Disregard all and any previous versions of this poster...

The Dahlmanns - a couple more short clips to whet your appetite...

Ah, Miss Chain and the Broken Heels, that twang reminds me of Moss Rock City... and stay tuned for the extras.

RIP - Michel Terstegen (De Capo Records, Utrecht)

I want to update this blogger template thing but to say that I'm reticent is an understatement. Do any of you folks know of a step by step guide to go about this? I've had a couple of cak-handed attempts that almost goosed the whole thing.

And life is too short to start with these forums... so please, any assistance would be appreciated. then I could get this show back on the road properly.

RIP - Jane Scott

Rita Redshoes – Lights and Darks (Anjo da Guarda)

These past months in the wilderness, I guess I hoped someone might take up the slack. Or even that Rita Redshoes music might percolate beyond her native Portugal. You may recall me raving about her last album and this one has been out a while. I just realised that I hadn’t written about it and that’s very remiss of me. Better late than never is not an excuse.

We all read acres of press about artists that really don’t come anywhere near this girl in terms of scope. Or for that matter sophistication of being able to juggle styles. The fact that she, and Annika Norlin aren’t on their way to becoming global household names says much more about the consumer than it does about either songbook.

Always literate and sidestepping any pigeonhole by some considerable distance, there’s something about this that reminds me of Cristina. You remember that Ze records artist that covered “Is That all there Is”? I think it’s the sonic glamour of the sound. This girl thinks big and across several palettes. “Which One Is The Witch” and “You Should Go” are just two examples of how far ahead of the curve Rita is. This spacious pop that doesn’t rely on some recognition with the past. As much as I appreciate being reminded of Dusty Springfield, I’m a little tired of the endless parade that seems to rely on that familiarity.

I guess that an appearance on “Later” might light a fire below her career here. A couple of well-placed shows outside of the conventional bunfight. All I know is that this is a cut above whatever hipster-sanctioned collection that’ll be in vogue anytime soon.

Equipment sale... so how come that worked then?

Wonder if this'll work... hope so.

http://www.wrecklesseric.com/equipment%20sale/equipment%20sale.htm

If this works then it's the links and some other bullshit that's preventing "publishing". If it provides any consolation, I HATE when this happens.

Soon as I hit "publish" then all will become clear. As mud.

Since the funeral on Monday, I’ve been mulling things over. One of these is the possibility that I have to rip up the kitchen floor. The whys and wherefores are irrelevant. It has to be addressed. As has the issue of what to do with the clutter. I mean, what if I were to shuffle off this mortal coil and all the – let’s call it stuff – was just left for someone else to deal with. I realise that I don’t want that. Let me ask myself again... No. I don’t. So I need to find a way to deal with this. And a bunch of that that’s wearing me down.

The urge to drop off the face of the earth is all-enveloping. Watch this space but don't hold your breath.

I'm too pissed off to engage with you folks tonight so I'll leave you in the capable hands of Brother Don. He saw The Fleshtones in SF last night...

Just got back from the Fleshtones at Bottom of the Hill. I ask you, who else but the Fleshtones can make you twist, jerk, swim, monkey and then get down on all fours to do a set of push ups?! Yes, at one point, while the beat kept on going, the front line got off the stage and started doing push ups in the middle of the floor! And then it was our turn, as ordered by Sergeants Streng and Zaremba. I didn't know I was in a competition until I got up and referee Streng raised my arm high above my head in victory.

This kind of showmanship hasn't been seen since the days of Paul Revere and the Raiders. The fact that these guys are still going strong.... it's just astounding... running all around the place, hopping up on chairs--- even up and down off the bar. And never missing a beat of course. The 50 or so people who showed up (Tuesday night's about the worse you can play in this town) never stopped moving throughout the hour plus set and on into the half hour encore. Streng used a wireless sparkly Gretsch thru silver face Fender Deluxe Reverb.

Peter's weaponry included a Vox Continental organ, harmonica, and whistle. Drummer and bass player (old Fender Jazz) were just phenomenal. How do they do it? After all they're not only old enough to "remember the Ramones", but also Chris Montez and the Beatles (with an instrumental "Day Tripper).

I remember the first time I saw them. They won a battle of the bands at NYU. It was the Zantees, Nervous Rex and the 'tones. 1976 or 77. I think Lenny Kaye and maybe Clem Burke were among the panel of judges. The crowd went berserk with the Fleshtones. Absolute mayhem. 35 yrs later and they're truly just as maniacal as ever. Unbelievable. God bless em and I hope some band sings "I remember the Fleshtones" many years from now.

Have ill-fitting orthopedic undergarments got you down?

Doctors agree -- Susquehanna Industrial Tool & Die Co.

is at Otto's Shrunken Head this week, and on the last Thursday of *every* month!

THURSDAY, JUNE 30th / OTTO'S SHRUNKEN HEAD /
538 East 14th Street (just west of Avenue B) in ol' Manhattan /
Two comfortable shows, from 8pm sharp until 10pm / No cover!

Plus, coming up -- a JULY FOURTH HOLIDAY EXTRAVAGANZA...

Dances of Vice, The Salon, Wit's End and Champagne Riot present "The Liberty Belle Spectacular", a second annual vintage Fourth of July party on top of West 63rd Street's Empire Hotel! With live music, burlesque, dancing, patriotic cocktails, a fireworks view --

and adequate support from SIT & Die!

Yours trussly,
Michael
Susquehanna Industrial Tool & Die Co.
"Ballads, Boogies & Blues"

The Norton Records 25th Anniversary Jamboree -
all the details here!

On the blurb for "Sound It Out”, a documentary about the last Teesside record store standing, it claims “High fidelity with a northern accent”. I don’t agree. Certainly, anyone who has spent time on either or both sides of a counter in such a place will chime with a lot of this. It’s equal parts comfortable and sad, sometimes both at once. The shop customers that appear run the gamut from a guy and his wife that might give Vic Reeves and Bob Mortimer a run for their money to the most real and sincere being a Quo fan called Shane. To my mind, it's lazy to compare anything to do with record stores to "HF".

Director Jeanie Finlay and shop proprietor Tom Butchart attended the screening. It was explained that there were drawbacks such as having music playing in the store because it would ultimately have to be cleared if it appeared in the film. "SIO" feels more like "Anvil" to my mind, without the happy ending. It’s anybody’s guess as to how long the shop will remain there. Shots of Stockton’s high street indicate the decline that’s going on across the country. What can’t be denied is the community spirit and camaraderie that surrounds the place. Or the therapy that it provides many of the outsiders that frequent it.

Spotted copies of Up for A Bit with The Pastels, A Date with Elvis and The Residents Duck Stab on the store walls. I wonder if they ever sold the copy of “Love Missile F1-11” ?

See it and make up your own mind.

TRAILER: SOUND IT OUT - A documentary by Jeanie Finlay from Jeanie Finlay on Vimeo.

Thanks to Shona for getting me in after I failed to book a ticket in time.