Wednesday, November 03, 2004

Hank Ray Record Release Party at Wild at Heart in Berlin - 20th November 2004!



A big punch in the face for Team America (and the world)... The sound clips on the site don't work but it's fun to futz around on there anyways.

I'm having trouble posting tonight. Blogger is probably im meltdown as a result of the US election outcome or something. Like in the UK at the end of a particularly cliffhanging episode of Eastenders or something when everybody makes a cup of tea or goes to the lavvy. Me, I've been getting acquainted with the Suzy Y Los Quattro album and some tidy Boonaraaas singles, more about which later...

This month's releases from Ace Records.

Tuesday, November 02, 2004

Been thinking about our American friends today as the big pantomime begins and an obscene amount of campaign money continues to be pissed down the pan into oblivion.
I guess it won't be long now until the fate of the world is sealed... nothing the arrival of the Suzy Y Los Quattro album wouldn't put right though... meanwhile we'll have to make do with the cover...

Monday, November 01, 2004

Catch the Nomads in action:
nov 11 Tromsö - BlÄ Rock (N)
nov 12 Oslo - Mono (N)
nov 13 Bergen - Garage (N)
nov 20 Copenhagen - The Rock (D)
THE PAYBACKS to appear this week on LAST CALL WITH CARSON DALY!



Check it out everybody! Set you VCRs and Tivos! The Paybacks will be appearing as the House Band on Last Call with Carson Daly on Thursday, November 4th and Friday, November 5th. The shows will air at 1:35 am on NBC). Make sure not to miss Wendy and the boys rocking the NBC studios! Should be a blast! The band itself will miss the broadcast however as they start their Spanish Tour. Here are the dates:

Wed Nov. 3 Gijon Teatro Albeniz
Thu Nov. 4 Vigo La Iguana
Fri Nov. 5 Guadalajara Festival Panoramico
Sat Nov. 6 Zaragoza La Casa del Loco
Sun Nov. 7 Castellon Ricoamor
Wed Nov. 10 Barcelona Magic
Thu Nov. 11 Santander Indian
Fri Nov. 12 Bilbao Azkena
Sat Nov. 13 Madrid El Sol

Sunday, October 31, 2004


A short note on a trio o' discs you kids might enjoy: First up is the Boonaraaas Go Get Goo Goo LP, Lindsay was raving about these girls after witnessing 'm in Kassel, and I was happy to finally nail a copy of this disc in Paris last week. It's a keeper alright; poppy p-rock w/ class basic production that has everything turned up to just/near distorto level. You know the feeling of seeing a band play live and they just get better 'n louder durin' their set, to the point that by the final encore you're sure you've just seen one of the best shows ever, smile on your face, ears ringin' ?. Well, after spinnin' this about a dozen times over the past week I'm pretty sure the Boonaraaas bein' able to deliver just that. The entire disc spells out just one thing: F-U-N !, remember that?. Great choice of covers as well; Oblivians, Carol Kay and, uh, Cliff Richard. A bit less consistent, but still very much worth your while is the Sirens debut full-length. Great garage/glam/teen metal that relies on outside material only, but you can't fault their taste; Hollywood Brats, Gary Glitter, Suzy Quatro and Roky Erickson to name but a few. I've been spinnin' their take on Glycerine Queen at levels way beyond 11 in recent weeks and figure I'll keep on doin' so for some time to come. Imagine what would happen if Joan Jett would make an album backed by the Dirtbombs w/ Mick Collins at the controls. Speakin' of which: there's a limited edition Dirtbombs LP doin' the rounds entitled Live: North of 8 Mile (MFIC Records), it has all the touches of a boot, but what do I know. It sounds like some live-in-the-studio kinda thing. Good, but not essential...
2004's Scariest Halloween Costumes.
Long-lost final Ed Wood film found.

Saturday, October 30, 2004



Ben, I hope you're on commission, Amazon just made a sale... however, the tracklist, etc can be found on the Barnes and Noble site.
Of all the stuff that I've read on what's goin' down come 11/2, I think this one really hits the spot. Do I think it'll make a blind bit of difference? Well no, but waking up and smelling the coffee might be a good idea right about now.

Thanks to Teresa for the link...
Last Saturday at this time, we was enjoying the great Roy A. Loney and a tipple or three in Paris. This weekend it's a 5.30am rise to go work as a mercenary and I'm fighting an inner battle with my psyche as to exactly why I signed up. But anyways, that's between me and me. Lotta catch up on music to be doing, I got the new Voladoras booty more of which later when I get titles, etc. As I type, I'm listening to a recording of The Cramps recent Nashville Show which sounds pretty good (merci Patrick!). Having Bill Bateman on drums has made a heckuva difference. He even makes those recent songs swing. No mean feat. Anyways, the Post Office still hasn't stumped up the Suzy Y Los Quattro album which I know was sent more than a week ago so I'm a little peeved about that but the "improvement in service" means that the actual office is never open to drop into anymore. A watched pot never boils and a' that.

I see the world's biggest bogeyman has turned up just in time for Halloween. The newspapers and media is reporting that OBL be cutting into the US elections but if you look closely to the LH side of the picture you can see the glow of his turnip lantern. They were all outta pumpkins this year.

Anyhoo, a grand Halloween to all of you folks, the real guise-ing starts November 3rd. The good lord (or whoever) bless we all.
Ever one to be attempting to elevate the mood, Joss has found some rock-writing entertainment for you. If this photo really is the guy then he could be that "next big thing", whaddaya reckon?



Discovered: the world's best AND worst music writer?

"Things have been pretty bleak lately if you're an NBT kinda perce, so why not cheer yerself up by checking out the wisdom of the world's most unintentionally hilarious rock scribe, namely Michael Donahue of Memphis newspaper The Commercial Appeal. Donahue's way with words would shame even those assholes at the NME, Q, Mojo et al... He's a riot! And he looks like Mick Farren's dumbass cousin! These articles were posted on the ever-entertaining Goner Records message board by the wonderful Ms Andria Lisle, who knows a slice of pie-eyed jounalism is worth its weight in chikken! Enjoy!"

Donahue rediscovers big bands!

Donahue rediscovers rockabilly!

Donahue interviews Chained Angel!

Donahue goes power pop!

Happy Halloween, campers!

Selah!

Joss Hutton
Sonic Reducer

Friday, October 29, 2004

Thursday, October 28, 2004

Been a woolly kind of a week or more and we ain't out of the forest yet but please, stay tuned. Much as I'd like to be bashin' away at this all day and hanging out - the day to day wear and tear divnae half rain on that particular parade.

Meanwhile, if you find yourself to be fortunate enough to be in the Stockholm locale this coming Sat'day night then here's where you oughtta be headed for...

Crypt Kicker Five
Live at the Popcorn Filmfestival Party.
Saturday, October 30th @ Sodra Bar, Stockholm.
(CK5 on stage 21.00)


No, it's not some dyslexic take on a new strain of mad cow disease, we're talking the amazing Slovenian combo Center za dehumanizacijo (CZD) and satellite projects of it's creator, Dusan Hedl, are now on-line for your investigation and appreciation. Bone up now because they're comin' for all of you.
Brother Joss weighs in with this Great news fer vinyl addicts!

"Pissed-off that the latest CD reissues have loadsa kool bonus tracks that'll never see the inside of yer jukebox, or be spun at 45rpm, like they oughta? Pissed off that the way-kool 45 you really, really want is outta yer price range? Missed the vinyl boat on yer current fave album?

Bottom line is: you gotta feed that habit somehow, right?

Well, guyz & gurlz, help is finally at hand! You must ken that ya can get one-off dub plates (metal covered with a soft vinyl layer) cut at most mastering studios, but they wear out after ten plays-or-so, making 'em next to useless (unless you're King Tubby or summat) ... HOWEVER, you can now get kool, clear vinyl singles (7", 10" & 12") cut off'a CDR or even MP3, which last as long as regular rekkids! GREAT birthday or Xmess presents! Or maybe just to treat yerselves, like ...

Check out VINYLCARVERS, where there's info, and links to reviews o'their custom wax ... Me? I've just ordered three jukebox 45s (with large centre holes, no less!) ... Stay tuned for a proper, NBT-friendly review ..."


Huzzah!

Joss 'BigKegShandy' Hutton, Sonic Reducer Tag Team

Wednesday, October 27, 2004

Jacques Ball kindly gave me the OK to post his ROY LONEY story, and he sent photos. What a guy! ... merci Jacques. This should start you on an upbeat note for today...

"OK, I was at the Roy Loney acoustic gig on Saturday, I was flabbergasted ,
here is my review... as from the audience.;

It's 2 PM, I am climbing up rue de Menilmontant... because Roy Loney is in town and I cannot miss the acoustic show he is going to do in one hour from now at La Maroquinerie. As I am going nearer to the place I am surprised because I can't see any ad for the show, no crowd around... is it still happening ?



First time I have been in this spot which consists of a concert room and a cafe around a small terrace where sellers have put out stalls to sell records. I see faces which are familiar though I have not seen them for twenty years… the old Open Market team indeed. This was the place where the whole legend of the Groovies in France actually started. Marc Z. is there of course (Skydog records et al.) There is a photo exhibition inside the cafe, pictures from Roberta Bayley and Leee Black Childers. Roberta is famous for the cover of the first Ramones album, also for the pic on LAMF and for the first Richard Hell and the Voidoids LP. Leee has covered the whole NYC scene from the NY dolls to the Stooges and Lou Reed among others. Leee has just come inside, he looks like a Johnny Rotten clone with his spiky hair, day glo yellow shirt and leopard styled creepers. Roberta is more discreet but seems older than in my memories. Then I realize the whole house is from my generation and apart from a few chicks everyone is over forty five... I see Robin Wills and Jeremy Gluck from the Barracudas coming inside, they look relaxed and are smiling. Jeremy goes to the bar, his mandatory cap on his head.



Then it's Roy... black shirt, black slacks, middle ages haircut - man the guy has got hair ! He sits down on the chair which has been prepared for him, put on his glasses. The organizers of the event introduce Roberta and Leee and also Roy who has
been invited specially by Roberta. An Roy starts... "Panic to a manic degree"… from the very beginning he wins the whole room which is actually filled up with die hard Groovies fans. Applauses are bursting enthusiastically and Roy goes on with something which starts like a walking blues before evolving into "Comin after me" Waow, that man with his acoustic guitar is incredible ! The next song is a ballad which starts with "Love is a spider", it rings a bell but I cannot remember the actual title. Then Roy announces an old song , it is " Love times" from Sneakers ! It is a marvelous song which I rediscovered then. Roy moves along songs mainly from his solo career and everyone around me is smiling. A young guy next to me is drawing Roy on his sketchbook and asks me "who is this singer ?" I write below his drawing, Roy A. Loney , Flamin' Groovies. This one will have learned something...

Roy waves towards Robin Wills then , and everybody starts to scream.. but Robin, in French, asks for a couple of seconds during which he introduces Tony from the Scientists who apparently is looking forward to play with Roy. As Robin wrote, they covered "She's fallin' apart" , tony looks very impressed but , man , he knows how to knit those licks... Then is the moment I have been waiting for, Robin grabs a crimson Telecaster, plugs it to a Fender amp kneels down nearby Roy and both stomp their feet .. oh my, they are doing "Yesterday's numbers" !! I get goose bumps , bodies around me are hovering and the two guys on stage are smiling to each other. They are doing a fantabulous version of one of my favourite Groovies songs and this lasts, Roy is making faces around the mirophone. Robin is impressive and will be even more in the next song, "Teenage Head", he stands up and does all the chords of theTeenage head album and even more, the bridge crossing in the middle of the song is masterfully executed... while Roy is singing like he was thirty years ago and emphasizes on the "Teenage love machine". This was the best version ever of that song for me... When it's over, everybody is feeling hilarious and totally excited, it has been unbelievably great. The young lady in front of me turns round, she is very moved, everyone can notice how her nipples are pointing through her jumper.. rock'n roll ! The lad next to me nearly swallowed his pencil.

Roy asks then Chris Wilson to join them on stage, but Chris is nowhere to be seen, probably wandering in the Paris streets under the sun. The encore will be, on request, "Rockin from the graveyard" from "Out after dark", a perfect ending.

It is so hot in the room, everybody rushes to the bar and the beeeeeers .. Roy stays alone on stage, he removes his glasses, looks pleased and smiles, I go to him and congratulates him for this terrific show, he thanks me in French .. Then I go to meet Robin who is giggling while I reach him. He certainly is one of the most friendly musician I have met. He acknowledges me for the guy from the Flamin Groovies list who sent him a mail two weeks ago about that very concert. To his request we discuss in French and again I write here that this "Teenage head" version I heard that Saturday afternoon was a killer !"


It was a monster. Revved up in every way...

Tuesday, October 26, 2004

For Peel, I know this was one of his favourite songs. Search it out and spin it for the guy... He was a legend in his time.

ORIGINAL DON GIBSON LYRICS
© 1960 Acuff-Rose Publications

If heartaches brought fame in love's crazy game,
I'd be a legend in my time.
If they gave gold statuettes for tears and regrets,
I'd be a legend in my time.
But they don't give awards, and there's no praise or fame
For a broken heart that's been broken over love that's in vain.

If loneliness meant world acclaim,
Then everyone would know my name --
I'd be a legend in my time.

Download Laura Cantrell's version as performed at Peel Acres HERE!
So nothing else for it. Bite the bullet and get back to some semblance of what passes for reality. I’m not a big fan of reality and realise full well that I’ve had more than my share of too much fun recently. Hanging out in Paris, where the sun shone, the beers flowed and the company was topper is something I could easily get used to. Being able to stand outside with a glass, where people dig good music and aren’t pondlife is something of a treat. This little corner of the city was positively buzzin’.



Friday’s scene took a brief dip when some opportunist scum nicked off with various Barracudas items that were a souvenir too far. They rose above it though and delivered a set peppered with those great songs that underline the fact that they’ve always been contenders as opposed to one hit wonders. I hope that Jeremy takes some time out from his work as a George Clooney likealook (George C. Looney) to get back with his gang on a more regular basis. Having Rob and Yan in the band to bolster Robin and Chris adds a wealth of power. The new album is all set to be a cracker. Of course the finale, on the day that we’d just heard of Greg’s passing, was even more poignant. He had mentored both The ‘cudas and The Flamin’ Groovies and when Roy (Loney) took the stage for the Yesterdays Numbers/Teenage Head/Slow Death triple whammy then we all felt the force. It was one of these great historical meldings that actually worked on all levels. Something that just takes on another dimension because of the sheer energy involved. I get the impression that this isn’t the last time Roy will take a stage with these guys. Let’s just leave it at that for now. Roy Loney has never gone away but he's gonna be coming to getcha.



La Maroquinarie is an excellent spot with good air conditioning to get shot of that smoke. The folks from Gloria that organised the shindig really know how to throw a party and Paris should be bloody glad that they’ve got people like that in their corner.

Roy Loney was actually in Paris to “open” the Roberta Bayley/Leee Black Childers photo exhibit in the cafĂ© area upstairs from the club. His acoustic set was a revelation and theres a fabulous review on the Groovies Yahoo board that the author has kindly given me permission to share with you so watch this blog. Leee was great and is a huge Star Spangles fan so how exactly could he be any cooler? I met Roberta briefly and she says there’ll be a much bigger exhibit with a big rockin’ show to go along with it next May, so stay tuned for the poop on that as and when it comes together.



You’d think The Nomads played every night of the week. The fluidity and sheer rock chutzpah that they exude is always a revelation to me. I mean I know to expect a good show but they always raise the game. Anybody reading this in Norway should check out their local listings cuz they’re headed your way.

It was a heckuva couple of days with only one real downside. Being in chief pillock mode, I forgot to take Ms Stevie Gomez’s phone number with me and ergo couldn’t contact her. Head like a sieve but wodjagonnado… as it turns out we must have been within feet of one another both nights.

And now a further bombshell to follow Greg Shaw and Dave Godin. John Peel is the latest in a line of decent upstanding individuals that have shuffled of this mortal coil. I never knew Peel or had any personal contact with him really but he was someone you never even considered wouldn’t always be around.

Our friends, Laura Cantrell and Jeremy Tepper were just at his 65th Birthday Party when they were over at the end of August and the Glasgow band Camera Obscura played at the event. It was great to hear him introduce our other NY bud, Jon Graboff when he and Laura did the New Year thing with him last year. The chasm he will leave in terms of what he did in campaigning for “real music” is simply unfathomable. He was a true champion that played by gut instinct and this is the end of an era, the like of which there can never be again.
What a week... now JOHN PEEL!