Sunday, March 18, 2007

So it’s Sunday afternoon and maybe it’s time for something that’s a little more sedate. Something to stave off the thought of Monday. And there’s nothing better for that than Maia Hirasawa's debut album "Though, I'm Just Me" on Razzia. The title is something of an understatement. There's a broad base of potential appeal here which straddles your average demographic. In Maia-world, you can take a step back and just let the classic pop craft do the work. Her exotic accent is a result of being Japanese, living in Sweden and singing in English. This album contains 11 songs and is out on April 4th.
Some of them might be familiar if you were lucky enough to snag a copy of her self-released EP but appear here in different form. The brass sound of “Parking Lot” is immense yet understated and goes straight into the first single “And I Found This Boy”. As fresh a swinging girl-group anthem as you’ll come across. Check out the video on YouTube. The kind of sound that airwaves were invented for. It’s a mature album for a debut. You’d think she was an old hand at this game. It has a kind of Cocteau Twins texture to it in places but more conventional. Something that can engage the listener rather than disenfranchise them. Maia has a spontaneity which is very easy on the ear.

When she opened for Hello Saferide in Glasgow, you could have heard a pin drop. She spellbound the crowd into keeping their traps shut. How bloody often does that happen? She’s nice to “Gothenburg”, it’s no wonder that it’s likewise to her – that’s the deal she broke with the place in the song after all. With the right breaks, and a steady build, this lady is assured a long and chequered career. In these days, when songs are in the process of taking precedence over albums, the promise of her writing seems boundless. Something like “Say Goodbye” seems like a standard already. The piano and strings are used to create lush moods for her lyrics to wrap around. Like “urban” never happened. Did I hear you whisper, “if only”? So ditch the chocolate this Easter and give the gift of Maia. It's a sweet sound alright and it won't balloon you hips but it might balloon your hipness.

(If you check this out and get the bug like me then snag a copy of the single too because the additional song “A Year With You” isn’t on the album. )

Jesper Hedin appears on the album so that seems like a good segue into Autisterna. The group he and fellow HS alumni Per-Olof Stjärnered have going in the aforementioned Gothenburg. Imagine a jangly Bob Hund and you’ll get an inkling into the sound that’s bursting from their two song demo. In fact, you can listen at myspace, cannae say fairer than that.
Scientists shows in Australia and Europe, coming up to promote the new live album "Sedition", recorded at the Shepherd's Bush Empire last year. It's coming out on the ATP imprint.

22nd March spanish club Melbourne, Victoria
7th April columbian bar Brisbane, Queensland
7th April annadale hotel Sydney, New South Wales
8th April gershwin room Melbourne, Victoria
13th April noise on tour rocks festival Bilbao, Spain
22nd April melkveg Amsterdam
26th April The Spitz London
27th April all tomorrows parties somerset, UK
Whilst some folks are still getting to grips with “The Tiredness”, I’ve been getting deeper into The Raunch Hands “Big Topp”. Seems to me that Chandler sounds more like the old Jimmy O than the guy himself. Some will argue that Mariconda is no Ron Asheton but that’s got sod all to do with it. As dirty ol’ rock’n’roll goes, few have delivered it stinkier than these guys over the years. I mean that in the most positive sense of the expression, like bad = good and all that drift. What this really is of course is a cut and shut of RH with The Stepbrothers.
It’s the US equivalent of what we call pub rock over here. Best enjoyed mayhap but not exclusively, having necked a few brews. “The Sophisticated Screw” kicks off the action as anything but. It’s a leering celebration of inebriated, jam-kicking, sweat running down the walls, soul-saving scuzz. And it’s all so good natured in the meanest ass sense of the word. It harks back to a danger that’s all but been lost. There’s a kinda CCR swing to it all too which can’t hurt. This Licorice Tree release is hopefully putting the wind up visitors to SXSW as I tap away from the label base in Austin. As so many reunions fall short, here’s one that nails past glories and surpasses ‘em here and there. Extra points for the vesh of Arthur Alexander’s “You Don’t Care”. What more can be asked I axes youse? If you’re at SxSW, then you can soak up the real thing at Beerland on March 18th, that’s TONIGHT!!

Saturday, March 17, 2007

Hi everybody,
We just thought that we'd let everybody on e-mole know about our upcoming Record Release Show for our 2nd album "The Love Parade". To celebrate this momentous occasion, we're playing at SUPERMARKET 268 Augusta Avenue, Toronto on Sunday March 18th DOORS OPEN: 8PM - SHOWTIME: 9PM ADMISSION: $8. Normally we perform as duo, but for this special occasion, we'll be performing as a 4-piece with Cleave Anderson on drums/electronic percussion and Scott E. Farmer (on loan from The Russian Futurists) on bass/synth.Opening the show will be our friend, Simone Grey. We hope some of you can come by, as we hardly EVER play live. Just remember, as it's a Sunday, it's an EARLY show, so don't come late or you'll miss it! cheers richard+francoise, LOLA DUTRONIC
Some stuff that's been diverting my attention from what I oughtta be doing...

Va Va Va and indeed Voom or should that be vroom! Ms Angel Corpus Christi on the aesthetic value of a girls NBT-shirt (March 14th entry)

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My Buddy Moose (Thanks to Bigor for the nod on this one)

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Bob Lefsetz on Canadian chatshow "The Hour"

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Great Hello Saferide News!

Hello Saferide will release her UK debut single (on cd and vinyl) through Regal/Parlophone on May 14th. The single includes a new song "I was definitely made for these times" along with "The Quiz" (from the "Would you let me play this EP ten times a day"EP). The following shows have been confirmed to coincide...

May 14th London@ Water Rats/The Monto
May 15th London@ Water Rats/The Monto
May 17th Brighton@ The Great Escape Festival

As a public service, I'm happy to order copies of this and supply at cost plus postage to anybody out there who wants one of these. However as far as I know they'll be limited so don't leave it too long.

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This years Le Weekend Festival in Stirling has the following line-up and runs from 25th to 27th May.

25 May:
The One Ensemble Orchestra/ Nils Okland & Hakon Stene/ Bill Wells, Barbara Morgenstern, Stefan Schneider & Annie Whitehead/ Sonic Bed_Scotland
26 May:
Kaffe Matthews, Jarlath Henderson & Chris Gibb/ Richard Youngs/ Zeena Parkins & Ikue Mori - Phantom Orchard/ The Seventhings Hub/ Film Screenings - Andres Lokko
27 May:
Glasgow Improvisers Orchestra/ Nagisa Ni te/ Lucas Abelas/ The Thing + ZU/ Film Screenings - Stephen McRobbie

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A message from Monorail Music

"Benoit Textile Tribute / Celebration @ Mono Sun 18th March

The people of Mono and Monorail were saddened to hear of our friend Benoit's passing last January. For those of you who didn't know Benoit, he co-owned the French label Textile and was an incredible personality. It is only appropriate we celebrate his life with music. Bill Wells, The One Ensemble Of Daniel Padden, Foxface, Bubblewrap Holocaust, Fiend and George Burt (all of whom have been associated with the Textile label) will perform live at Mono, Sunday 18th March (that's tomorrow!). This event is of course free, not only to friends of Benoit but to anyone who shares the enthusiasm he had for music. Hope to see you there. It'll be a blast!"
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The Nomads are headed for Spain after a warm up in Stockholm this coming week...

20th March - Kafé 44 - Stockholm (SE) (w/ The Heartattacks, Murder by Guitar)
22nd March - Gruta 77- Madrid (SP)
23rd March - Helldorado - Gasties (SP)
24th March - Granuja Rock Festival - Castelseras (SP)

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and last but by no means least, Tom Morton's Whisky Blog "Nippy Sweeties"

The Tom Morton Two will play Glenfarg, Glenrothes and Glasgow this coming week.

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Blimey... that lot should keep you amused while I try to address the nature in which I oughtta tackle the backlog. First instinct is to head for the pub but i'll try to quell that... (he typed, willing the phone to ring). Actually, Monk is on today though, so that's good for a 40 minute procrastination. At least.

Click on the image to enlarge...

Friday, March 16, 2007

When the day kicks off with pouring yer fruitjuice over the ol' cereal then what can I say? It wasn't some smart or poncey attempt at a "fusion" breakfast or owt like that. It was wanton stupidity. Which reminds me, last week I was doing some bookshop browsing. Looking at all these punk rock tomes that have recently come out. Simon Black had told me that the Phil Strongman one cited "Malpractice" as the first Feelgoods album and sure enough, right there in print. Dearie me. Which somewhat rankles with it's credibility. I don't claim or aim to be right all the time but aren't there editors and safety nets to catch such things?

This is the problem with a lot of published work these days. It's sloppy. It can all be rattled out and sent to print too easily and I know, in the grand scheme of things it's not important. Just more stuff. And that's exactly what we need innit? More stuff.

It's that contemplative time on a Friday when I get to be as at one with the world as it's possible for this guy to be. I need to get my hands on the Mary Weiss album so that's at the forefront of my agenda. As is the dispensation of some more info via this mode of distribution. Just a wee while ago, I heard Ben Vaughn's "Wrong Haircut" being used for the music bed on an article about that Tory tosspot David Cameron's alleged new hairstyle. The person at BBC Radio Scotland responsible should be rewarded forthwith. Better still, give him or her that Zycinski guy's job.

Thursday, March 15, 2007

Wednesday, March 14, 2007

Driving to the open prison this morning, a piece of rock hit the windscreen. I saw it coming too, like you would on the monitor of the Starship Enterprise but there was no way to avoid a direct it. It gave me an almighty dunt and left it's mark in a place that'll annoy the fuck outta me each and every time I get in the car. In many ways this is a metaphor for my entire existence at the moment. Where everything one touches goes the way of the brown smelly stuff.
If the way forward is really down to us out here in the trenches then why the hell does it seem so hopeless? On one hand, the old method of competition seemed to work perfectly well. In this age of so much information, I find it all kind of overwhelming. There's so much that it's blurring the view. It's not authoritative. How much more blah can we conceivably take? It might not always seem like it but an important part of this blogging lark - for me - is not to fall into repetition. But just lately, with everything else, I find the attempted regular updates to be something of a chore. On top of that, the bloody technology loses information, crashes and just plain makes me wonder why the hell I even attempt to keep the balls in the air at all. It's probably just a bad patch but it's getting harder to shake off. More of a slog with every given day. However, in an age when even Blue Peter is twisting our collective melon then what chance have we got. Not much but there is stuff out there that can make you think, just for a moment, that things aren't totally tits up.
Ladies and Gents, I give you Ben Vaughn's Geator documentary and The Skeletons ... and as SXSW shapes up to be to the music industry what The Edinburgh Fringe is to Channel 4 comedy, there are diamonds in the wannabe rough. Like Wooden Shjips, The Hazey Janes and top of my particular heap if I was out there...


Monday, March 12, 2007

There's something badly wrong when you have two of the greatest performers and songwriters in living memory performing to 20 people in the arse end of beyond on an inclement Sunday night. Such was the case at The Bein Inn last night with Amy Rigby and Wreckless Eric. Not that I'm complaining but when you consider the crap that seems to be "popular" then I fear for the taste of the common five eighth. Glad as I am that Ronnie Spector covered "All I Want", it's no patch on Amy's own. And any man who rhymes "zodiac" with "pac-a-mac" is evidently a laureate personified. Anyway, they've got a great thing going and if you want to hear what The Velvets performing "Leaving On A Jet Plane" might have sounded like then these are your people. If there was any justice then they'd be everybody's people. Their reinvention of Amy's "Don't Know Nothin'" as a long lost Clodagh Rogers Eurovision entry is quite astonishing. They're in Aberdeen tonight, at The Lemon Tree. If you're in travelling distance then give Corrie a miss tonight and go along. They'll inspire you.

And, I tried to "embed" the code for Angel's "Lou Reed's Hair" video on Youtube but it no workee. So click the regular link and you'll be transported to that particular portal anyway. You can check out the man's barnet for yourself when he brings "Berlin" to Europe in what passes for summer...

Sunday, March 11, 2007

Is your music unusual, unconventional, uncompromising,uncommercial or what some folks may call unlistenable?Then WE WANT YOU! We're looking for music that has the courage to break rules or works within the confines of the rules to subvert themfor the BRUTARIAN Magazine and Records compilation - Vol 2!

We're not interested in the Next Big Thing, but music that people willtalk about that will probably never be on MTV... Think Daniel Johnston, Wesley Willis, Capain Beefheart, The Cramps...or anything different that just KICKS ASS!

Check out Brutarian's myspace page below and tell your friends - pass it on!http://www.myspace.com/brutarianmagazine

THE DEAL:
1. You must own the rights to your recording.
2. No COVERS or songs that might need to be licenced!
3. PLEASE pick a couple of songs for me to listen to, not an entire CD!
4. Don't make me work too hard

- "check out my myspace page and pick something..." - just mail me the f*ckin' thing.You don't pay any production costs. You get paid except in finished product. This is for promotion purposes only. You retain all rights to your submission.Non-exclusive tracks are OK, they can be previously released or whatever. We don't want any other rights to the song other than valid permission to use it with the comp and to promote the release in the magazine. You will get promotional and/or editorial coverage in Brutarian Magazine as well! Send your masterpiece to: Kitty Kowalski, PO Box 1272, New York, NY 10010 USA. Please send by March 31st, 2007. Thanks! we're looking forward to hearing what's out there! Kitty
http://www.myspace.com/brutarianmagazine
A little about the Brutarian Philosophy...BRUTARIAN is dedicated to bringing the sensibilities of the Art Brut movementto the average reader. Art brut is French for "raw art". Jean Dubuffet (1901-1985) , a French wine merchant who had an interest in collecting the art of outsiders and began painting himself upon entering his 40s, first used this term in 1945 for the art of children and Outsiders (naive artists and the mentally ill); actually, anyone creating art not for profit or recognition, but for themselves.Brutarians do not adhere to the cultural norms or fashion affecting most artists. This is the art people have to make for whatever reasons that compel them -- art that matters perhaps only to them but that is imperative and uncompromised by conventional aesthetic standards fashion, conformity, or critical taste
Pretty sad to hear about the death of Brad Delp yesterday. Incase you're too young to know or too cool to care, he was the singer in Boston. "More Than A Feeling" always instills a feeling of rock grandeur when I hear it and reminds me of a time when quite possibly things in general didn't suck. It was and remains a fine loud display of almost hymnal power chord pop. Something that sold a bazillion copies that will resonate for all eternity. To go off at a tangent for a minute, it was odd very recently to discover that the song "New York, New York" wasn't a standard and hasn't been around for much longer than The Dictators anthem of the same name. (Did you sign the petition for the White Castle Hall Of Fame yet?) This is what happens when you get to a certain age. Time plays cruel tricks on you and confuses which way is actually up. I always thought The 'tators should be as big as Boston and that their music was equally anthemic. "What's Up With That?"

Saw Inland Empire yesterday and I have to say that, contrary to what I've read, it's actually more straightforward than Mulholland Drive to me. Where that came off the rails in the final third, I think this hangs together pretty well in terms of Lynch's creation of worlds within worlds. It made more sense to me than I expected it to. Also the criticism of the shooting in digital video seems a bit twatty also. It looks great and anybody who cares about his work will know that nobody uses light like "Jimmy Stewart from Mars". There are also several homages to himself in here to my mind which serve as treats for fans. Not sure about the closing sequence but it's not integral to the three hour investment. I do miss the heartbeat and lifeblood of a Badalamenti score which always adds to the omni-dimensional atmos but other than that there's much to dig.

Saturday, March 10, 2007

Some loose ends you might like to click on as opposed to doing what you oughtta be doing...

LA gig flyers on Ebay. Pricey but worth a look.

Another cool looking book, Punk Love

Real Kids European tour in May scuppered.

Sometime Skeleton, Nick Sibley has a book out...

(Thanks to PleaseKillMe forum,Ben, Patrick and Bobby Lloyd for the info)
HAPPY ANNIVERSARY GIRL TROUBLE!!

"Bon here.We’re not usually ones to brag about our negligible achievements but I just thought I’d share our anniversary with everybody. We’ve been thinking about it a lot so...Today, 23 years ago, and even on a Friday!, we played our first official show. Even though we’d practiced for several months before this (and even played a small house party to a couple people while everybody else went across the street to the Safeway to buy beer) we mark this day as the real beginning of Girl Trouble. It was a local community college Battle of the Bands. This wasn’t the scammy corporate, pay-to-play ticket selling contest. This was hosted by the ASB of Ft. Steilacoom Community College.

There were 6 bands, each band played 30 minutes, a whopping $3.50 to get in and every audience member got one ballot to mark their favorite band and put it in the ballot box. Nobody went on to other rounds, got a million dollar contract, played in Germany or the Warped Tour or was awarded any other pie-in-the-sky prize package. The winning band got 50 bucks and the chance to play a 45 minute victory set at the end of the “battle”. That was it. We luckily drew the fifth slot of the night. None of the other bands could figure us out. Those bands had barely heard of the Ramones, let alone The Cramps or the The Gun Club. Our guitar amp speaker was made out of plywood, Kahuna’s Ouija guitar was made in his high school shop class, Dale had an extremely cheap plywood Japanese “Fender” bass called a Vogue, and my little drumset was purchased for $70 at the Sears Surplus Store. We were quite a sight.

One band called 4-Play had more money invested in their bizarre leather chest harness vests than we did in all of our equipment. They brought all their nice new expensive amps in on custom-made plexiglas hand-carts. Mostly I remember being absolutely petrified (which of course, now is a big laugh!). I didn’t even know if I could get up on stage, let alone play! The wait was almost unbearable and all the bands seemed better than us (even though I now realize they were probably shakier than we were). We started off with the instrumental “Out of Limits” and Dale went completely out of tune. He got it back together and we didn’t let it phase us. All our friends showed up and that made all the difference in the world. Tim and Deb Olsen were there to help us. Tim didn’t know it would turn into a 23 year “career”, okay, volunteer job of producing records, taking band photos, printing Wig Out magazine and doing whatever else we didn’t know how to do. We wouldn’t have made it that first night without him, or probably for the next 23 years for that matter. Other Tacoma friends we could always count on were there, like Rose Alexander (RIP), Jim May (owner of Community World Theater - you know, where Nirvana first played), John Grant (our scary punk rock roadie), KP’s Dad Ray Kendall (a great GT supporter), several of his sisters, Dale’s twin sister Gale, and all the many 56th Street House alumni.

At practice the week before, KP came up with the idea that we should throw cans of root beer (!). This was a bold move that I was against, but he thought nobody would heckle us (aka beat us up) if they were enjoying a delicious beverage that we’d just thrown to them. It worked (although we never did throw cans of anything again) and started our tradition of bribing the crowd into liking us by giving them free prizes. We still do that today. Hey, it’s worked so far...The half hour we were required to play went so fast it was over before I realized it. We played all covers: some Cramps songs, “Tell Us the Truth” by Sham 69 and “White Girl” by X. The crowd was great, even the people that didn’t know us acted like they liked us! After the votes were counted we ended up coming in second. I was secretly relieved because I knew we didn’t have 45 minutes of additional material. We barely had the 30 minutes we’d just played! We didn’t win the battle but we still felt we were winners. Well, that’s what we were doing 23 yeas ago today. We’re still together, still doing shows, still friends, oh who am I kidding, we’re still family. Our great friend David Duet filled in for a year when KP went temporarily insane back in 85, but other than that it’s always been us four. I don’t think many bands can make that claim. We mostly want to thank each and every one of you, and you all know who you are, for years of support and continued fun. We really couldn’t have done it without all of you! We'll treat you to a root beer next time we see you..."

Your friends, Bon, Dale, KP and Kahuna

Friday, March 09, 2007

Time stands still during the working day and then goes all fast forward on my bahookie in the evenings and at weekends. I'm sure you have the same problem. This weekend will see some lame attempt at catching up with myself in terms of chores and outstanding commitments. Somewhere in there there'll be The Eric and Amy Show and maybe even Inland Empire too.
There are two expressions that I've heard too much in the last couple of days that get right on my tits. These are "can do attitude" and "centre of excellence". Both scream the opposite of what the actual word form means in my opinion. It's another facet of the faux-professionalism that pervades our existence.Call me old-fashioned but good old resourcefulness on the part of an individual or a business or person that provides a good service is paramount. I don't any buzz phrase to suggest they're "thinking outside of the box". Because the bastards that permeate this shite simply aren't. Put those responsible for these heinous phrases in the box and nail it shut. The mail said box far, far away to a place that is incommunicado that we never never have to listen to that pish again. Of course, it'll never happen but it's that optimistic time on a Friday night when anything seems possible. But don't worry, "It Won't Last Too Long" to quote a song by some German ladies that I'll be clueing you folks in on shortly...

Thursday, March 08, 2007

The Greatest Scottish Gigs of All Time (from The Scotsman)
BLACK TIME have woken up bleary-eyed and sleepy from our winter hibernation and got some stuff happening. What was that dream all about??

Thursday 15th March we play home-from-home the Corn Rocket Club at the Macbeth, 70 Hoxton Street, London N1 with D30 (portugese garage-punk ex-Tedio Boys) + THE HARTES (rocking duo). Plus handsome hosts Eric Baconstrip and Victor Torpedo spinning some hot 45s. £4. 8 til 11.

Then we're off to America for our long-delayed tour, with the fantastic HUSBANDS (Swami Records):

Tuesday 20th March - SANTA ANA CA (THE CLINIC)* All Ages Show plus SHOOT IT UP and AUDACITY
Thursday 22nd March - ARCATA CA (JAMBALYA)
Friday 23rd March - PORTLAND OR (TOWNE LOUNGE)
Saturday 24th March - SEATTLE WA (THE FUNHOUSE) plus THE HANDS and THE BUG NASTIES
Sunday 25th March - VANCOUVER BC (PUB 340) plus LADIES NIGHT
Tuesday 27th March - OAKLAND CA (STORK CLUB)*
Wednesday 28th March - LOS ANGELES/GLENDALE CA (SCENE BAR) plus STATIC STATIC and THE GUILTY HEARTS
Thursday 29th March - LONG BEACH CA (ALEX'S BAR)
Friday 30th March - SAN DIEGO CA (TOWER BAR) plus THE CORVINAS
Saturday 31st March - SAN FRANCISCO CA (THE KNOCKOUT)

*No Husbands

We have a split tour 7" with the Husbands out on Show&Tell Records of Chicago - I'll try and bring some back with me for Europeans that want one.

Then we're off to Sweden for a couple of days:
Friday 4th May - BOOGIEFEST, Gothenburg with NIKKI CORVETTE, LOCAL OAFS, M.O.T.O, HIDDEN CHARMS and more
Saturday 5th May - SAVAGEFEST, Stockholm with the MOJOMATICS and our pals THE MAKEOUTS

Then I reckon we'll spend the rest of the summer hiding indoors from the evil sun rays...

Wednesday, March 07, 2007

Amy and Eric kick off a short tour of the UK tonight. Try to see them or rather miss them at your peril. Actually there's no conceivable peril involved, you'd just be daft to miss 'em...
I spend a lot of time these days mithering over whether all this cybergubbings is working. Then there's the perrenial myspace (i've been kicked out three times in the past 40 minutes) and also the e-mail falling on it's arse. I'm sure this pc is about to peg it but I don't have the wherewithall (or owt else) to upgrade. Addictive as this computer lark has become, it would be nice to just consign it. Somewhere that it won't taunt me.
Of course, whenever something doesn't work, then I naturally assume that it's my fault and work backwards. Anyway, there seems to be more awry with all this than usual at the minute so if e-mail is bouncing or you can't reach the blog or if you're expecting to hear from me then I don't really know what to tell you except that it's a pisser.
It could all slide off the radar completely at any given second. The will to live is being sucked out of me just thinking about how dependant I seem to have become on this sodding technology.




NBT "official merch" is now available through the good offices of the Rt. Hon Ben Weasel and his new Monona Merch operation. The T-shirt made famous by Joey and Mr W. himself circa The Riverdales was considered punk rockin' enough to meet the criteria and the proprieter certainly has the credentials to call that. Guys shirts available soon, girls T's available now. It would be very cool if any starlet out there could do for this design what Jennifer Aniston did for the MC5. Pretty please?

Tuesday, March 06, 2007

The original 60's French Pop Discotheque!
Djs Le Pape Du Pop & Le Marquis De Jardin play
Serge Gainsbourg, France Gall, Jacques Dutronc, Brigitte Bardot and many more
plus special guests:
Scotland's only French language Garage Punk band
les BOF!
SATURDAY 10th MARCH
HENRY'S CELLAR BAR
MORRISON STREET, EDINBURGH
11pm - 3am £5/4
I'm not altogether sure what's going on. My ability to deal with e-mail and the day to day seems to have eroded to the point that the old premise of there not being enough hours in the day was a self-fulfilling prophecy. As was the premise of a "new" Stooges album. I've been quite bemused by the fact that anybody expected it to be any better than just average. I think it's total tosh but my opinion isn't important. It's an Iggy record with some Stooges on it. It'll help them pad out their set with some more guff that nobody needs to hear. Until they deem to play "Raw Power" they should be boycotted. Pure and simple. The world's forgotten boy is taking liberties en route to getting his bus pass. He's nearly 60 you know... and the old age fund must be shaping up nicely.

Monday, March 05, 2007

What's up? What's up? is the question that's constantly turnin' up in my virtual mailbox. Well, truth be told; nothin' really... It's just that the usual day-to-day seems to take up 99% of my time, and in the 1% left I actually prefer enjoyin' stuff rather than writin' about it. Capisce?

But right now I've got some spare minutes to tell you all 'bout what I've been diggin' as off late. A bottle of Norton Cabernet Sauvignon is sittin' half empty to the right of me, and a stack-o'-wax is on my left...

Dyke & the Blazers' We Got More Soul 2 CD/LP set (B.G.P.) is an amazing collection of 60s party music that sorta crosses the bridge 'tween soul 'n funk. Compiled 'n annotated by Alac Palao, so you know you're in for a quality package... Only slightly more "current" is Rough Trade Shops: 1976 a fine selection of (just) pre-punk goodies, includin' obvious offenders like the Ramones, Nick Lowe and Blondie, but also some fine reggae and long lost D.I.Y. goodies by the likes of the Slickee Boys and Radio Birdman. Speakin' of D.I.Y., Soul Jazz has just put out an album documenting the early days of just that. A pretty solid selection (Swell Maps, Kleenex!) coupled with a very informative booklet that spills the beans on Porky Prime cuts, Delga Press and the Pathway Studio... From the same label comes the excellent Studio One Rub-A-Dub, probably the finest reggae comp they've put out in ages, and one that's sure to even lift the spirit of non-smokers... From B.G.P. Comes the ace 1987 comp by the James Taylor Quartet. Fine, fine instros that'll take you back to the Flamingo in '65. Post Prisoners 'n somewhat mod-ish, this stuff is way beyond such categorisations tho'... Finally there's the Peel Sessions CD by pub rock legends Ducks Deluxe. From the very early (and very primitive) takes on Fireball and Coast To Coast to the later good'uns like Amsterdam Dog and Something's Going On, this gets both thumbs up from this end of the bar... Over 'n out...

Sunday, March 04, 2007

Roky Erickson to tour Europe?

These dates are rumored to be confirmed:

06/16 - Hultsfred Festival, Sweden
07/05 - Roskilde Festival, Sweden
07/06 - Ruisrock, Finland
08/11 - Oya Festival, Norway

Somewhat closer to home would be nice tho'...

Anybody got more info on this?

Saturday, March 03, 2007

The Munster lads are headed for the Windy City, en route to SXSW...





Available now from their myspace page for download, The Star Spangles "Dirty Bomb".

Stand by for news on the more traditional form of availability that we "auld yins" rely on....

Friday, March 02, 2007

A trip through the hearts and minds of today's most uncompromising artists! Includes exclusive 70-minute CD!

Midnight Mavericks features the most eclectic assortment of artists ever gathered between two covers. From angry stand-up comedians and cutting edge exploitation filmmakers to hardcore crime novelists and controversial cartoonists, the book casts a bright light on underground culture. Featuring four dozen artists whose work is significant in its purity and uncompromising attitudes, this heavily illustrated book features comes with a FREE CD, featuring interview excerpts and rare tracks from The Kills, Lydia Lunch, The Flesh Eaters, Sturgis Nikides, Steve Wynn, Jim Goad, Simon Stokes and many more!

Filmmakers interviewed include: JOHN WATERS, JÖRG BUTTGEREIT, STUART GORDON, NICK ZEDD, RICHARD STANLEY, BUDDY GIOVINAZZO, ABEL FERRARA and more...

Musicians interviewed include: THE KILLS, SIMON STOKES, STEVE WYNN, ANDREW W.K., JOHNETTE NAPOLITANO, RENNIE SPARKS, STURGIS NIKIDES and more...

Other noted underground figures interviewed include: JOE R. LANSDALE, LECH KOWALSKI, MARY WORONOV, J.K. POTTER, ROCKETS REDGLARE, DAVID PEACE, RON ATHEY, JACK KETCHUM, MIKE DIANA, NICK TOSCHES, JIM GOAD, LYDIA LUNCH and more...

Click here for a full list of contents, and to order this ground-breaking book, which is in stock and shipping now!

Thursday, March 01, 2007

DIRTY WATER RECORDS

The new release on Dirty Water Records will be in the shops at the end of this month.

The first on our new "Excavated Archives" series, this is a re-issue of the debut Lyres single from 1979 - "Don't Give It Up Now" c/w "How Do You Know?"

The original recordings have been re-mastered so the new release will sound loads better than the original, which was issued back in '79 in a pressing of just 200 copies. The sleeve comes with a never-before-seen photo of the band playing live at The Space in Boston around the time this single was recorded.

A number of other releases are planned for the coming year, including other bands from the USA, plus one South America and Europe, as well as some home-grown British talent of course.

International distribution has been set up so you will be able to buy it in dozens of countries (including the USA, Japan, Australia and New Zealand, Scandinavia, the Benelux countries, Spain, Germany, Italy and France - and with new countries being added all the time) as well as good record shops in the UK.

In fact, so many copies of this new record have been ordered by shops already we've just called the factory to tell them to increase the amount they're making for us!

Copies will be on sale at the club, naturally, on the Friday before its release date.
I'm not altogether sure where all the time is going? There must be a leak someplace because it's pissing away something wicked. Anyway tomorrow is the first Friday of the month, and in Stockholm, that means GEARCLUB!

Tuesday, February 27, 2007

Even with the preventional shot in the arm from the doctors the flu still caught up with me this season... so here I am, sittin' bleary eyed, fever-ish an unable to sleep, tryin' to find some joy in these Youtube Nuggets; Amboy Dukes, Barbarians, Castaways, Chocolate Watchband, Electric Prunes, Knickerbockers, Nazz, Seeds, Shadows Of Knight, Standells, Strangeloves, 13th Floor Elevators.
I think the new TripTych bill is announced today(?)... it includes Billy Childish show at The Panoptican in Argyle Street.

Caught the Scott Walker documentary 30th Century Man on Sunday. He's an interesting geezer that doesn't seem in the slightest bit insane despite his strange, dark leanings. Don't expect to learn much of anything about him just sit back and soak it in. The mystery of his oeuvre is what makes it tick and that is left pretty much intact. Hopefully the terrible sound on the print or digital media isn't something that will be evident when it does the rounds. I expect it'll be screened on BBC4 before too long. Now I need to seek out Pola X...

A brief upswing arrived yesterday in the form of a new Hello Saferide track "I Was Definitely Made For These Times". This will appear as a limited edition release on Regal/Parlophone on May 14th. Cd and vinyl, get ready to pre-order...

It's a dark foreboding morning and it's pissing down. It'll take something like the arrival of The Boonaraaas album to counter the gloom. Fingers crossed then...

And that's about it... oh yeah, Paul Burch is in Edinburgh a week from today at The Pleasance.

Sunday, February 25, 2007

I know, the archive seems to be "down". Being too much of a dope to be able to fix it myself, i've contacted the cavalry so hopefully we can keep the marauders at bay until things can be rectified. Info still seems to be available via Googling so i'm hornswaggled if I know what's up. Thanks to everybody who let it be known though...
Thanks to all those who responded to last week's Dr. Feelgood post... Just located two more youtube links from the same TV show (1 & 2).

Anybody out there has similar material by the Count Bishops, Ducks Deluxe and their ilk?

Saturday, February 24, 2007

So let’s see, before anything else there are a few things I’ve been meaning to mention here but for one reason and another never got around to.

A new “season” of Classic Scottish Albums started on BBC Radio Scotland this week with the subject of the first Proclaimers album. Reminded me of seeing them open for The Cateran at The Onion Cellar or whatever it was called in Edinburgh. Trying to get people to believe that these two bespectacled chaps were “a Scots Everly Brothers” fell on deaf ears at the time and the rest is history. As always the great David Scott Esq. is the glue that holds these things together and next weeks programme is about Alex Harvey. Tune in via the RS play it again feature, click the listen again link at the top RH and scroll to "Classic Scottish Albums". I’m sure you know the drill by now.

Brijitte West of the New York Loose has a new venture which those of you who are parents might like to check out. Cool Kids Music kicks off with an artist called Mr Ray. Whether or not he took his name from the Suicide song is not known. Incidentally, the NYL album has been delayed due to unforeseen circumstances that are frustrating for all of us. When Cargo have the problems ironed out then we’ll clue you in immediately.


Maia Hirasawa’s debut single on Razzia is out on March 7th entitled “And I Met This Boy”. It’s as sweet a pop nugget as you’re likely to find and serves as a taster for the album “Though, I’m Just Me” on April 4th. Have a listen at her myspace dovecot.

Got a “sneak” mp3 of the title track of Lucky Soul’s “The Great Unwanted” and now I remember who singer Ali Howard reminded me of, Aimee MacDonald. So I googled the Sixties comedy siren’s name and y’know? I couldn’t find more than one mention. And no photos. When you consider the obscure guff you can dig up on almost anything this is peculiar. But anyways, things got even weirder this morning when Janice Forsyth actually mentioned AM on the bloody wireless. Anyway, this is all concurrent to the music. The LS cut is a lush, husky affair of the first order. Somewhat retro-futuristic and (hopefully) headed for the airwaves soon. Meanwhile, why not have a toot around their site.

In a more rock’n’roll vein, today those fine Girl Trouble folks are hosting the following show in Tacoma…


The great Rich Stim has been instrumental in making my father’s album of Pipe tuneage available in itunes. Hopefully I’ve not made an arse of conveying the info and blurb to the cdbaby site to make it all go smoothly. To have had Davie Scott play and produce the thing and then have a member of MX80 whap it onto the internet isn’t something any of us foresaw.
Thanks guys.

And do you think I can find the scribbles with regard to the other stuff I meant to mention? Of course not but it’ll all come out in the, er, wash.

Friday, February 23, 2007

Whilst I'll never be mistaken for a teenager, I am frequently bored. And there'll be no waffling on from me tonight on account of me being the chairman, innit!? Might feel more like prattling on tomorrow, maybe's not. Catch you on the flipside...

And not related musically but keeping up the TV theme, the next instalment of Sounds Of Sweden is these two guys with televisions on their nappers ala Man or Astroman.



SOS (Sounds of Sweden) presents:
Sweden's answer to The Postal Service, TELEVISION KEEPS US APART and quirky Glasgow troubadours ZOEY VAN GOEY
Friday, March 23, 9PM, 4GBP entry - Bacchus, 80 Glassford Street, G1 1UR, 0141 572 0080

For our April outing, we're showcasing the freshest in fresh young talent!

Television Keeps Us Apart has been compared to The Postal Service, and justifiably so. They combine mechanical beats with backing tracks and poppy hooks to create some truly infectious tunes. Single 'Ticket out of here' is irresistibly catchy tender pop with upbeat electronics. Not much is known about the young duo of Carl Sunesson and Axel Yngvell, who met as students in Linköping, a university town south of Stockholm. They toured Sweden in autumn 2006, but have been hidden away in the studio recording their debut album, so this will be their first outing of 2007.

Zoey Van Goey is a band made up of Matt Brennan, Michael John McCarthy, and Kim Moore. Hailing from Canada, Ireland, and England respectively, they assembled rather accidentally in Glasgow and now happily make music together. Making their debut performance in September 2006, this band is brand new but already drawing favourable comparisons to adventurous trios like Yo La Tengo and Deerhoof. Packing out shows in Glasgow, Zoey Van Goey are quickly gaining a reputation for their beguiling live performances and onstage banter. Quirky, talented, and cheerfully subversive, the three multi-instrumentalist ragamuffins trio flirt with Casio keyboards, laptops, violas, and accordions, in addition to the more traditional fare of guitars, drums, and vocals.

Internet resources:

http://www.myspace.com/televisionkeepsusapart
http://www.myspace.com/zoeyvangoey
http://www.myspace.com/soundsofsweden
http://www.soundsofsweden.com
Forget the RRHOF corporate piffle and get The Dictators inducted/indicted into the White Castle Hall of Fame. After all, they put the company on the map way before Saturday Night Fever came along.
Slip, slyd and sign up for Mr Gene Suttle's campaign HERE!

Thursday, February 22, 2007

There's only one thing better than this live Fleshtones DVD and that's to catch them in person. Where of course, you can pick up a copy of this fine momento of what is easily one of the greatest live acts on earth. They'll happily administer that super-rock jag that at the following venues...

24 March - Magnetic Fields, Brooklyn, NY
11 April - Grand Mix, Tourcoing, France
12 April - La Coope, Cleremont Ferrand, France
13 April - La Nef, Angouleme, France
14 April - Gagarine, Athens, Greece
15 April - L'ampli, Pau, France
17 April - Astrolabe, Orleans, France
18 April - Le Plan, Ris Orangis, Paris
19 April - L'autre Canal, Nancy, France

Wednesday, February 21, 2007


I quite literally just received this (Thanks Laura!). The long-awaited follow up to "Go Get Goo Goo" is "Five Steps Ahead" and it's gonna be walking all over us courtesy of Sounds of Subterranea in March!! More info as it becomes available...


Mr Helsing wishes it to be known that...

THE THANES - A NIGHT IN GREAT KING STREET 10" LP - LARSEN (LZ079) It's here...NOW! The new 10" live LP by Scottish garage-beat purveyors THE THANES - A NIGHT IN GREAT KING STREET - issued on fabulous French label Larsen (LZ079). Features never before issued tracks, such as the group's urgent cover of the Q65 nugget "I Despise You", plus many on-stage favourites, including "The Lovely Laura-Anne", "It's Just A Fear" and "The Next One". Start bugging your local record shoppe to order your copy, like now!"

Other news... Got an e-mail from Tony Blair this morning. Me and 1.8 million+ others. It had to be rescued from my junk mail. This was because I signed the road pricing petition that's been in the headlines. And actually, I'm not so much against road pricing as I am agin the tracking that it would allow the all-enveloping surveillance industry to undertake. Lord knows, is the mobile phone epidemic not hellish enough. Not that there's much to glean about my comings and goings but it's the principle. Actually, if there was a halfway decent public transport infrastructure then I wouldn't even have a bloody car. However, the likelihood of such a thing in this backwater is slimmer than a very slim thing on the proverbial slim-athon slimfast diet.

Taken to yon logical conclusion, if I didn't have to earn a crust then I'd seldom leave the house at all. But anyway, all this guff with carbon footprints, etc., until our co-habitees in burgeoning economies start screwing the napper then there's little or nothing our hapless attempts to restrict climate change can do. We're on the rocket people, but what you can do is resolve not to waste energy for your own self. Nobody else. Just you. I also had to listen to some bollocks about "ethical trading" from someone who gets printing done in China rather than here in the UK where the triple standard and creative accountancy reign supreme. Pity about my fellow travellers who are just trying to get by. Anyway, I guess Tony didn't catch any of the Hold Steady shows because there was no mention of them in his message. Or maybe they're not britpop enough. That could be it. I'm tempted to make a sinking shjips crack but I can't be arsed.

Tuesday, February 20, 2007


Susquehanna Industrial Tool & Die Co. says "hail to the chief" this week with a presidential performance worthy of William Henry Harrison -- all within the ever-stately confines of Otto's Shrunken Head, naturally!
THURSDAY, FEBRUARY 22nd / (And the last Thursday of every month)
OTTO'S SHRUNKEN HEAD TIKI BAR & LOUNGE / http://www.OttosShrunkenHead.com /
538 East 14th Street (just west of Avenue B) in ol' Manhattan, NY / Two BIG shows, from 8:00 sharp until 10:00 / No cover! /
Yours in the oval office- Michael, Susquehanna Industrial Tool & Die Co.
"Ballads, Boogies & Blues"
http://www.SITandDieCo.com

Monday, February 19, 2007

Lindsay's Alice Cooper ticket reminded me of this bizarre little item that was reprinted in a Dutch music mag way back in '71; a pet registration card from the Amsterdam Hilton...
For one reason and another, I don't have the energy or the inkling to rabbit on the keyboard tonight. Found some old ticket stubs yesterday and thought we'd go for a little nostalgia instead... Article #1 - my first REAL rock'n'roll concert... November 1972.


Article # 2 - In honour of the wee frisson that ran through J's YouTube post of last week...

And finally - Article #3 - a certified classic, another example of a CBGB's bill hitting up the UK.
Cheetah Chrome was toting Glen Buxton's guitar at the time...

Thankyou and Goodnight...

Sunday, February 18, 2007

If it wasn’t for Mr H then christ knows how long it would have taken me to discover "Unknown Passages – The Dead Moon Story". Of course, I was aware of the band and the rabid passion with which people who had seen them had for this Northwest trio. Never having had the luck to catch their live thing, DM was something I appreciated from afar. For me, their recorded output never did them justice and was a factor i never considered re-addressing until I clocked this. Go ahead and disagree if you want to but there’s something about this documentary that adds that all important fourth dimension and I can’t recommend it highly enough. Dead Moon has achieved success far and beyond material sales or the conventional trappings of what passes for it day to day. Dead Moon Heads who have been baptised at one of their shows have every right to be protective because this combo was a real treasure.

If they’d ever made it to this part of the world there would be a faction of Deid Moon Heids here also but they didn’t and sadly the band is no more. This testament to them exists though and it will only help stoke the legend. As cool people go, I don’t think they come any more groovy than Fred and Toody Cole. And Andrew Loomis their drummer helps propel the whole thing with a singular abandon. A long-haired, often bevvied diplomat of the first water with quite the collection of Nomads t-shirts. It’s made me listen to the records with fresh ears. Now I can flesh it all out. If the people who program the Edinburgh Film Festival had been doing their job circa 2004/5 then I’d have seen this and maybe been able to rectify the fact that I never saw them before it was too late. Dead Moon is a singular example of something that will live on forever because the fire that fuelled it comes from deep within the souls of real believers. This film is the "It's A Wonderful Life" of rock docs. Maybe they could come back as the George Bailey Trio?

This is available in the UK from Volcanic Tongue and in the US from Magic Umbrella. If you come outta the end and you’re not a fan then there’s something wrong with you.
When it comes to stretching a cross-cultural pop canvas then nobody can extend it to the limits of the Pilot.

Taking in literary and musical landscapes of every imaginable type and blending them to come up with something like "Secrets From The Clockhouse" takes a specific ability. So step inside the world of Sushil K. Dade, a man that would seem to apply the laws of film direction to create cinematic music that will provide a soundtrack to your wellbeing. A concept? Not sure but it’s thematic heart beats with a collective spirit bound to a consciousness which covers as many bases as I’ve ever heard co-existing comfortably in one setting. From psychedelics through folk to free jazz. It's all part of the beat that belongs to Future Pilot AKA.

There’s a rendition of Sun Ra’s “Nuclear War” that brings together Thurston Moore, Kim Gordon, Davy Henderson from The Fire Engines, Mike Watt and wir ain Stewart Cruickshank. I didn’t believe it either until I heard the evidence. Sounds weird, right? Well it couldn’t be more un-weird if it tried. This is a deeply commercial exercise that’ll reward repeated visits. The skewed-ska of “Eyes of Love” should have been a hit already, being that it features Stuart Murdoch and Sarah Martin from Belle and Sebastian. Karine Polwart’s one-minute long “Lights Of The City” ushers in the recurring theme of the piece which acts as the cement between the various movements.

"Secrets from the Clockhouse" is on the Creeping Bent imprint. Distributed by Cargo.

The first festival of rock documentaries from former Yugoslavia
Jeffrey Lee Pierce on Dutch TV: Pt 1 & 2...

Saturday, February 17, 2007

Last night I managed to drag myself out of the house and into Glasgow. Firefox AK was opening for a Canuck combo called Junior Boys and you have to take your superior electro-pop action where you can find it. Firefox AK is the alter ego of Andrea Kellerman. Her album "Madame, Madame!" came out on Razzia last year and she also dueted on the HS “Long Lost Penpal” cut.

When she took the stage, the JB crowd was beginning to trickle in. Unfortunately the laws of economics dictated that it was a solo performance. With some of the backing tracks on ipod and augmented by guitar and vocal, the material from the album sounded a good deal gutsier at a volume you can’t really achieve at home. A rock edge was evident that perhaps isn’t definable in the studio stuff.

The music comes from a place on the corner of Neu and La Dusseldorf. There are elements of Kraftwerk but this trans-european expression has a warmth that rarely emits from the man-machine ouvre. There’s also a sense of the OMD sensibility with a hook. She’s quite a compelling performer even in this possibly nerve-racking situation and every inch a proper pop star in waiting. The room was a bit more full by the end of her set. This is the curse of the pre-club gig circuit and the bane of support act life. “What’s That Sound” has hit pre-programmed all over it and if there was still such a thing as Saturday morning pop shows then “All Those People” would connect with the kids and they’d all run out to buy the single. Now I guess they just run to their keyboard and download it. Doesn’t seem the same somehow. Check out the songs on her myspace page, suspend the requirement to rock out in a conventional sense. You might like it. I know I do.

Friday, February 16, 2007

Thursday, February 15, 2007

Velvet Tinmine Radio

"This is Ben and I host (what I'm pretty sure is the only radio show) that plays nothing but 70's Glam Rock. Get 'yer boots, put 'yer lipstick and eyeliner on and tune in to 91.3 FM WBNY every Friday from 12 to 1pm in Buffalo, NY or to WBNY.ORG anytime!!!!" (Velvet Tinmine blog)

Link c/o Jos de Groot.
The Hold Steady are on the cusp of perceived mass audience acclaim, A Kaiser Chiefs for the "auld yins" in waiting maybe. Extremely accomplished and flashing strands of skewed pop music history. The preaching style of the singer, Craig Finn, is both entertaining and grating. I haven't heard the albums and possibly don't need to. The throng in Glasgow seemed to be ready to sing and clap along in all the right places. Blimey, there goes Cheap Trick, The Replacements, pomp era BOC and wild and innocent era E-street, Thin blinkin’ Lizzy. Even George Castanza channelling TMBG. They're capable of throwing considerable rock shapes. Guitars skirl but the real deal-breaker is the keyboards. That's what pegs it above your standard shouty indie angst.

The choice of opening bands didn't help. Derivative, not bowfing but utterly unremarkable, laid out the stall for the all-conquering visitors. The New York Fund - terrible name, not altogether bad. had one approximation of Freebird that almost held my attention. The Checks - Dearie me... no bouncing jokes please. All the supposed music bibles tell us that this HS will be huge. My money is on another act with the same initials. But what these guys do have are the ingredients down pat like a high-end ready meal and are a reasonable diversion. I just listened to Craig Finn's appearance on Tom Morton's show from yesterday afternoon (Wednesday if you want to access the Radio Scotland play it again facility). He's on some kind of mission and his combo are like a big blockbuster movie waiting to happen. There's no lasting afterburn but it's kinda fun during it's running time.

Wednesday, February 14, 2007

Valentines Day then... named after a Hello Saferide song. My plans to post a bunch of stuff last night crashed and burned in front of the TV. Had a stint at the dentist and sundry other chores conspire agin me. But anyway, today won't be much more productive i'm afraid. But here's a couple of things you may care to attend this weekend...

But first, Duglas Bandit (along with Messrs Blake and Wells) have recorded a special song for your day. Check it out here!

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Thursday 15th February

THE DOUBLE-SIX CLUB - at the Jazz Bar, Chamber Street, Edinburgh. 12pm til 3am. Free admishun.

Ska, Soul, Mod-Reggae & Easy 60s - with DJ's from The GO-GO.

This will be a monthly event, with next one being Thursday 8th March, then every second Thursday of the month after that.

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Firefox AK at the ABC2 on Friday 16th

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Southern Tenant Folk Union (The great Pat McGarvey's CP side-project)

Saturday 17th at The Village, Leith...
Sunday 18th at Brel, Glasgow (part of El Rancho Relaxo)

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Meanwhile, the hot V day ticket is The Hold Steady at the Cathouse in Glasgow tonight. Will they cut the spread-on chocolate? Your reporter will clue you in (much) later.

Tuesday, February 13, 2007

How can you top this????

Sunday, February 11, 2007

Bintangs - Café De Stad, Utrecht 11-02-07


Most of you garage fans probably know the Bintangs from their mid-60s recordings that are scattered over Pebbles-like compilations. Good as that stuff is I actually prefer the band's 70s work, when they finally found their own voice somewhere halfway 'tween Exile-era Stones and Wilko's Feelgoods (Try findin' their 1975 album Genuine Bull if possible) Anyways, it was probably 1979 or 80 when I last saw 'em and at that point they were one of the few truly powerhouse live-acts over here in the Netherlands, along-side the Rousers and Nitwitz. Durin' the 80s I kinda lost focus on 'em as most of their shows seemed either farewell gigs or reunions! So it was with some reserve that I accepted the invitation from my friend Jos to tag along and catch the Bintangs at a local bar earlier today.
The place was crammed with about 100 people (if that) and as soon as the band hit the stage all my reservations went straight outta the window. Poundin' out the Diddley beat like there was no tomorrow, they delivered again 'n again playin' nothin' but top notch material spannin' their entire career. Both hits (Ridin' On The L&N, Snake In The Grass) and cool surprises like Exciting Accident and Arthur Alexander's Burning Love. From the original 1961 (!) line-up only Frank Kraaijeveld remains but this current line-up rocks as hard as the one I saw a lifetime ago, never venturing into Stevie Ray Vaughn territory but playin' the R&B game as prophesied by the Pretty Things and/or Downliner's Sect. A lost art-form if ever their was one...
Thumbs up to those at Café De Stad who set this up. It was great to once again see a band like this play in such a modest setting and not in one of the over-sized, over-prized, over-organized soulless places that are the norm these days. A Pubrock-like experience in 2007, what a breath of fresh air...
I did have a mind to go see a couple of movies today but the weather is so godawful that didn't happen. So here are a few loose ends to tie up from the past couple of days...

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Some Youtube footage of Art Fein's annual Elvis Bash from January 8th 2007

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The Tielman Brothers as recommended by Kevan Aman.

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Roky plays Southpaw in Brooklyn on April 13th.

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From PJ @ Dirty Water Club... this offer is supposed to be for people on the DWC list but you can either pretend or better still join it if you fancy some of this action...

IN SHOPS AT THE BEGINNING OF APRIL...

Fortune Teller Records presents:

"SOMEWHERE BETWEEN HEAVEN AND WOOLWORTHS"

A 20-track compilation that includes The Dirtbombs, Mighty Caesars (Billy Childish from the '80s), Snatch (1st time on CD for I.R.T - a Sniffin Glue fave from '77), Minor Threat (who never normally contribute to compilations!), Robert Pollard (Guided By Voices), Television Personalities (two exclusives/covering Kelis and The Who), Schwab, Stewart Home (writer of Slow Death, Pure Mania), X Ray Spex (live at Rock Against Racism '78) and comedians Simon Munnery and Gary Le Strange.

Album is limited to 1,000 numbered copies only.

If you mention that you saw the album advertised here you save money on the shop price! E-mail info@fortunetellerpress.com

Yes, you get it for just £7 + £1 p&p (in the UK)!

Just one copy per address and the offer applies for a short time only so be quick.

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Maria Bartiromo (link courtesy of Mr Percival)

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From the opening chord of “My First Band”, the work of Ben Vaughn shot up the NBT charts and has cruised the top of those hallowed halls ever since. To me, this guy’s songs are up there with your Dylan, Young and Newman and in my book he’s been known to surpass all of those. “Vaughn sings Vaughn (Volume 1)” sees him revisit some old material. Dusting it off and giving it a fresh new coat of the lacquer that only he can give it. The Desert Classic era Vaughn has come a long away from the North Jersey days but the music still retains that inherent beach-music bounce that it always did. These songs breathe in all types of atmospheres. Just with a lone acoustic guitar or with a band in full flight. The liner note states that “the songwriter – longtime dealer in pop gems – has been perhaps overshadowed by Vaughn the composer.” Very possibly. If you’ve never heard these songs then prepare to be blown clean away. The version of “I’m Sorry (but so is Brenda Lee)” is pure E-Street band and swings like it came straight off Darkness On The Edge Of Town. There are four songs that I don’t recognise. “Beautiful People” is a ragtime paen to give a thought to those perfect individuals. I swear there’s a cheeky wee sliver of Brian Manson’s song of the same name in there but maybe it’s just me. “When?”, “Hotamighty” and “Dead Inside” are the others. Old favourites that get the spring clean are “On The Rebound”, “Shinglaling With Me” and “Lover’s Leap” and a good few more. Back to Peter Gilstrap’s liners… “It’s the first in a series of albums that will offer the complete and utter cataloguing of all songs Vaughn”. That has to be good news. Ben may well have a big house with a (desert) yard these days but he hasn’t lost anything in the process. That he’s able to re-present this material to a whole new prospective audience is indeed a beautiful thing. And if you didn’t pick up “Designs In Music” when you were asked to some moons ago then why not score both of these at the same time. Click here for the scoop or make contact via myspace.

The Sibleys “Tuesday” was recorded live on May 24th (a Tuesday – natch, 2005?) at The Palms Restaurant in 29 Palms. The neighbourhood that Ben calls home these days but that’s not the reason he ended up producing this, their debut album on Satisfaction Records. The facility was closed to customers that day while the band layed down their sparse, sprightly sun-kissed blues. There’s something about this stuff that reminds me of Beat Happening mixing it up with The Roches in terms of feel. It doesn’t sound like either. There’s a kind of Badalamenti score-mood quality to the material. “Shadows” wouldn’t have been out of place in the soundtrack to “Wild At Heart”, it has that grandiose simplicity. “I Don’t Smile (If I Don’t Want To)" has a “Velvets do Gloria” undertow. Seems like it could burst out full speed at any moment but never does. There’s a fractured displacement to “Tuesday” that is possibly down to the relative isolation of where it was recorded. There’s plenty of heart in the performance and this roadhouse spot will no doubt jump on occasion. The Sibleys display a Cowboy Junkies kind of malevolence that could endear them to a vast audience if they snuck in via something like All Tomorrows Parties. Someplace where people have an attention span.