Saturday, June 21, 2008

I hope Amy doesn't mind me swiping this picture off her site to convey that the word is out. The Wreckless (Eric)/(Amy) Rigby album will be coming your way on Stiff Records. Yes, you read that right. Back where it all began where it was semaphore signals we used, not the internut. Anyway - the full bhoona on that in due course. It's also the Grangemooth Gala Day (which means the rain won't be far away) and my mother called me last night to tell me about this. Who could have thunk it'd make the news today.

OK, if I'd switched my phone on last night then I'd have known but you know how I am with these things. Anyhoo - The Nomads will perform with the very Rev. Roger Kynard Erickson at the Peace and Love Festival next Saturday (28th @ 8pm). A very, very special event, I hope it will be recorded/broadcast for posterity. Maybe I should spring for a lottery ticket? Or better yet, move to Sweden.

If you're at a loose end in Glasgow tonight, check out this Raymond Scott celebration at the Panopticon.

Friday, June 20, 2008

All of last night and for much of today my mind has been on the restaurant we visited in Stockholm last Friday. Whoa, those meatballs. That monster mash, with a gravy that well, quite simply was beyond any mere gravy by a wavy mile. The place is called Tranan (thanks M) and if you ever find yourself in that fair city and if you're not of the veggie or vegan persuasion then you have to have these. This dish isn't on the regular menu but you have the inside track here. I rarely get that excited by food but by crikey, this made an impression.

Truth be told, I've been wishing it was last week all day today however, the weekend is finally here and it's a busy one. As for the news I mentioned yesterday, it's not absolutely set in stone but it is said that a certain Swedish rock'n'roll combo with credentials and a Texan legend will be taking to the stage together at Peace and Love - next week!? Of course, when it becomes available, the whole enchilada will be here. Still awaiting the nod on two new exemplary blogs too. You've got a lot coming up so fill your boots with fresh air while you're still able to tear yourself away from the computer. Or maybe you're mobile with all this stuff? There's a scarey thought.

Thursday, June 19, 2008

Murdo sent a myspace message to the effect that The Primevals have two shows in aid of the Kai Davidson Trust this coming weekend. I knew they were coming up but not so soon. Anyway, Edinburgh Liquid Rooms on Saturday 21st and Glasgow Stereo on Sunday 22nd.

Also, some very exciting Nomads news... soon as I get the nod...

Wednesday, June 18, 2008

Murray just dropped me a line with a reminder about the New York Dolls show at The Garage (Glasgow) on June 29th. I actually thought it was July... plus DKT/MC5 is at The Arches (Glasgow) on July 16th. Not sure I'll be at either of those but will be in attendance at The Hoodoo Gurus at The Liquid Rooms in Edinburgh on July 1st. Tickets for all of these from the usual places. It's about time The Fleshtones were brought north of the border, dontcha think?
So the EIFF kicks off tonight and my semester is supposed to start tomorrow. We'll see. I might blow that out. Can't make my mind up at the minute. The thought of dragging myself into town isn't doin' it for me but you never know. Culture, and the pursuit of it can be a peculiar mistress. I'm still reverberating from Stockholm - talking to my friends at the bar after Sakert! on Thursday, I remarked how NOBODY could be expected to follow that. However, I'll give you some respite from that now.

But, like I said before, you never know. If Patti Smith is at the screening of her documentary then maybe I'll get an answer to my Geator question. I guess I could always ask Ben but this is something of a mission. There's a lot going on and I'm not exactly sure where to start. Quite possibly not at the beginning...

IN NYC TONIGHT! June 18th...New York Night Train presents...

WEDNESDAYS AT MOTOR CITY BAR!

With top NYC DJ Mr. Jonathan Toubin... and they finally asked ME to guest DJ!!!
10pm-4am me and Jonathan will be tag-teaming behind the turntables. Expect beat from England, rock'n'roll from America and anti-raggare punks from Sweden. Ludlow st at Rivington st. NYC.
http://www.newyorknighttrain.com/







The Jadewalkers welcome Charly on keyboards....new rad addition celebrated with two free shows this weekend!

THIS FRIDAY. JUNE 20th

THE JADEWALKERS present.... MIDSUMMER IN THE WICK

Four bands live on the roof. BBQ - be a doll, contribute to the buffé, specially if you're vegan or something. Free aquavit snaps!!! Beer Chasers will be present by the keg, 3 dollar cups! On the glorious stage looking out over the skyline and river.... Magnetic City Kids - Phillie, P.A. The Rats NYC, The Homosexuals - NYC/London (yes! Original Bruno Wizard, formerly The Rejects). 5pm. 6 Stanwick St, Brooklyn, NYC. J to Myrtle. If you get lost call, Jadewalkers hotline: 718-443-3177 or Emma at 917-374-8556

THIS SATURDAY,
JUNE 21st


MF GALLERY present... EQUINOX MUSIC FESTIVAL

Part of the Time Out New York Summer Music something something (who cares?!). MF Gallery is moving from their well fitted spot on Rivington St. (god damn gentrification...). Let's wave em' off with a blast! Both shows are free.

Come to Motor City...listen to our new songs on myspace! Let us know what you think! Rough live cuts but with no doubt The Jadewalkers new line-up and new songs. "King Of Sweden"/"Spanish Sun" will be the forthcoming single (aug/sept). Double A-side, might be called "The International Single"...duh. "Weazel Man" is up on Emma's personal space. See address below.

Emma Vikingskull
The Jadewalkers/Writer/DJ

http://www.myspace.com/thejadewalkers
http://www.musikhjartanewyork.blogspot.com/
http://www.denimzine.com/blog
http://www.myspace.com/emmavikingskull
The Stripchords' Summer Season

June 20th & 21st – this Friday & Saturday!



Hey ho, kidlets,

The Stripchords are set to play a brace of gigs in yon Londinium, this coming Friday & Saturday (June 20th & 21st), both for yer general amusement and to facilitiate bouts of eyebrow twitching from both sexes. You must keep in shape, and a single Stripchords set can be considered one of your recommended five daily portions of fruit'n'veg!

Friday June 20th will once again see Captain Rex, 'Keg, Dil and Gluey Louie mount the stage at Bloomsbury Bowling Lanes, to play another strike at Francois Dirty South's Kingpin club. Feel the reverb, get a spare, shake a leg, have a pint, get the nightbus – it's that easy to have fun! Free before 9pm, £3 afters...

Saturday June 21st will be the first All Music Trends nite at The Purple Turtle, Mornington Cresent, headlined by Irish garage nogoodniks & Dirty Water Records artistes The Urges. Come along and make Melary's first event a success! The Stripchords will be joined onstage by burlesque artiste Miss Cherrylicious (www.myspace.com/miss_tang) so it should be a goodie!
Fortified by two rounds of live performance, The Stripchords will finally be entering the recording studio on Sunday 22nd June, to 'lay down' a quartet of tunes in a 'live to tape' stylee. We welcome suggestions for these recordings from friends and lawyers.

Meanwhile, you'll find two new 'berks in progress' up on our myspace page, namely Lilac Hayes, a Bert Weedon style take on Mr J Hendrik's personal tribute to his good chum Melvyn, the 'lah di dah gunner' hisself, plus a cover of Johnny & The Hurricanes' Sandstorm, a personal favourite of European royalty and our own Captain Rex. Do have fun with them, won't you? A little but of wonky does a boy or gel the power of good! See you up the lanes or down Mornington Crescent way!

Selah, The Stripchords

The Kingpin Club - Friday June 20th
Bloomsbury Hotel, London, London and South East WC1H 9EU Cost : £3 after 9pm www.myspace.com/bloomsburybowling

The Purple Turtle - Saturday June 21
Crowndale Road, London, NW1 1TN Cost : £6
www.myspace.com/allmusictrends
www.allmusictrends.com
RIP - Cyd Charisse

And more Sakert! from Hultsfred...



All of the clips posted so far are here.

Tuesday, June 17, 2008

Just a wee follow up on yesterday's opus. I've been searching for reports on Sakert! ruling Hultsfred and one particular thing really got my goat. To the effect that the fact their lyrics are in Swedish and this was offputting to the person who wrote it. It made me want to partake of a little shot-putting right on to his noggin. Maybe bang some sense into there...

Now where was the festival? Have a guess?? Sweden? Absolutely right. What language is the band's record in? This is where it gets difficult but bear with me. I've no idea why I was so sensitive to such abject stupidity. Maybe it's because this person got to witness it and I didn't. If you read my thing down there you'll understand that it really doesn't matter. The noise songs touch your soul beyond language. Everything else is a bonus.

So anyway, that's the beef. I'm going to kick back with a wee beer and the brand new S&LQ.

In the off chance you can't do likewise, check out this great pop song!

Monday, June 16, 2008

Never mind the trossachs

It was an early start on Thursday and everything went according to the open-ended plan. Arriving at the Centralen just a smidge past 1pm, I had just texted (people who know me will be sniggering now) Qina as she was walking toward me. This gal is so organised she’d even found the time to collect Ollekarlsson earlier that morning.

So from there we headed for Björkhagen station and a spot of orienteering around the woods in that hood. Absolutely beautiful, like the Golden Gate park crossed with the Trossachs. Qina was looking after her brother’s dog, Nemi and a more ideal place to walk (er, maybe that should read run) an animal perhaps doesn’t exist. Oh yeah, and I was charged with the responsibility of taking Ollekarlsson to Nenne, which is something of an honour that doesn’t come along every day.

Due to a hectic schedule, this was the only time I got to see Qina this trip. She was headed for the tranquility of her summer house and I was generally headed for the opposite of that which translated into a very fine time. There was a vibe of utter symmetry to the whole entchilada, to the point to being able to meet Nick at the subway station on the way to Jocke and Hanna’s where I was staying.

From there, we headed for Solna for The Nomads show in the park where it all began, back to the source. The great Hans Ostlund still lives in that part of the city and tonight on their own turf, the band provides an abject lesson in rock’n’roll supremecy. As you know, I can bang on about how important this combo is for hours. I even talked to a guy at the airport yesterday that said he’d check them out in light of their being responsible for The Hellacopters. The campaign never ends and never shall. A lot of old faces and family was present and it was a privilege to be there.

Nenne had turned up too and I made the safe transfer of Ollekarllson, with this guy comes great responsibility. I think he was pleased to see her. I was too. Robert Johnson introduced me to Playboy Marse, the man who has joined Punchdrunks and the word on the pavie is that this is perhaps the coolest incarnation yet. Always a blast to meet up with Jens “Ubi” Lagergren and he told me they were just about to start mixing the new Hello Saferide record due in September.

Organised by Black Sheep, this is an annual event that encourages music in the area. The show also provided a platform for the debut public performance of I Are Droid.

So do they deliver? Do they meet the mighty criteria that their album suggests?? Could they???

Well of course, I’m not sure that I’ve ever seen an outright first show by a band before. Probably not. The sound of the PA was unfeasibly good for outdoors as The Nomads had just proven. It was loud and very clear, something that isn’t always in evidence.

And well. In answer to that last slew of questions, yes they do. The guys have a gig on the Friday that may determine a stratospheric rise in their combined stock. The word “agent” is involved and my opinion of that sub species is not altogether rosy. Essentially, if any prospective booker doesn’t grab the potential from the album then perhaps they require “retraining”. It’s not your average rock bluster and the show underlined that, there’s some very specific sonic alchemy at play here. My suspicions that Konie is a genius are confirmed and Peder and Frederick complete the blueprint. They should have been introduced to the crowd at Where The Action Is. Next year they deserve to be shooting up the bill. My opinion?, the Dirty Pretty Things should have been bounced to make way for them. I’m a controversial old hector innit.

So from there, some good old fashioned imbibing of alcohol in the park. Reminded me of going to see Slade and the Sleaze band in the Cally park circa 1971. Good vibes, stellar company. Alright! Saw my old pal Bengtsson too and myspace bud Janne Punk who gave me a minature of Pors Brännvin.

Next thing I recall is looking at my watch and it’s nearly 10. Time to head for Debaser and the Sakert! warm-up for Hultsfred. I’d kind of given up on seeing this in a small venue but the gods (Martina and Mr Ulf) smiled on me and gave me another chance. My excitement was palpable, even in the event of extreme tiredness. It was an utter trip meet the Razzia’s, Martina and Daniel Ledinsky run the enterprise that brought and continue to bring us the music of Annika Norlin. I’m not entirely sure we’re worthy.

The set started way later than anticipated, part of a club night called “Falling And Laughing”. The irony of this isn’t completely lost on me as I’ve never seen the fascination of the Postcard records phenomenon. Anyway, I digress, time lost all consequence when the curtain opened. The audience was 110% in from the start and sang every song like this was their last night on the planet. It was fairly overwhelming to be among it and there was more than a handful of times when I found that I had something in one or both of my eyes. By “Alt Somm Är Ditt”, I was completely overcome with emulsion. Of course you know that Annika is incapable of putting a foot wrong but the band is just so damned together. No ordinary combo in any way shape or form. Their interpretations of these fine, fine songs, sung in a language I have very little command of suggest that I’m only getting a fraction of the overall effect. I’m in trouble if Nenne gets those translations together. My plan to get Sakert! To Glasgow for Celtic Connections starts here and now. World music fused with traditional folk and pop values doesn’t come any more potent than this.

I guess I was grinning like a fool when I went back to the bar. Don’t think I’ve been in greater need of a drink in living memory. It was a perfect end to as fun a day as it’s legal to have. I felt like I’d had as good a time as Kim (of M&K) has when she plays. Off the flippin’ richter scale.

Up bright and early to start again, kicking off with a groovy walk up to Bonnier Amigo to put Ulf off his work for a bit. I really began to get a hang of where I was going without having to consult a map too much. Thought about going to sound pollution but didn’t have time.

We walked to Pet Sounds where I got the new Billie’s album and The Solution cd that came out last year. There’s a print/dvd store called Paper Cut that’s well worth a visit if you find yourself there. Managed to look some stuff that I’ve only ever seen pictures of. Nicely curated place.

Dropped the gear at Mr U’s and headed for Razzia for our historic lunch pow-wow. It was like one of those things that world leaders get involved in. The restaurant also served the finest Swedish meatballs I have ever had or are likely to. And I’ve had my share of those. Martina and Daniel have a very cool thing going on there and deserve to rule the world in terms of popular music and on several other fronts. It was an honour to visit the nerve centre and a pure pleasure to spend time with them over the course of the whistle stop.

Schlepped around a little more and got back to the most exclusive music listening zone in Stockholm. Nick and Eva dropped in during the evening and we were treated to a selection of the finest tuneage that has been created over the years. It wasn’t long until it was time to head for Debaser Medis, the site of the “I Are Debut” release party. Part of the where The Action Is “weekend”. Nice joint, pretty swanky and the room was great.

Their set was delivered in no uncertain terms. Bristling with an intensity that was like Aha if they’d been imagined by Trent Reznor. I’m convinced that their racket will be reverberating through enormodomes before too long. Small venues with little in the way of blast zones need not apply. The viceral nature of what they do came across more directly than it had in the park the previous day. Playing at night with some strategic lighting suits the heights that the material scales. IAD is a full-on rock monolith in waiting.

La Puma kind of drove us out of the building and on to Broderna Olsson and Nenne left us before we rounded the night off at Pet Sounds bar. The good times were persisting and I left Nick and Eva in the little square in front of their place and trundled off toward Jocke and Hanna’s place. They were out of town but heading back on Saturday.

My tour manager called when I was on my way to Konsum. Word was that Pascal might be playing. Turned out to be false but the prospect presented a frisson. Hooked up with Nick and Eva and went with them to pick up their son Vincent at Eva’s mums. She and Vincent had been baking Bullar and I managed to score a bag to bring home. I should have got Pölsa too but wasn’t sure how it would travel. And, just across the road from my friends parking garage, on a quiet street. It's possible to enter a 50's style Narnia called Sivletto. An entire parallel universe. They do mail order too so check out their site. Nice bijou spiral staircase entry opens out into a wonderland of everything you'd need to further the lifestyle. Even a pickup truck!?

Lot of fine food on this trip and the bolgnese pizza at Elies was no exception. I’m always bemoaning the lack of decent pizza and the quality of this went some way to shut my cakehole good and prop. A huge downpour ensued and our thoughts were with those at WTAI. Cats, dogs and plenty other animals would best describe the tenor of the rain.

Having been trounced at Wii bowling by a 6 year old, Nick and I headed for Landet to catch The Dee Rangers at 99th Floor. They should require no introduction to regulars but I’m hoping that folks around these parts might get to see them in Edinburgh. I have to contact Mr Helsing with regard to that. Anyway, it’s a fantastic room in a place that has a kind of Maxwells (Hoboken) vibe. The band hit the stage at 10pm and proceeded to instill their distinctive beat frenzy. Jocke joined Nick and I at the bar where I noticed that you could by a cocktail called a Laura Palmer. I like the sound of that.

Good to see the Vola girls (La Novocia and Doña Tella) there too, hopefully that particular phenomenon will be happening again soon. And not just in Sweden neither (right Patrick?). Spent sometime gabbing outside to some very nice folks. Most of them seemed to be surprised by the fact that I’d come to see Sakert! Mr Ericsson hailed a cab and we were soon speeding toward our final destination. The WTAI after party shindig. I met so many people there at it’s actually a blur. Mona (of The Nagz) was there and I’d completely forgotten that she had been in Glasgow with Voladoras once. I never put two and two together even via myspace and I felt like a prize putz when the penny dropped. She’ll forgive me maybe?, my being a card-carrying member of CRS (Can’t remember shit) these days. It’s an age thing.

So I remember a few beers, lots of cool people – including Nicke and Robert Hellacopter. Always a solid gas to see those guys. When I do though, it makes me think that it should be them that enjoys the stature of something like the Foo Fighters or QotSA. The rest of the world missed the real boat again, settling for burger instead of steak that kind of thing. I’m too tired to think of a veggie equivalent. The other new Punchdrunk was in attendance and PM did me the honour of an introduction to Maria (of Revl9n). I also remember dancing to Sweet Jane with a very nice young lady who wouldn’t take granpaw’s puzzled looks of “me?” for an answer. As we left, the Droid minus Konie had arrived. From there it was off into the Stockholm night in search of a cab. Soon as we got in, the cab light flashed “game over” because that it was.

And that’s just about us. I made it to the airport in half-shut knife mode and home buzzing with the excitement of it all. As total blasts go, this was the proverbial neutron bomb.

My thanks to everyone who made it such a memorable trip, they know who they are. I hope that I can reciprocate the deluge and kindness that was bestowed down the road apiece.
Photos courtesy of Ms. Nenne Zetterberg

Sunday, June 15, 2008

Ok folks. I'm back and there are thoughts to be gathered. Meanwhile, here's the first clip I've been able to find from Hultsfred...



It would be great to understand the lyrics but it really doesn't matter. So dig it while I adjust to reality.

Wednesday, June 11, 2008




Brother Patrick has been talking to an Angel...
actually THE ANGEL!!


Since I discovered this awesome and soulful woman, I enjoy every single or album issued by Ms Andrea Ross, with the help of her accordion and talented musicians like her husband Rich Stim (he was a member the legendary MX-80) and the “flamin’ groovy” Don Ciccone.

The album “Louie Louie” is a tribute to one of Angel’s heroes, Lou Reed. Mostly covers but a few originals, like “Lou Reed’s Hair”. My first questions will be Lurid oriented :

Patrick: Since I got your album “Louie Louie”, I tried to find a connection between Lou and “Louie Louie” (this song was composed by Richard Berry, 1956, and wasn’t even covered by Lou. But I remember Lou saying that one day he’ll be rich with a song based on “Louie Louie” riff played backwards). So Angel, what is the reason why your tribute album to Lou is called “Louie Louie” ?

Angel Corpus Christi: I don’t understand this question but I like the idea of the Louie Louie riff played backwards!

P: Many of his early fans think that Lou Reed is not interesting anymore in (except for his album “New York”) since “Berlin” or “Coney Island Baby”. What’s your opinion about Lou’ more recent works ?

ACC: It’s all good. It’s all great. I could never allow myself to say that I didn’t like any of Lou’s work, recent or not. I am not worthy. He is my hero. All hail!

P: And what’s your fave Lou song ever ?

ACC: He hasn’t written it yet, but I hope he will someday. Its title will be “ANGEL I LOVE YOU”. Ha ha. And he’ll sign my copy “thanks for the inspiration”.

P: What is the origin of your name? Is there a relationship with this city called Corpus Christi where indians live?

ACC : No relationship to the city at all, just another dumb decision on my part. It’s a stupid name! Where to file it? Under A or under C? Is it a metal band? From Texas?

Back to history :
ACC issued a total of five albums between 1984 and 1989, all of them full of nuggets.
Her brilliant debut,”I Love New York” (originally issued on tape), as you guessed, was a tribute to this city, with covers of the Ramones, Richard Hell and Suicide (with Alan Vega – another ACC hero – as a guest) among others.

Then came “Wake Up And Cry” featuring the should have been a hit “Too late For Linda”, then “Dim The Lights”, followed by “Accordion Pop Vol. 1” who features another bunch of more ("Love Me Tender" ...) or less (Rolling Stones ...) oldies; hear these tunes like you’ll never hear ‘em again ...

The last one of this first period is the largely acclaimed “The 80’s”. This album received great reviews :- “The 80's is easy-on-the-ear, low-tech art rock that's a cross between Nico and Jonathan Richman. This gal manages to melt your heart” said the New Musical Express;
- "Maybe the most brilliant female pop/rock artist in America, just because she has the guts and brains to break free so simply and completely." This one was from Sounds.
My personal faves on this album are the fantastic and poignant cover of Alice Cooper anthem ”18”, the magical “Way Out West” and the original “John Cassavetes”, which is Angel's loving tribute to a deceased hero.

P: Your career can be divided in three periods : the 80’s, who saw the realease of five albums on confidential labels / gap / an album on bigger label in the mid 90’s / gap - a few 7” and 12” to fill the gaps / two albums in 2003 / THEN ?
– what about “Accordion Pop Vol 2” ?
- or “The 2000’s as a follow up to “The 80’s” : what songs would you choose to cover (it’s a view of mind – in other words, what are your fave songs from the past two decades).

ACC: Well, for years I’ve been thinking about recording a collection of metal ballads. “Nobody’s Fool” by Cinderella is a great song. “Love Song” by Tesla is a great song. And of course, G ‘n R’s “Sweet Child Of Mine” is a terrific song; the lyrics are beautiful and I like playing the guitar solo on the accordion. And the project wouldn’t be complete without “Eat The Rich” by Motörhead, because I like swearing and cussing in songs. “Bite down on the son-of-a-bitch” !!! Yeah! I’m aware that might scare some people, an accordion-playing female singing a Lemmy song. There’s a Youtube comment about my cover of “Jet Boy Jet Girl”: “Welcome to Hell, here’s your accordion”. Ha ha!!

P: You covered “Never Too Late For Linda”, which is a song written by your friend Don Ciccone for his group. The Trip, at the time (mid 80’s) recorded a mini album that still remains unissued. I have the chance to own this album, which is, to me, almost as good as the Flamin’ Groovies Sire trilogy (Shake Some Action / Now / Jumpin’ In The night). What can you tell us about “groovy” Don ?

ACC: He’s never early, he’s always late, first thing u learn is that u always gotta wait! And, he’s a dynamite guitarist.

P: On “The 80’s” album, there’s this song “Way Out West” that sounds like there has been a magical moment during the session. Do you remember something special happening in the studio that day ?

ACC: Yes, you’re right, something magical and special did happen on that song, and it was Don Ciccone’s guitar playing. He captured just the right feeling and mood and emotion of the song. Especially toward the end, leading to the end, the “outro” (author : Big Star fans, take note). Even to this day, all these years later, when I listen to his playing on this song, it makes me cry. It sounds like he is playing his guitar outdoors, sitting on the hood of his car, parked at the beach. And the waves are there, and the setting sun is there and people are walking by…groovy with a capital G.
(P: I forwarded Angel’s kind words to Don, here’s his reaction : the “Way Out West” session was my favorite moment of all with Angel. Funny thing about that solo was that the engineer couldn't understand it. He said, “you want it to sound like that?”. He kept trying to make it sound "better" but i wouldn't let him. I was trying to make it sound like the Velvet Underground. For any guitarists interested i used an old Gretsch guitar thru a very old Vox ac4 amp - tiny little amp that has a very special sound).

P: Your album “White Courtesy Phone”, issued in the 90’s on a bigger label (Almo, distributed by Geffen) didn’t receive the success that he deserved. But there’s that song “Threw It Away” who was a big success, as covered by Dean Wareham and Britta Philipps. Does this hit record bring you a bigger audience and a little money at the time, or did Angel Corpus Christi remained a “well kept secret” ?

ACC: Ha! For a minute there, it looked like we would make some money with “Threw It Away” when it was used as in-flight music on American Airlines. But it was categorized as a promotional use, which artists are not paid for. And speaking of crying over songs, in the studio recording this song, Hal Blaine cried while he was playing on it. I will never forget this moment as long as I live.

P: So what about Herb Alpert and Hal Blaine ?
(Herb is the famous trumpet player and Hal is probably the most prolific drummer in the r’n’r history; he played with Elvis, Phil Spector ...).

ACC: Oh boy, don’t get me started. Because once I start I may not be able to stop. I’ll tell you what happened in the recording studio during the making of “White Courtesy Phone”. First with Hal. What you have to understand is, I grew up loving and memorizing all the drum parts to all those songs Hal Blaine played on. Of course, at the time, I wasn’t aware of who he was, I just knew I liked that sound, those beats. So imagine the thrill I had in the studio watching Hal unpack his special percussion, which he took out of a big, old, taped-up cardboard box marked “Spector Stuff”! I asked him if this was really the stuff he had used on all those recordings and he said it was. Whoa! I lost it! I realized that this same stuff was gonna be used on MY record and I just lost it! I had to go in the bathroom and splash cold water on me face.
Then with Herb, I had an overwhelming moment when he took out the sheet music we had sent him to the song “Lazy”, and I saw that he had written notes to himself on it, different marks etc., and I understood that Herb Alpert had been at home practicing my song. In the 60s I’d had a crush on Herb and had a big poster of him over my bed. Naughty naughty!

P: For me almost any song by ACC is like almost any song by Roy Orbison or Lee Hazlewood : when you have the chance to hear it, you fall in love with it at first sight – er, I mean first hear, but like love at first sight. The problem for ACC music is that you can hear it nowhere. I’m sure that if someone with good taste had the idea to use one of your songs for a TV ad or a film, you’ll become famous.

ACC: Thank you, that’s very nice. I could never compare myself to Roy or Lee tho. I think I sound more like Alfalfa on Our Gang (Our Gang, also known as The Little Rascals or Hal Roach's Rascals, was a long-lived series of American comedy short films about a group of poor neighborhood children and the adventures they had together. Created by comedy producer Hal Roach in the early 20’s).

P: Ok, but what are your fave songs or albums by ACC ?

ACC: I like my version of Motley Crue’s “Home Sweet Home” (P : featuring on 2003 album “Divine Healer”, among other cool covers like “Eve Of Destruction” or “Hurdy Gurdy Man” and great original songs too) , the slippery slinky mix Dean Wareham did of “You” (Dean also played guitar), and Pete Kember’s mix of “Femme Fatale” (Pete also played omnichord and Britta Phillips played bass). The song sucked until I took out my vocals, then it sounded brilliant! Ha ha! Not a good sign when your song sounds better without you singing it!

P: You already told us about Lou Reed. What about Alan Vega and John Cassavetes ?

ACC: Maybe it’s time to tell a secret. I don’t usually like to say who a song is about, or where I got the inspiration, but the lyrics to the song “Fall”, on White Courtesy Phone, are kind of about John and his wife, Gena Rowlands. It’s surprising, isn’t it, how much we can love someone we’ve never met? I like the way that song turned out. If you listen carefully, you can hear Rich singing back-up parts. And Craig’s guitar solo is genius.

P: About Rich : except MX-80 and playing / composing with you, did he get involved in other projects?

ACC: Rich and I had 2 musical projects prior to ACC. Playette, and Poetraphonics. On Playette, we used this fabulous little mini-synth by Electro Harmonix that I just loved. It had black and white keys, but they were just painted on, to resemble a keyboard. It was kind of modern, but also low-tech. In Poetraphonics, our big moment was opening for Nina Hagen! My instrument in Poetraphonics was an electronic "clapper". No accordion. I just clapped along, quite happily!

P: A word about Alan Vega ?

ACC: Have u ever had the experience of feeling like u were hallucinating while watching Alan onstage? During one of his performances I saw him transform into a kind of giant beetle creature that was encrusted with jewels. I felt like I was seeing the “real” him, that he was only masquerading as a man. That’s my word on Alan Vega! He’s a bug!

P: I saw Alan Vega and Suicide twice, end of 70’s and more recently. I noticed that he “had the “bug”, considering the way he moved / shaked, but not that he was a bug. Probably because men don’t know but little girls understand ...).

P: You live in San Francisco (I just came here for one day, to see the Cramps one year and a half ago, and I fell in love with this city). Can you give us good reasons to visit Frisco – or even live here (I now some guy who’d like to).

ACC: You’ll never see any George Bush bumper-stickers, ladies with mustaches are accepted, and so are men with breasts!





P: Do you like the Cramps, got records, saw them play ?

ACC: I love the Cramps. It’s fun to sing their songs live because the crowd goes kinda crazy and of course, it’s always fun to sing nasty words… “You Got Good Taste” and “What’s Inside a Girl”, “Somethin’s tellin’ me it’s a ‘hole ‘nother world!” (P: please Angel come tour around here - Europe, or at least release a live album : I wanna hear those songs !).

P: You covered Serge Gainsbourg's "Je T'Aime, Moi Non Plus" (I love you, neither do I ? Serge was awesome for playing with words). Is there any other song by him or another French artist you even think to cover ?

ACC: No. Do you have any suggestions? I tried to sing with a French accent once. Unfortunately, I sounded like Pepe Le Pew.

P: Well, I’ll suggest a song that would fit perfectly to your style / class which is my fave Gainsbourg song. It’s called “Le Canari Est Sur Le Balcon” (the canary is on the balcony), a song by Jane Birkin. It’s about someone who has commited suicide by gas and who left a letter with only those words: the canary is on the balcony. A real tearjerker, it features on “Je T’Aime” US album (the one with a blue/pink cover).

One last question : is there a question you've never been asked in interviews that you would like to answer ?

ACC: This is a really good question, for which I have no answer!

Thanks Bro Patrick, a nice interview. I enjoyed it.
I'm about to undertake an important mission and will be incommunicado(ish) for a wee while.

So, while I'm offsky, take a look at this - from the land I'm bound for...

Susquehanna Industrial Tool & Die Co. returns to the rootin' tootin' Rodeo Bar this week for more rootin' *and* more tootin'!

Join us, won't you?


SATURDAY, JUNE 14th / RODEO BAR & GRILL

375 Third Avenue (at the corner of 27th Street) in Manhattan / Three comprehensive sets, from 10:30pm sharp until 1:30am /
No cover -- and free peanuts!

Yours truly, Michael


Susquehanna Industrial Tool & Die Co.
"Ballads, Boogies & Blues"

Monday, June 09, 2008

Step this way for The Fifty Worst Album Sleeves. Link courtesy of Jean-Marc Rimette over in the land of Dutronc.
Very jazzed about my impending Säkert! encounter. Trying to concentrate on that to take my mind off the trauma of earlier today. I was ko'd. Outta action for a good couple of hours. If you have to attend hospital and you're offered a sedative then take it. Regret could well be the order of the day if you don't. I'll leave it right there.

Amidst the distraction, I never got the stuff done that I wanted to but here's a great Ben Weasel thing by Larry Livermore to keep you amused, scroll down to 28th May posting.

Sunday, June 08, 2008

Spike Priggen is a guy that I’ve been meaning to hep you folks to for many weeks now. Ever since Innes Reekie sent me “There’s No Sound In Flutes" actually. With it’s Peter Bagge cover you just know that it’s gonna hit the spot. So since then I find out that Spike stayed in Edinburgh for a while in, I guess, the mid-90’s? Anyway, this fact never cut across my radar at all which is a damn shame because I feel like I really missed something.

Since his return to the US, he’s cut three albums. “Flutes” (which actually had a UK release on Re-Action Recordings – there’s a copy in Avalanche, Glasgow for anybody in the locale) and also “The Very Thing That You Treasure” and “Stars After Stars After Stars”. All available from him, in terms of shimmering Big Star/Db’s type pop it doesn’t get more dazzling than this.

He has an “all-star” cast abetting him too which includes Jon Graboff and Mark Spencer, two of the finest musicians currently languishing in NYC or anywhere. Bun E. Carlos and Ivan Julian join in the fun too. I’m not sure what’s on his myspace page but it’s sure to put a smile on your mug.

“Stars” is comprised of cover versions and I’ve no idea what some of the originals sound like. I can’t conceive that they’re anything like this but anyway. Those that are familiar – Ward Dotson’s “Be Married Song”, Chilton’s “Nightime” and Alice’s “I’m Eighteen” aren’t just a casual run through ala tribute band. The Ramones “Questioningly” is reborn as a country standard once again underlining just how great the songs were. “Big Store” is credited to Stephen Duffy. Is that Tin Tin? I don’t recall his output sounding like this but I’ve been known to wear blinkers at inopertune times. Green Gartside’s “A Slow Soul” too… who’da thunk it?

“The Very Thing” kicks off with “Every Broken Heart” which reminds me of the heady heights of TFC’s finest work. Graboff’s 12 string on this is fecking heartstopping. It ebbs and flows in all the right places and then there’s the twang, woof! The Dwight Twilley/Phil Seymour feel is uncanny too and it’s never pastiche or knock-off. This stuff is up there with your favourite albums. No question about it.

“Flutes” is the latest release and takes its name from the infamous Buddy Rich incident. It continues the succession of sublime timeless pop that will never go out of fashion. It may not garner acres of press but when you hear something this accomplished then it makes a difference. The strings on “Hideaway” swathe Spencer’s guitar solo in a setting that just elevates the whole production, like Burt Bacharach conducting Uncle Tupelo. Elements of this remind me of the great David Scott Esq. “Everyone Loves Me But You” should be a 7” single – no question. The Skeletons do The Archies style of “Something” is another surefire hit in an alternative universe where manufactured music is outlawed. A place we’d all rather be where all the bars are like the Lakeside Lounge.

So yeah, I missed the boat on this guy alright but you can’t win ‘em all. Plus I was able to play catch up in the end so all’s well that ends as such. If you get the cd’s then there are “hidden” tracks on there too, I don't imagine those would be involved in any download situation.

All three are fine, fine records. Utterly recommended and certain to become sought after. Not content with making downright groovy music, Spike is also the guy behind this.
RIP - Bob Anderson

Saturday, June 07, 2008