already been reconstituted to death, this was the musical equivalent of turkey twizzlers or whatever. One of the members of Cymbals looked like Chesney from Coronation Street from where I was standing. The poster said something about the other act being called Prehistoric Penguins, if it’s the same group and they changed their name then change it back. I know I could google to validate that but I already burned way too much time experiencing their, er, music.
Nothing sells out anymore but this show did and it’s a testament to Matt and Kim’s unique thrash pop sensibilities that the place was packed to the rafters. This is without conventional support ala magazine hype and airplay on what passes for radio these days. It was perhaps the most rapturous response I’ve ever seen an act get down there. They even kick off with “Yea Yeah” these days so you’ll get some idea about the energy levels by close of play. Such boisterosity is only fitting for the wall to wall anthems and “Northeast” might slow things down a little but the way it builds is nothing short of stadium-mungous. “Sidewalks” finally gets a UK release next week but I’ll be damned if this audience wasn’t entirely conversant with the new material already.
These positive vibrations are at odds with what is sanctioned by NME type quangos. This might mean that it takes a little longer to infiltrate an actual audience here in Blighty where people seem to depend on being spoon fed but the medicine will go down, I’m certain of that.

Northside is the first feature by a couple of local chaps (Bruce Strachan and Simon Beattie) shot in this area rather than being a documentary on the Factory Records post-baggy (?) band. Brought this far on what must be considered fumes as compared to a real budget, it hangs together pretty well. Like a darker aspect of Take The High Road intersecting Glen or Glenda with a rumour of Bill Forsyth. If The Broons ever made it to “the pictures”, the lady that plays Mrs McLeod would make a “braw” Maw.
Winter doldrums?ATTENBERG (Trailer) from filmswelike on Vimeo.
"Attenberg" is a strangely compulsive piece. It combines some genuine heart with some toe-curlingly awkward moments to arrive at an downbeatly positive conclusion. Must admit to the hairs standing up on my neck when the credit music cut in. One thing I would say is that the main character Marina is more of an Alan Vega fan than outsight Suicide but many of you will enjoy the exchanges and the way that the music is cut in there, paricularly with regard to "Bebop Kid". I was hoping the director would be there to explain the connection but she wasn't.
There's another aspect to the soundtrack that is cool also but I won't spoil that. For those of you around these parts, the film will be screened again this afternoon at the Cineworld megaplex. Not sure where it stands with regards to distribution in any given territory. I imagine it'll make the rounds on DVD but would be best enjoyed on the big rather than the flat screen.
"The Blank Generation" programme afterwards took place in exactly the same room as the last Suicide show in Scotland. When the CCA opened. It's more of a lecture hall vibe than a proper cinematic experience but it was good to see "Punking Out" with other people. many of whom weren't even born when the material was shot. It was all running late so I left to make the traipse home. Through the war torn streets that is Glasgae on a Saturday night.
Today it's the restored version of "The African Queen" and then more no-wave shenanigans. Topped off with another run through the jungle on this an "auld firm" day.