Friday, October 26, 2007

Hi Kids,

Well, after the last few weeks of the nation being accustomed to losing, what better way to celebrate than to come along and support you fave losers The Phobics this Saturday?We decend the wonderful 12 Bar for what promises to be a Punk Birthday Spectacular. Not one Birthday either but two, both half centuarians to boot, and both steeped in the history of olde punk rock.

First up, Shanne Bradley, she erstwhile bassist of Nipple Erectors/NIPS/Men They Couldn't Hang et al, and secondly our pal Brian D, friend and onetime roommate of messrs Thunders and Nolan.

Hell, it was Jeff's Birthday the other week and would have been Stiv's last monday so just get in the spirit of the damn thing and keep the drinks coming so I don't lose my voice. It all makes perfect (non)sense.

As for the bands on the bill expect our usual Heartbreakers/Ramones kicking the cr*p out of each other fare around 10:15, with Some Dogs, JD and the Longfellows and Target Zero either side, ending with a midnight set by Viva Las Vegas so Jeff Phobic will be doubly busy.

There are rumours of a few star turns, and turn ups as well, so this may persuade the more stubborn amongst you to forgo your telly and a bag of Kettle chips and swell the happy throng expected. Finally a heads up for The Brian James/Lords of The New Church gig at The 100 Club (big hello and thanks to Carlton by the way) on Halloween Night, tickets are limited to 300 so get in quick.
Been nowhere near a computer so couldn't post the cancellation of the Radio Birdman London show as reported by Brother Joss. Something to do with work permits I unnerstaun'.

My mission, on the other hand, all worked out swimmingly. The GFT Lynch/Donovan scene was made and turned out to be an unbridled gas. Good deal, as the man himself would say, quite rightly... more later. Probably after tomorrow evening's sermon. I never drunk a drop of coffee before Twin Peaks so maybe it's time to give this TM thing a birl?

Wednesday, October 24, 2007

This morning was a total bust. Frost + pea-soup thick fog = Nae blogging. Morning is best for me right now because by the time it gets to this time, a computer is the last thing I want to look at. I'm hoping that my encounters with the David Lynch/Donovan events over the next few days will clarify a few points for me. In between times I'll catch up on the latest Curb Your Enthusiasm crop. Incase my days as the east coast Lar are numbered. Anyway, here's what you should have got 12 hours ago...

RIP - Lance Hahn (J Church)

If it's the last Thursday of the month, then SIT & Die Co. must be at Otto's Shrunken Head -- and October is no exception as Susquehanna Industrial Tool & Die Co. serves up the "ballads, boogies & blues", Otto's style! The scoop...

THURSDAY, OCTOBER 25th /
OTTO'S SHRUNKEN HEAD TIKI BAR & LOUNGE /
538 East 14th Street (just west of Avenue B) in Manhattan / Two reasonably colossal shows, from 8:00 sharp until 10:00 / With DJ Scratchy, salty snacks, barkeep Michelle -- and no cover! /
And, on the November horizon...
WEDNESDAY, NOVEMBER 7th /
Cafe Steinhof
TUESDAY, NOVEMBER 13th / Swing Dance Long Island THURSDAY, NOVEMBER 29th / Otto's with Raffle Girl!

Sincerely yours, Michael
Susquehanna Industrial Tool & Die Co.

"Ballads, Boogies & Blues"

Uh oh, can't find the other stuff. Methinks it's gone. Or maybe it's someplace and I'm gone. One or the other. Whichever it is will be discovered in the fullness of time. But maybe not tonight.

Tuesday, October 23, 2007

Is there no end to flow of superior atmospop from Sweden? It sure doesn’t seem like it. The latest to hit up this particular disc tray is “Frutti di Mare” by Don’t Be A Stranger. It sounds like it should be on Razzia but it’s on their own ia! imprint via V2.

The DBAS “orchestra” comprises the Weibull sisters (Louise and Christina) and Liv Widell along with Martin (Konie) Ehrencrona, Johan Forsman and Mattias Albinsson. The sound they make isn’t quite like anything else, well maybe The Paradise Motel fronted by Nina Persson. Or El Perro Del Mar sculpted by Brian Eno with his Roxy Music head on.

It also reminds me of that fine Scots combo, Adventures in Stereo and of the time they did a version of “Danny Says” at a Joey Ramone tribute in Glasgow. That gave me the shivers and some of this hits that same spot. The parts that don’t are pretty flippin’ cool also. “Yellow Moon” is like a Scandic Fleetwood Mac at Hallowe’en, that guy Konie has the eerie keyboard sound down pat. Building ever closer to a crescendo that doesn’t quite come, a bit like the final moments of The Sopranos only created in sound. If they can do this live, then we’re in trouble.

Monday, October 22, 2007

Big Star report from Brother DC in SF...

"me and cynthia saw big star at the fillmore last night. great show. mellow, good vibe crowd. same band as last time...alex and jody plus the posies on bass and guitar. stringfellow had one of those new black and white gretsch basses going thru big ampeg setup. the other guy had a gibson 335 type thing. chilton played a les paul junior that sounded fantastic but gave him tuning trouble. both he and the other guy had rented fender twin reverb amps which sounded killer. chilton also had a black strat with maple neck but only used it on one or 2 songs. he kept on tuning up the gibson which slowed things down but it was that kind of night anyway -- very relaxed. chilton wore white button down shirt, black suit jacket, khaki trousers, black walking shoes. at first he had glasses on and cyn said he looked like a college prof. he's very trim and still in good voice.
they opened with "in the street". and then it was one old fave after another...pow pow pow... punches of power pop in your face: "feel", "i am the cosmos", "el goodo", "when my baby's beside me", "thirteen", "september gurls", "way out west", "back of a car", "thank you friends" and in between there somewhere, the kinks' "til the end of the day". and also what seemed to be an impromptu jam on "girl from ipanema". 2nd half of the show wasn't nearly as powerful as the beginning. they should've saved some of those heavy hitters for the end. oh yeah, they did todd rundgren's "slut" which chilton wanted to say something about but smiled and said, "er...i'm not going to say anything about this song.".
first rate show. we were right up by the stage, right in front of chilton's amp which positively sparkled. pardon the cliche but i really felt the music just washing over me -- especially the songs from the first album."
RIP - Paul Fox (The Ruts)

Sunday, October 21, 2007

To paraphrase one of my favourite songs, “I’m (not) sleeping well at all”. Was up in front of this thing trying to play catch up a couple of times during the night. It’s a losing battle but the show needs to roll on. And that it will.

The latest issue of Dig It! (#41) and the latest issue of this French mag continues to show the competition a clean pair of heels. It contains a piece I did on Hello Saferide, kindly translated by Brother Patrick and a new Primevals interview by Alain Feydri. Gildas just keeps ‘em coming, I just hope that his countryfolks appreciate the effort and passion.

“These Ones Are Bitter”, the latest by Ben Weasel and his Iron String Quartet is available on vinyl now and once they’re gone well you’ll have missed the boat. As multi-dimensional as the digital sounds are they’re no match for the wallop that a real bottom end can deliver. I expect local seismologists have been wondering whjat’s up. Oh yeah and there’s a cd copy included in the bargain $11.99 price. Mine worked out at an Andy Jackson including airmail.

It was a measurable downer to hear that The Hellacopters are calling it a day so catch their big rock action while you can by grabbing their “Same Lame Story” 45 via Bootleg Booze. The album is due in early 2008 and it’ll see them out in full flight as a collective great looking, cool sounding casualty of the great unwashed to catch on to their charms.

Ever come across “Hindi punk”? Well I hadn’t, until now and the EP “The Remarkable Sounds Of India” by The Knockouts. This 4 track includes a version of “53rd and 3rd” and can be found as part of the strange, wonderful world of Topplers. It is indeed as peculiar as the description suggests but damned good.

To call The Things spirited is an understatement. Their "Wild Psychotic Sounds" EP finds familiar ingredients thrown into the pot in peculiar measures with some organ propulsion to keep it interesting. There is essence of a lot of your favourites here and word is that they pack quite a live show. It certainly sounds like they’re having fun and are likely gearing up to appear as The Cramps on Stars In Their Eyes somewhere down the road. “La La La La La” land beckons.

The Suicidal Birds are two Dutch girls that kick up an inordinate ruckus with a drum machine in tow. There’s something peculiarly compulsive about their intense stripped down blues rock. "Versus Life" (Tocada) was all recorded at home, it would be interesting to see how it translates into a live experience because it sounds like a LOT of energy was harmed during its making. The SB's remind me of Magic Dirt and I like the way they write all the N’s backwards on their cd inserts. Visit their myspace and see what you reckon. “No Summer” is like the B52’s being tortured with a dischrdant Twilight Zone vs Batman theme.

There have been many groups called The Stilettos over the years and this lot are from The Netherlands. Actually they’re from Utrecht, Mr Vedder’s home turf. They’re christened after the blade and not the ladies (or Lux’s) footwear and pretty sharp they are too. Sounds like pub rock recorded in Ohio around 1979 and anybody who got their jollies to the New Bomb Turks will find much to dig here. The title is "Stimulus Black Box Response" (Tocado) is all jumbled up on the jewel box insert. Not sure if that’s intentional to be part of the vibe but if it is then I’ve taken artistic licence to make it easier for you to read. It would make more sense as a set of 7” vinyl but you can’t have everything. Have you seen these guys J? Whassadaverdict?? The band’s last album was on Sounds of Subterrania, home of The Boonaraaas!!!

God Fearing Athiests is a Glasgow band that's deep mining an Athens, Georgia flavoured American aesthetic. Peter Lacey's vocal doesn't sound like it would come from the West Coast of Scotland that's for sure. "Rustbelt Sun" is the intersection between Jason and the Scorchers and debut album period Eagles. A little world weary and none the worse for wear as a result. If you like roots rock in an Uncle Tupelo stylee then there muckle in store for you here.

And well, I need to go attend to some chores now but I'll leave you with these...

If you happen to find yourself in Slovenia and its environs over the next few days then check out Young James Long should you get the chance.

Stop in for a meeting with Ed Kuepper at the I-94 Bar. The fabled website is set to move into the label business so more about that in due course.

Some fab YouTube action from The Fast courtesy of the PleaseKillMe daily...

Kids Just Wanna Dance

Love Me Like A Locomotive

and finally what's this? Footage of early Primal Scream priming up their Maggie May rip for "Country Girl"?? No, er, wait a minute it is "Maggie May" and it's in Glasgow so what gives? The uke player is wearing the closest he could find to a "Plink" t-shirt.

Saturday, October 20, 2007

Halloween Party



WEDNESDAY, OCTOBER 31st - Brutarian presents a special Halloween show at The Lo-Fi Social Club
(1825 N. Charles St. Baltimore, Maryland 21201) featuring The Fleshtones, The Ubangis and The Hall Monitors. Plus costume contest with groovy prizes and music supplied by Trash Palace. $10.00 for all of that! Not to be missed!
Ok, roundup time. There’s a lot going on everywhere it seems. That is everywhere but here. However, it’s good to get a preview of the new Fleshtones album. Even if it’s just rubbing salt in the wound of not being able to attend Cavestomp with the rest of my “family”. And the tba that was scheduled for the Sunday night turns out to be The Lyres. Thanks god, I owe you one.

And talking about those Fleshtones, have you seen the ads for the new Hives stuff? It’s very super rock don’t you think.?? Howlin’ Pelle is definitely throwing a Zaremba shape with that V sign and just the whole style. I like The Hives, they’re Swedish you know, and if they are appropriating at least they’re appropriating from the best. So many bands owe so much to the ‘tones. Stand by for details on how to snag the upcoming tribute. Coming soon.

I am at this very moment about to attempt some "reviews". Wish me luck. All and any distractions welcome.

Friday, October 19, 2007

From Colonel Steve Coleman...

If you click on this link it allows you to listen to the forthcoming album by The Fleshtones, released in the US on January 22 '08.

also, these things do come in three's...

RIP - Deborah Kerr

RIP - Teresa Brewer

RIP - Joey Bishop

and finally...

Wooden Shjips, Friday October 19th at 8:00 PM - Bar Matchless, 557 Manhattan AvenueBrooklyn, NY 11222 w/ La Otracina and Electric Jellyfish

Also at the Annex on Saturday:

http://www.ticketweb.com/t3/sale/SaleEventDetaildispatch=loadSelectionData&eventId=212549

Thursday, October 18, 2007


This Saturday at the ABC2 Glasgow...


Don't worry, it's not a Jesse Rae tribute!

Sounds of Sweden presents:
A night of atmospheric Swedish electro pop featuring noir chanteuse Sara Berg

and internationally renowned producer Melynk.
Sunday, November 4, 8pm to 12am, £4
Sloans, 108 Argyle Street (Argyll Arcade), Glasgow, G2 8BG, 0141 221 8886

Sounds of Sweden will be returning next month with another cracking night filled with atmospheric electro pop! After the success of our fabulous Easter electro special with Mr Suitcase, we've decided to revisit the beats. And we'll be doing so in a cracking new venue - the grand ballroom of Sloans (formerly Bastille) at Argyll Arcade - between Buchanan St and Argyle St in the city centre. What's more, we've partnered up with Kopparbergs, so there will be a free cider tasting at this re-launch gig.
Hailed as the missing link between Sally Shapiro and The Knife, Sara Berg creates emotional electronic music: dramatic, cool pop with depth, all wrapped around a captivating voice. Her latest album, When I Was A Young Child I Used To Feel Pleasure From Playing With Others, may be a mouthful to say, but it's a wonder to listen to, and has catapulted Sara to the top of the hot list in Sweden. "Soon no-one will be able to avoid Sweden's new electro fascination," gushed Groove Magazine, while the Swedish broadsheet Helsingborgs Dagblad enthused, "One of the most promising artists in Swedish electronica." Battling its way into the Swedish download chart, the album went on to outsell the likes of The Knife and Robyn. And Sara has become a bit of a style icon as well, recently featuring in Swedish Elle magazine and Modette. She will be joined by labelmate Melnyk, an internationally renowned DJ and producer who gives Mylo a run for his money. He will do a special set on the decks for us - a perfect warm-up for those heading to Optimo afterwards. In between, SOS DJs will be spinning some of our old standy-by Swedish favourites - and some exciting new stuff as well.


Web resources:
http://www.myspace.com/soundsofsweden
http://www.myspace.com/saraberg
http://www.saraberg.net
http://www.myspace.com/melnyk

Wednesday, October 17, 2007

No time for much of anything tonight. Probably the only person in Scotchland that isn't glued to the TV right now. Some sporting event or other, anyhow... Mr T alerted me to this:

Former Kinks frontman Davies' "Working Man's Cafe" is due for release Oct. 29 in the United Kingdom and Europe on V2. However, on Oct. 21, it will appear as a "covermount" CD with the Sunday Times. The giveaway version will contain 10 tracks, while the retail version will have 12.

In July, rival newspaper the Mail on Sunday issued Prince's "Planet Earth" as a giveaway CD and sold 2.81 million editions, up by roughly 600,000 copies on a typical week.In a statement, Davies claimed that his decision to give away the album was "about reaching as many people as possible. I'm incredibly proud of this LP and am truly excited that 1.5 million copies will be distributed to people who'll hear it organically, the way it was intended. It's an exciting opportunity I couldn't resist."

According to the U.K.'s Audit Bureau of Circulation, the Sunday Times' average circulation between July 30 and Aug. 30 this year was 1.19 million copies. The newspaper retails for £2 ($4.07).

So if any of you folks overseas want to partake then let me know and I'll hopefully be able to sort yer out for the usual cost + postage. Sir Donald Ciccone of San Fran, you're covered.

Oh yeah, and a GREAT Amy Allison review.

Tuesday, October 16, 2007

Something positive for an inclement Tuesday nicht.
Starts today... (thanks to Joachim for the listing via The OX)

16.10.07 - Schwerin (D) – Das Capitol
17.10.07 - Essen (D) – Kino im JZE
18.10.07 - Dudelange (L) – Bar Hall Fondouq
19.10.07 - Konstanz (D) – Kantine (KN)
20.10.07 - Zürich (CH) – El Lokal
21.10.07 - Basel (CH) – Kaserne
23.10.07 - München (D) – Ampere
24.10.07 - Wien (A) – Chelsea
26.10.07 - Erlangen (D) – E-Werk
27.10.07 - Gifhorn (D) – Juz Grille
28.10.07 - Frankfurt / Main (D) – Nachtleben
29.10.07 - Leipzig (D) – Moritzbastei
30.10.07 - Münster (D) – Gleis 22
31.10.07 - Bielefeld (D) – Forum
01.11.07 - Berlin (D) – Kulturbrauerei Maschinenhaus
02.11.07 - Halle / Saale (D) – Objekt 5
03.11.07 - Hamburg (D) – Knust

Monday, October 15, 2007

Here's the trailer for the new Nomads DVD...
I'm happy to post this "exclusive" extract from Marty Thau's forthcoming Red Star Chronicles...

Back in the '60s you could record a song on a Monday and within a week you'd have records on the street and one week later know if you had a hit, or miss. Massive marketing planning, tour support programs and artist development meetings weren't necessary, or even contemplated. If it sounded good it would be manufactured and promoted. That was all it took. Today it's all about lawyers, accountants, micro-managers and formulaic music strategically designed to appeal to the lowest common denominator.

It was more fun back then when idiosyncratic entrepreneurs with a need to reinvent the wheel and A&R execs with "commercial ears" and the ability to relate to audience preferences ruled the roost, and it remained that way until Wall Street’s honchos discovered "leisure time activities" and the "youth market" in the late '60s. It was at that critical watershed moment that the record industry shifted from being a simple little fun game to play to Wall Street's darlings.

No one could’ve imagined that in just a few decades full length CDs would be recorded for as much as a million dollars a pop by major artists, that videos might cost as much and marketing and manufacturing costs would add many hundred of thousands to the total investment. It was inconceivable to even fantasize that a label could sell 10 million copies of a recording but that moment came and went thanks in part to the fact that the old business model of the major music business companies was reduced to helplessness and inefficiency because of its failure to adapt to the rise of modern technology and the computer revolution. Rather than embracing digitalization and the opportunities it implied for promotion of product and distribution, the industry stuck its head in the sand.

Today artistry has been forced to take a back seat to commerce because for the labels it’s all about chasing hits and the quick fix. Today if a CD sells 100,000 copies on a major label it’s considered a loser but that old school rule of thumb is currently being re-evaluated as the major music industry becomes more and more of a niche business. The industry complains that record sales are plummeting and profit margins are thin largely because of the illegal swapping of music files over the Internet but, if the truth were known, the record industry has been ripping off consumers for years and gleefully gouging artists for major chunks of their livelihoods. Finally consumers are now hip to it and it gets down to this - the music industry is built on bullying, smug intimidation, is largely corrupt, greedy and unethical and in need of someone or something to shepherd it from the past to the present to the future.

Today’s consumers believe there is far too much disposable music – translation; trite and unchallenging sounds parading as music -- in the marketplace at inflated prices. To make matters worse, the live concert business is heading for a steep decline because there are very few new acts that anybody wants to see. MTV no longer has any integrity and is a moronic and irrelevant train wreck in need of new world solutions. Terrestrial radio’s centralized and predictable programming is littered with endless commercials and has played itself out. As for satellite radio, they’re having a tough time convincing people that what they offer is revolutionary and worth the monthly fees they charge and that they’re not playing terrestrial radio’s same old drivel.

There’s no denying any of these problems but hopefully, in the not too distant future, the music business will "get it" and be reinvented and once again be the relevant driving force it once was. It’s quite an amazing turnabout from the days when popular music was the hippest artistic medium on the planet and at the forefront of mass communication for a whole generation as well as being an important social and political force in everyday life.
It should be noted that there's nothing inherently wrong with a major label -- it has cash, stability, infrastructure, a full staff and relationships. Acts would sign with majors if only they weren't so untrustworthy and want all of the act's money.

Here’s an amazing bit of trivia for you trivia buffs – the record business is the only business in the world that loses money on 90% of its products! In my opinion, any business with such a pathetic track record deserves to be shuttered.
Bjorn sent me this... not exactly good news for a Monday morning but...

From The Copters homepage:

The End (2007-10-13)


After nearly thirteen years as The Hellacopters we're now sad to tell you that we are breaking up. The reasons behind this very difficult decision are many and too personal to go into here.
Playing in a rock and roll band isn't always a walk in the park, but thanks to all of you who rocked out with us at sweaty clubs, rainy festivals or at home by the stereo throughout the years, it's been a fantastic trip. We'll never forget your support.
We recently finished mixing our seventh and last studio album and it'll be released early next year according to initial plans. We feel like we wanna say one last Goodbye to you and throw in the towel with a bang, so we're aiming to do a farewell tour through Europe and Scandinavia sometime in the spring. So you're not getting rid of us just yet.
Thanks!
The Hellacopters