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Anyway, this is the best of the three and perhaps it’s the best music documentary since the finest example you’ll never see “A True Testimonial”. The reason is that the Feelgoods were a proper rock’n’roll band, completely wired and for real, maybe even dangerous.
As characters too, these weren’t just personas. They were the product of the Thames delta and a new word “canveycentric” was coined especially for this documentary.You’ll even see Bob Harris having a fly puff during “Keep It Out Of Sight”. Wilko does a great job of relating the story but the all out star for me is Lee’s mum. She refers to Wilko gently as “a troubled kind of person”. What a lovely woman.
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Hearing the sound fly out of a proper theatre sound system should be big fun but this isn’t just a story about a band. It’s about how something can grow in isolation and eventually sweep the world. Brilleaux’s widow recounts a line that her husband quipped, “I’m not fucking Shakespeare, I don’t write ‘em, I just sing ‘em”.
Don’t you wish the so-called acts of today would take a leaf out of that book. “Oil City Confidential” is an excellent film about a catalytic combo that kicked off a revolution in my lifetime when it really mattered.
By the time The Pistols and The Clash came along, it was about something else. There was love in their hopped up, cut and shut R&B and you’ll feel that when you watch this.
2 comments:
Lindsay - Do you have any insights on whether or not this will make it to the states?
I'll make enquiries. Would think it would make an appearance in NY and LA if nothing else.
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