Tuesday, September 12, 2017
Monday, September 11, 2017
Sunday, September 03, 2017
A REMINDER - BEFORE IT'S GONE
The Dahlmanns with Andy Shernoff 45 that I put out is now available to record shops. They're only record stores in the USA so maybe it'll make it to a few of those too. So you can order it from your friendly neighbourhood emporium. There aren't many left so don't dilly dally.
Distribution is via Munster Records.
Hear what it sounds like...
Saturday, September 02, 2017
Friday, September 01, 2017
AUTUMN NOTE
It’s getting autumnal already. I'm pretty sure the leaves didn't start to drop until way later last year. It's also darker in the mornings and all
that malarkey. Somehow or other we find ourselves stumbling into September so
I’ll attempt to jump start this again. No promises because these are busy
times. It won't be updated every day. A questionable ability to be able to prioritise notwithstanding, the
spirit is partially willing but it can’t legislate for the flesh.
Just so you
know.
Wednesday, August 30, 2017
B x 4 = BAD BAD BAD BINOCLEARS!
Just to be clear... the band name Bad Bad Bad Binoclears (pronounced like nuclear) is taken. Recruiting now.
Saturday, August 26, 2017
Tuesday, August 22, 2017
Sunday, August 20, 2017
Wednesday, August 16, 2017
Saturday, August 12, 2017
Thursday, August 10, 2017
Wednesday, August 09, 2017
Tuesday, August 08, 2017
WE NEED TO HEAR THIS!
Dave Alvin responded to yesterday's facebook post.
"The Ronnie Rocket sessions were a whole different thing. It was me along with Stephen Hodges on drums/percussion and Don Falzone on bass. Those tracks were wild!!! As I've said before, that stuff sounds like Miles Davis Bitches Brew sessions as played by a Chicago blues band on LSD. Some of my best guitar playing up to that time."
Someone out there can find these tapes and have David Lynch release them, right?
Get to it!
Sunday, August 06, 2017
SPORADIC SERVICE ANNOUNCEMENT
You know how a lot of Europe shuts down in August? There’s a bit of that going on here only my attention is
diverted and it’s all sort of unconscious. Truth be told is that I’m trying to
spend less time in front of a screen. This includes TV too with the exclusion
of watching the Twin Peaks parts multiple times.
I spend all day every day fannying about on a computer.
Don’t be thinking that I’ve got a life or anything like that. That would be
entirely the wrong end of the stick. Right now I’m in the middle of trying to
figure out the SESENTAFEST monster. That needs all my attention. If it seems
like I know what I’m doing then that is entirely an illusion. The road to hell
is paved with positive intention but on the other hand, it’s the thought that
counts. And my head is exploding with the constant barrage of what needs to be
done. And how there doesn’t seem to be time to explore them all.
Somehow or other, with the help of a crack team of helpers –
I'll figure it out.
Or die trying.
Sunday, July 30, 2017
Saturday, July 29, 2017
AFTER A FOUR DAY ABSENCE, I WAS DOING SO WELL...
I like what I like.
Sometimes this causes me problems because there’s stuff that
friends and associates like that they can't conceive of me not liking. It’s often mistaken
for contrariness but in fact it’s straight out ‘dislike’. I meet people whose
music I dislike who I like and there’s also music I like made by individuals
that I have no time for.
This is an ongoing problem that I attribute to nothing more
than not wishing to waste whatever time is left on anything resembling the
emperor or his missus's new wardrobe. The more huge something is, the more
horrible it tends to be but I blame such popularity on the idiots that follow
it or them or whatever.
There are exceptions of course and people have to make a
living. I read something earlier about an existential threat to the music
business. That last word there is the culprit. As soon as
something becomes a business then the goalposts move. When I started out, music in general wasn’t so much a business as a place for malingerers and ne’er do wells. My granny constantly nagged me not to have anything to do with it. I now thank her for driving me toward that dark side.
That was the charm and since then it’s become possible
to learn how to be part of the music business at school and college. Again, I have friends that indulge in this dilution of the art. They too must make their way just like that shit act that was never any good but they drag their arses on to the circuit anyway.
*Shakes heid*. One shouldn't get this wound up of a Saturday morning.
Tuesday, July 25, 2017
Normal service...
... what the heck is that? I was doing well with it but I've hit a period of thinker's block.
I couldn't even call it writing. Anyway, perhaps it's temporary. Perhaps it'll last longer than that.
Thanks for dropping by. The stats say that more than a million hits have been made here since it all kicked off. I know that's a drop in a bucket to the interweb but it seems like a lot. So gracias if you're someone that has assisted with massaging these numbers.
Sunday, July 23, 2017
Friday, July 21, 2017
Wednesday, July 19, 2017
Tuesday, July 18, 2017
Monday, July 17, 2017
OS COURETTES - THEY THROB, YOU"LL OOZE!!
It was an honour to be asked to scribble a
couple of paragraphs for the back of the OS COURETTES 10 inch field recording "It's Alive from Tambourine Studios" (in Malmö, Sweden) on Chaputa! Records of Portugal.
As you’re likely aware, this two person force of nature is
one of my favourite acts currently doing the rounds and they pack more punch than
many groups twice their number. Primitive is where they live and when you catch
them in person you’ll find out exactly why.
Meanwhile, you can practice for just such an occasion if you
grab a copy of this and play it several times daily at a volume that makes the
foundations of your cave rattle in addition to shaking and rolling at the
appropriate junctures.
Sunday, July 16, 2017
SCREAMING THE TRUTH FROM ANOTHER DIMENSION!
“Hey, the fools made the rules. It’s all German engineered”.
That Alan Vega always had a way with words and the roll call of discontent that
makes up “DTM” is charged to the gunnels with all the bile and distrust that
the man always had with convention. It’s delivered over a crackling, electronic
pulse that packs the ideal undertow. First time I came into contact with IT was
during the Punk Mass that celebrated Suicide’s rise from the gutters of the
long-gone New York at The Barbican. Always a sound born of decay and destitution, it took a
while for the world to catch on. It’s still catching on and the body of work
that both Alan and Marty have wrought will confound and delight future
generations in equal measure. Forty laps of the sun down the line, Alan has
come up with one hell of a death rattle.
“Hey – how about the anti-christ. Celebrate the pain!” That’s
something that was always prevalent in his work. It was an often unfettered
celebration of pain with a telescopic depth and groove. No matter how
unconstructed it may have seemed when it first hit your ears, you could never
listen the same way twice. “Fade to black. Fade to Hispanic”. There are
parallels here with what Lynch has done with the resuscitation of Twin Peaks.
Uncompromising and unfiltered, however long Trent Reznor chips away at the seam
he’ll never come close to any of this. Take it as you find it or get off the
fucking bus. In what must have been a
difficult time for Liz and Dante, IT has come together as what may well be
Vega’s best work, a disjointed industrial urban symphony that reflects how I’m
sure that Alan saw where this world was going. A year down the road since his
passing, there is so much more to rail against.
To attempt to describe the majesty of IT in words is
pointless, a large swathe of the populace won’t get it. It’s a real gift to
those of us who do. And who were lucky enough to watch it gestate. These pieces
are something to be experienced and the louder the better. Undoubtedly this is a
crucified soundtrack to what is looking increasingly like a wrong century. Vega
is unfettered and visceral in death as he ever was in life. You can get it in
whatever format you favour (apart from cassette or eight track) on FADER LABEL.
In “Prophecy”, he declares that he’ll go “on and on”. That
goes without saying.
“It’s war baby”. Too fucking right and Alan Vega is still
leading the charge.
Saturday, July 15, 2017
Friday, July 14, 2017
Thursday, July 13, 2017
Wednesday, July 12, 2017
Tuesday, July 11, 2017
Monday, July 10, 2017
Sunday, July 09, 2017
Saturday, July 08, 2017
Friday, July 07, 2017
Thursday, July 06, 2017
THE WORLD HAS CHANGED!
It had been 35 years but last night something great
happened. Super rock was once again reverberating through Auld Reekie
(Edinburgh). The force of nature that is The Fleshtones landed in Bannermans to
kick off their latest foray across that is, for now at least, Europe.
Of course the other nations caught on first. This sceptic isle is always late to the party but better that than never. They picked up where they left off in Spain at the end of January. Rockin' and boppin' as only they can.
A lot of familiar faces came out as did some first timers, I think
everyone was agreed that this wasn’t just another show. Perhaps they’ll measure
gigs they attend by this one?
When all is said and done however few acts match the
unparalleled heights of these guys in full flight.
It was Kenny Fox’s first
time up this way. He’s only been in the band for 26 years. From “Bigger and Better” through “Gotta Getaway” (Dedicated
to Billy Miller) to the anthem that is “American Beat”. This wasn’t your
average Cowgate Wednesday night.
“Don’t you understand the world has changed?” asked the band
on Roman Gods. I think most realise that it has and not necessarily for the
better. In other ways the more it changes, the more it stays the same. One
thing is for sure, it’s a better place for the fact that they're still out there, plying their trade against the sometimes seemingly
all-enveloping gloom.
Tonight they’re in Gatesheid (Newcastle ‘pon the Tyne) with
those Coyotemen.
Verily The Toon will be jumping!!
Wednesday, July 05, 2017
Tuesday, July 04, 2017
Monday, July 03, 2017
Sunday, July 02, 2017
TEENAGE SUPERSTARS SCREENING - EIFF 71
Saw Teenage Superstars yesterday, the second instalment of Grant McPhee’s two part document of Scottish music’s formative years
and its connection with further afield. Indeed, I gave a lot of this local
produce the rubber ear in the early days. A mixture of being obsessed with
American “punk” before the term was turned into a half-assed brand. Much
of this film is based around the west coast strain of pop. “Big Gold Dream” was the east
coast take and I think McPhee did a good job. I went to bury it but couldn’t. Despite
still intensely disliking much of the produce, the story was told well. Many of
the perpetrators are good people. Just don’t ask me to listen to their music.
Some aren’t, but they played their part too as life goes.
In the same sense, I never got Creation – or Postcard
Records. Whilst I recognise the “scene” around these it took the interest shown
from friends overseas to create my perspective. It took me a long time to admit
that the Mary Chain made some good records. They were just such horrible oiks.
As was another of their “kin” who I won’t even mention but he haunts the film
like a bad smell. He has to be in there I guess because he’s turned out to be a
pivotal figure. And for the mentions of The Cramps in the film, there’s no
suggestion that they were briefly on the label that McGee ran. Joe Foster is
good in this and it’s to the shame of some others that they didn’t make
themselves available to support this venture. I have friends in Scandinavia and
Spain that will LOVE this. I thought about them all the way through the film.
It defines the two cities that are just 52 minutes
apart but spiritually what, I feel, like a world. The humour of
Glasgow is intact and the appearance of several lesser known players is welcome. There’s definitely a career as Jack and Victor Version 2.0 for
Duglas T Stewart and Sean Dickson beckoning. Grand to see the elusive David Keegan and mi
amigo Martin Hayward here.
Ian Hoey hosted a wee Q+A after the screening with Wendy
Griffin (Producer) and Angela Slaven (Editor/co-producer). All concerned worked
to the wire to prepare the film for these EIFF screenings and there are
plans to tour a double bill in October or thereabouts. I presume that means
throughout the UK? Plans are underway to screen it further afield and I can
feel the anticipation across the waters big and wee. There’s
even a wee glimpse of the cover I did for the 53rd and 3rd
release of “My First Band” by The Ben Vaughn Combo in here and reference to the
connection between TFC and Alex Chilton.
You get one chance to do something like this and on this
occasion the years of selfless pursuit have pretty much nailed a decent
snapshot of what it was to live through the fermentation. The inclusion of
Thurston Moore here and Kim Deal’s voice over connects the scene back to the US. The subject matter of this episode in
particular really chimed with America’s burgeoning underground at the time. Who
could have thunk it? Bellshill spawned several monsters whose influence has
carried way beyond any feasible expectation. It’s doubtful such magic could
ever happen again because it would be contrived and hijacked straight out of
the box.
Saturday, July 01, 2017
Friday, June 30, 2017
A WEE CLARIFICATION
NBT 28 is not a magazine with a “free” single.
If anything, it’s the other way around but the two parts
make a whole. Like some people do.
It’s also available as two individual parts.
The “friends and family” concept via PP still seems to
confound some people. And it seems like it’s an option that may not be
available in some territories? If that’s the case then add £1 to the total and
that seems to just about balance out. Apologies for sounding like a broken
record but I feel like a putz when I have to chase people up for the extra. To
reiterate, I wanted to make this affordable so there is no smoke and there are
no mirrors. Therefore it’s imperative that the correct amount drops in. It has
to be better than the days of the International Money Order.
Does anyone know if you can get such a thing as
International reply coupons anymore?
One other thing, I’m sorry but there are no back issues.
Those shot the craw at least a lifetime ago. They do turn up for sale on the
interwebs now and again though. The ones that had 45s with them turn up on
discogs. There may even be some on there now.
Thursday, June 29, 2017
Wednesday, June 28, 2017
Monday, June 26, 2017
Sunday, June 25, 2017
Friday, June 23, 2017
Thursday, June 22, 2017
Tuesday, June 20, 2017
DAHLMANNS 45 with and without NBT AVAILABLE NOW!
THE DAHLMANNS, THE SCHIZOPHONICS,
GIRL TO NEW YORK by AMY RIGBY, GRADE A FANCY on the town with LAURA (CANTRELL)
and AMY (RIGBY), REINE LAKEN, FUNTASTIC DRACULA CARNIVAL, THE HULLABALOO CLUB
by J.D. KING, EX-CRAMPS MANAGER CONFESSIONS and whatever the heck else might
fit. 32 pages. 190mm x 190mm format in stapled, numbered lucky bag with 45 by
THE DAHLMANNS with ANDY SHERNOFF. Price is for a single copy and includes post
and packing.
UK EUROPE USA/CANADA AUSTRALIA JAPAN
£10
£12 £15 £16 £16
-----------------------------------------------------------------------------------------
THE DAHLMANNS with ANDY SHERNOFF
– FOREVER MY BABY/THE LAST TIME 7” (NBT 4528) in “classic black” vinyl. Price
is for a single copy and includes post and packing.
UK
EUROPE
USA/CANADA AUSTRALIA
JAPAN
£5 £8 £8 £10 £10
-----------------------------------------------------------------------------------------
PayPal please to this address -
via the friends and family checkout option. Cheque would be OK here in Blighty
but it’s easier for me to keep tabs on everything if it comes via PP. And it'll
take longer. Prices are for single copies, if you want multiples then the
postage will come down up to a point. Then it starts getting stupid
again. Any questions? Just ask!
Thursday, June 15, 2017
Tuesday, June 13, 2017
NORMAL SERVICE...
... WILL BE RESUMED AFTER I GET A BEAT ON DEALING WITH THE PHYSICAL MANIFESTATION OF THIS THING.
Monday, June 12, 2017
Sunday, June 11, 2017
DAHLMANNS 45 / NBT 28 ORDERING INFO
I tried to format this on facebook and it was a mess so I hope this is easier to follow.
Email me here for pp details. Stuff will be sent out from June 20th.
I’m making lists, furtively checking them at least twice and
wondering why the bejeezus I ever thought it would be a good idea to print a
bloody magazine. Actually I know what I thought I thought but it’s all so
different. The mechanics are a tad rusty. Let’s look on the bright
side though. I get to have my own back on the Ebay sellers that stink up the post
office queue. I used to be the king of that. In my lunchtimes when I worked in
Larbert, the folks that just nipped in for a stamp, or their pension, likely
referred to me as ”that little c*nt that held up the queue”. Sometimes I’d be
nice and let people go about their business. There were other times when folks
that obviously had their knickers in a twist that I would just let stew.
Anyway, let’s see how it goes. I
actually got the bugger out, that’s the most surprising part.
If you want to send me your postal address and what
you’re after, I’ll get back to you. Here’s what’s available...
THE DAHLMANNS, THE SCHIZOPHONICS, GIRL TO NEW YORK by AMY
RIGBY, GRADE A FANCY on the town with LAURA (CANTRELL) and AMY (RIGBY), REINE
LAKEN, FUNTASTIC DRACULA CARNIVAL, THE HULLABALOO CLUB by J.D. KING, EX-CRAMPS
MANAGER CONFESSIONS and whatever the heck else might fit. 32 pages. 190mm x
190mm format in stapled, numbered lucky bag with 45 by THE DAHLMANNS with ANDY SHERNOFF. Price is for a single copy and includes post and packing.
UK EUROPE USA/CANADA AUSTRALIA JAPAN
£10 £12 £15 £16 £16
-----------------------------------------------------------------------------------------
THE DAHLMANNS, THE SCHIZOPHONICS, GIRL TO NEW YORK by AMY
RIGBY, GRADE A FANCY on the town with LAURA (CANTRELL) and AMY (RIGBY), REINE
LAKEN, FUNTASTIC DRACULA CARNIVAL, THE HULLABALOO CLUB by J.D. KING, EX-CRAMPS
MANAGER CONFESSIONS and whatever the heck else might fit. 32 pages. 190mm x
190mm format. Magazine only in stapled, numbered lucky bag. Price is for a single copy and includes post
and packing.
UK EUROPE USA/CANADA AUSTRALIA JAPAN
£5 £8 £9 £10 £10
-----------------------------------------------------------------------------------------
THE DAHLMANNS with ANDY SHERNOFF – FOREVER MY BABY/THE LAST
TIME 7” (NBT 4528) in “classic black” vinyl. Price is for a single copy and includes post and
packing.
UK EUROPE USA/CANADA AUSTRALIA JAPAN
£5 £8 £8 £10 £10
-----------------------------------------------------------------------------------------
PayPal please - via the
friends and family checkout option. Cheque would be OK here in Blighty but it’s easier
for me to keep tabs on everything if it comes via PP. And it'll take longer. Prices are for single copies, if you want multiples then the postage will come down up to a point.
Then it starts getting stupid again.
Wholesale enquiries are welcome. This
stuff will be available via a few stores and mail order outlets that were
always part of the NBT global village. A few new endeavours that were just wee when the original blighter wobbled across the earth will hopefully also have copies.
Saturday, June 10, 2017
Friday, June 09, 2017
Thursday, June 08, 2017
Wednesday, June 07, 2017
Tuesday, June 06, 2017
Sunday, June 04, 2017
EPISODE 5 IS COMING RIGHT UP!
The soundtracks to Lynch projects have always added an
important element to the overall effect. The ideas he “catches” are layered in
sound. It’s already been stated in a few places that the music in TP – The
Return isn’t up to the Badalamenti/Julee Cruise original but it should be
considered that the “Lynchian” sound didn’t really exist before that. Elements
came together to make this ethereal, neo-symphonic feel that seems so prevalent
now. The low frequency hum that weighs in as sound design is as metal machine
muzak as it gets. This too has been a trademark all along.
The idea of closing each episode with a related-sounding act
is likely a blessing and a curse for both parties. I’d never knowingly heard
Chromatics before the opening salvo of this semester but I must have. They just
never made an impression before and while investigation of their catalogue
suggests to me that their output is a wee bit patchy, there’s no denying that
when they hit their stride, as they do on “Kill For Love” then they’re very
good indeed. Episode 3 includes The Cactus Blossoms who out-Isaak Chris isaak
to some extent. Michael Shelley has been raving about them for months and
again, while I quite like them, I think it’s the familiarity that appeals more
than the songs.
Au Revoir Simone closed part 4. I also kind of like them but
I can’t eat a whole one. I saw them in London more years ago than it seems
possible because the first time Hello Saferide played in the UK was opening for
them. They couldn’t hold a candle to Annika Norlin. They didn’t then and they
didn’t now. That made me wonder if Lynch is aware of HS or Sakert! This is very
post-Twin Peaks music too, albeit of a different calibre. Anyway, I’m not
complaining, I’m just stating a fact. I look forward to hearing what else this
“Jimmy Stewart from Mars” guy has in store for us. It seems to me like he might
be sending himself up to some degree and that everything but the proverbial
kitchen sink could be coming at our noggins. One can but hope.
Saturday, June 03, 2017
Friday, June 02, 2017
DAMP JUNE MORNING CHECK-IN
There’s only been a couple of days since April
that there hasn’t been a post. Granted, there’s been little commentary but that
can’t be altogether a bad thing. Looking at the ‘stats’, I’m led to believe
there’s still a fair volume of traffic. It seems to spike weekly in the wee
hours of Thursday and I’m not sure how kosher any of it is but there’s in
excess of 20,000 visits a month.
I shall endeavour to keep it active but there will be a blip
now and again. I appreciate you stopping by though. And who knows, there may
even be something you like.
Thursday, June 01, 2017
Wednesday, May 31, 2017
Tuesday, May 30, 2017
Monday, May 29, 2017
Sunday, May 28, 2017
Friday, May 26, 2017
Thursday, May 25, 2017
Wednesday, May 24, 2017
SUPER ROCK IS HEADING NORTH O' THE BORDER!
The Fleshtones are kicking off their latest eurojaunt with a return to Auld Reekie for the first time in 35 years!
Tuesday, May 23, 2017
By now most will know this was the closer to TWIN PEAKS - THE RETURN!
You can get the 12" here but the postage is a bit hefty. The download however is 1 dollar and that money goes straight to the label!
Get it here!
Monday, May 22, 2017
Sunday, May 21, 2017
Saturday, May 20, 2017
Friday, May 19, 2017
Thursday, May 18, 2017
Wednesday, May 17, 2017
Tuesday, May 16, 2017
THIS SOUNDS PRETTY FUCKING GOOD!
First REAL show I ever saw was these guys. November 10th
1972, Greens Playhouse in Glasgow.
Monday, May 15, 2017
Sunday, May 14, 2017
Saturday, May 13, 2017
Friday, May 12, 2017
The stage where you wonder why you started...
... but I'll see it through.
Shooting for June to have it available.
Thursday, May 11, 2017
THE AGE OLD QUANDARY!
As you likely know by now, I’m about to mark the 40th
anniversary of NBT with a print edition of the zine and also a single by The
Dahlmanns. I’ll put details on here about how you can get these direct from me. I hope that they'll also be available from discerning
stores and mail order outlets. That’s something I need to look into after
everything is being printed and manufactured.
Does anybody know of places that distribute zines anymore?
The old network as I knew it is long gone. This is the point where I’m
thinking, why the hell did I think this was a good idea. However, it’s done and
I do want to mark the auspicious occasion for having been doing this for two
thirds of my existence.
So that’s where I’m at. Whaddaya reckon?
Wednesday, May 10, 2017
I MISSED A DAY...
Got distracted. Eric was on Marc Riley's show...
http://www.bbc.co.uk/programmes/b08p1b1v#play
Monday, May 08, 2017
Sunday, May 07, 2017
Saturday, May 06, 2017
SATURDAY (CITY) CLUB
If Aztec Camera had ever gone "classic" Springsteen. Not that pish he peddles now. Meet Saturday City from Moss, Norway!
Friday, May 05, 2017
Thursday, May 04, 2017
It's a CheeseBergen kind of a day...
Anything that resembles a metallic Ze Malibu Kids has to be
worth a shot, right?
Wednesday, May 03, 2017
It's Wednesday Already!
In my hundred or so years of going to shows, the Wreckless
Eric gig in Edinburgh on Sunday past was a peculiar one.
There were more people there than the limited pre-publicity
might have suggested. However, one song in, this guy that looked like Jesus
(the bible guy, not anybody Spanish) walked up and asked Eric to turn down his
amp because “we can’t hear your words”. Never backward at coming forward, the
seasoned performer sent him away with something of a flea in his ear. The
arsehole was with three other individuals that were severely lacking in concert
etiquette.
A wee bit later in a quiet transition where something wasn’t
quite over, another diddy wanders up to him and asks if he’d play “Veronica”.
Another small insect was dispatched in the offenders hearing gear. An update to
this was Eric receiving a message from the ‘ronica guy suggesting that our man
was 'very rude'. Actually he should consider himself lucky. I think that his
actions warranted a far more caustic response. With a swift boot up the arse
following in close succession.
Being something of a daftie magnet, Eric is well versed in
dealing with such behaviour. He’s dealt with all sorts over the years he told
me but really, I’ve never seen anything do fundamentally stupid as the actions
of these fools. It almost makes these fuckwits that experience concerts through
tablets and phones as being socially aware.
Tuesday, May 02, 2017
Monday, May 01, 2017
The Day before Dos De Mayo...
... is a quiet one. All roads lead to the Glad Café in Glasgow tonight. Eventually. Here are some terriblr phone camera images from last night in Edinburgh.
Sunday, April 30, 2017
MAYDAY (TOMORROW)!
So how about that? I've posted something every day in April. Sure,
it wasn’t more than a video or show dates but at least there was something
fresh to look at. Will this momentum be kept up through May?
The endeavour is
half the battle, for now at least.
There was a great turnout at Messer Chups in Glasgow tonight. They're playing a much more agreeable space tonight at The Voodoo Rooms in Edinburgh. I shall be across town at The Citrus Club with Sir Eric of Wreckless. and tomorrow at The Glad Cafe in Glasgow.
Saturday, April 29, 2017
Tonight is the BILLY MILLER FOREVER remembrance shindig. I'm sad not to be able to attend but I'll be well represented. There's gonna be an enormous amount of LOVE in that room.
If like me, you can't go then maybe you'd like to donate to one of the two causes that there are links to on the website.
Folks have asked if there was such a facility. Yes There Is.
Friday, April 28, 2017
Thursday, April 27, 2017
Wednesday, April 26, 2017
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