Thursday, October 06, 2016


The Tenth Annual Wurlitzer Ballroom Bash just done ended. 

Thursday was supposed to be a quiet one. It started with a saunter that took in La Fiambrera to catch the SHAG exhibit. To see this stuff on a screen and in books or even prints is one thing but in person, it’s truly something. The much sought after “Spirit of 76” artists proof was there and the originals are more vibrant than a supremely vibrant thing. Munster and WEIRDO BAR! were next and I ended up at Wurli while the show was still going full pelt. This one had a hardcore flavour but all of the bands went way over that ideal HC 18 minute set limit by quite a margin. I could hear the racket from the street so that was close enough. GAS Drummers sounded particularly reasonable from that proximity. 

Thanks to the Jägermeister/Mahou/stellar company combo, any notion of an early night hit the skids. I would never have touched Jäger before I visited the Wurlitzer but their magic temperature machine serves it at just the right viscosity for such a medicinal compound. And who could realistically say no to those J-girls? I mean, really!?

So Friday was a little woozy and I was late in setting out. A late lunch at Restaurante Cantalejo with Eva, Murky and Nickie was a nice way to recharge. I recommend the albóndigas.

Alvaro Wurli kindly schlepped me along to see DEATH who were playing at Sala Caracol. We got there in time to catch the last 4 songs by The Zelators who are the best “new” thing that I’ve seen in a long time. Combining the bass-tastic whoosh of Mysterious-era Rezillos with The Comateens to arrive at a crazy cocktail of futuristically backdated fizzy pop, I really thought they were good. DEATH on the other hand were entertaining but not my Santa Claus by any means. I know the story, haven’t seen the film and the record I’d heard was at the Hendrix end of the MC5. Imagine BŐC interpreted by Prince, good if that sort of thing floats your boat but I’d just seen and heard the very agreeable racket that The Zelators make though. My judgement was (living) coloured.

Then all of a sudden, it was show time and to take in the musical program that had been set. Over the next two days both Los Chicos and The Boys would take the stage. I think there could have been a theme emerging here...

Le Moto de Fernan are one of those spirited two person outfits of which a little goes a long way with me. You’re familiar by now that I have no attention span, right? I’d heard Juana Chicharro before when I fell down a bandcamp rabbit hole one evening. They remind me of Desechables with a hint of Flamenco. Relentless and damn good, their record is an accurate account of the atmosphere they whipped up.

Los Wallas verge on the psychedelic and pack quite a twang. For some reason they made me think about The Waterboys but that might have just been the singer’s hat. By that time I’d had a few sherbets. They definitely enjoy their Sergio Leone/Morricone.

The Chicos are nothing short of incendiary. We hear people rattle on about bands being dangerous but these guys literally live up to that epithet in the most positive sense possible. They were always great but now they’re really cranking out musical kalimotxo that is obviously fuelled by the stuff they neck in no small volume. Robert Rodriguez needs to cast the twins as a kind of Cheech Marin/Tommy Chong on Pacharan in a Netflix original series now. On top of their musical prowess, they are solid entertainers. The show left everyone dazed. I offer the consideration that Los Chicos are better than The Supersuckers were at the peak of their powers give or take a song or three. There. I said it.

After they’d done, the inaugural Wurli blasting of The Dahlmanns “Play It” and “Do You Want Crying” took place. Both sounded majestic in their home away from home. Kent Norberg of Sator is also a member of The Boys now. He was in the house and the last time I’d seen him was in Moss all of this stuff happens for a reason and that notion takes on a whole new dimension when one is pished. I needed to be somewhere sort of early so I left just after 5am, drinking water with the hooch really helps (thanks for the tip Jorge).

All of a sudden it was bloody Saturday. How the hell did that happen?

When I eventually surfaced, I covered a fair amount of terrain. Victor of I Wanna Management hepped me to the fact there was early evening activity in (formerly Groovie) Mongo Sci Fi and Tiki Bar. They were screening Animal House on the TV as mod and r+b blasters blared and I would have liked to have hung around longer but time was literally slipping away.

Grabbed some fine hot pastry from my favourite haunt  - El Cambalache - close to WEIRDO! and Mongo then made my way down to Tres Cruces to meet up with the Robledo Crew. They arrived just as the opening band started. Terrier are local pop youngsters with a penchant for jangle and they sound like Luna in places. On this showing, they have a healthy following.

Psychotic Youth had just started when we got in. Juancho told me it was the first time they’d played Spain and this was a one off show. Judging by the reaction, they’ll almost certainly be back. The Boys delivered. I don’t think I’d seen them since they opened for The Ramones at Edinburgh Playhouse. Great to see Kent Norberg of the mighty Sator front and centre with his heroes, he was clearly having a ball as was the packed crowd. I was subjected to a non-stop pummel as I tried to deflect revellers and have the bruises on my arms to prove it. There was a hint of Mott marinated into their performance of songs from their career. Uno highpoint was a local lass getting up and singing "Brickfield Nights" with them. Another hoot was Aku crowd-surfing. That gal is fearless! 

Laura, you were well represented.

It is always a pleasure to hang out with friends and to meet nice folks for the first time, some of whom are heading for Funtastic in just 3 weeks time!

As joints go, this one jumps more than it’s safe to think about. 10 years in the ring and showing no signs of flagging, these shindigs just keep getting bigger and better. When I left a wee bit north of 5.30am on Sunday morning, our hosts and hostess and the Wurli crew had another fiesta to throw. And as I made it out the door a couple of punters came in and broke into spontaneous dancing.

A total surprise and honour was to have NBT immortalised on the birthday t-shirt. An extreme measure of success and muchas gratitude is hereby bestowed upon all who make Wurlitzer tick. Tick. BOOM!

Friday, September 16, 2016


I was holding off posting these because in theory there could be a couple more but shall deal with that as, if, when...

Saturday October 29th – 
Benidorm @ Funtastic Dracula Carnival

Wednesday November 2nd
Valencia @ Loco Club

Thursday November 3rd
Madrid @ El Sol

Friday 4th November
Bilbao @ Kafe Antzokia

Saturday 5th November
Irun @ Auditorio Bastero

Saturday, September 10, 2016


Amy is just about to make DIARY OF A MOD HOUSEWIFE available on vinyl for the first time. 
You can order it right here!

Friday, September 09, 2016

My favourite nightspot is turning 10!

Wednesday 28th September - Invitation Only
Wednesday is our most personal party started with friends bands, No Nipples and Odeon. The mythical WurliCrew will close the show, Wurli shamelessly performing songs from yesterday, today and tomorrow.

Thursday 29th September - 10 € (13 € box office)
GAS Drummers, Blowfuse, 
Mr. Miyagi Throne of Blood 

Friday 30th September - 10 € (13 € at the door)
Los Chicos + The Wallas 
+ Motorcycle Fernan + Juana Chicharro

Saturday 1st October  12 € (15 at the door)
Psychotic Youth + THE BOYS + Terrier

Sunday 2nd October - 10 € (13 at the door)
BOB WAYNE + LuckyDados

 Plus top notch DJ action every night!

If you want to attend more than one show,  we offer a discount of 5 € for each extra gig. After purchasing your first ticket, please email: to tell us what additional show you will attend, the discounted ticket price is not interchangeable.

No excuses, the wonderful world of Wurlitzer awaits you...! 

Wednesday, August 03, 2016


Gry and Hilde
I've not long completed a mission that involved heading south east from Moss Rock City to Risør, a picturesque town “doon oan the watter”. Like Anstruther on steroids. The event was Fyrjam 2016 where Reine Laken (Clean Sheets) were playing after a 5 year hiatus. 

Given my advancing years, I didn’t want to take the chance of not being mobile the next time they might deign to play.

Protestations of not being technically proficient fell on (these) deaf ears. There was a genuine buzz when they arrived on the island - Stangholmen - where the show was taking place. These lassies have a presence and it’s a swell spot. While the means of getting to and from the island might be problematic to a landlubber like me, it’s a skoosh for the locals. And talking about locals, the way that they support this venture could be a lesson to us here in the ‘K. We ain’t united anymore (Toto).

4 gals, 7 songs (all covers)There’s no record to sell but there were some natty t-shirts. They do this for fun and to (seemingly) shred their nerves. Four lifelong friends with genuine chemistry that bonds to make an honest, joyous racket that I will forever take over utter dross like The St*ne R*ses that I genuinely believe couldn’t hold a tune with all the hard drive action in the world.

Reine Laken (alphabetically) is Gry Hartvigsen - drums, Hilde Lokander – guitar/vocals, Ingri Østerholt - bass and Line Schibstad – vocals. Hilde’s son Lars joined them for a romp through Green Day’s “Basket Case”. The Laken include two of the most beautiful souls (Gry and Hilde) that it has ever been my pleasure to become acquainted with. When I met the other two girls on Saturday then “I got it”. The fact that they're all old enough to know better makes it even cooler.

There was a story going around that this and the show at Solbakken Fuzzfestival in Arendal this coming weekend (6th) might be their last but I hope that doesn't turn out to be true because they’re absolutely playing for all the right reasons. Not giving the danger a thought at all, just thinking of the fun.

It takes a lot of bottle to do what they did. And talking about glass vessels, there was also a nifty wee pub called The Peterhead Bar involved. An after-party there led to your reporter being able to overcome a 20 year old phobia.

And he’d do it all again in a heartbeat with quality company such as this.

Stangholmen Saturday Night! - Line, Gry, Hilde and Ingri

Tuesday, July 26, 2016


I never met Sandy Pearlman but he played an extremely important part in my formative musical years.

An obsession with Blue Őyster Cult led me to discover a group by the name of The Dictators. The only reason I picked up "The Dictators Go Girl Crazy" was because it was produced by Pearlman and (Murray) Krugman. Integral cogs in the BOC machinery that were flagged up by New Musical Express scribe Max Bell. SP also produced the best Clash album “Give ‘em Enough Rope” by giving them just that to sound less parochial and maybe appeal outside of Blighty. Afficianados of said group will bleat mightily to the contrary and I guess they’re entitled to their opinion however...

Pearlman and Krugman performed a sonic alchemy that created a mutation of metal and what at the time was proper punk rock. Folks of a certain age and persuasion know exactly what I’m talking about. They were able to fuse The Yardbirds, Black Sabbath and the MC5 into something that has never really been bettered. I think I was 14 when I first heard BŐC and they’ve stayed with me throughout the journey. Like they have with many close associates.

Without Sandy and his old tag team partner there would likely have been no way that I’d have discovered Andy, HDM, Ross, Scott and Stu Boy. Without them then you lwouldn’t be being subjected to this. I’d just read a facebook post by Scott Kempner the other day that suggested the prognosis may not be so good.

Condolences to his friends and family at this time and profuse thanks to him for setting me off down this road.